AC Benus Posted April 18, 2019 Author Posted April 18, 2019 Good Thursday, and this has to be among the most remarkable recordings of Haydn ever made. The symphonic version of The Seven Last Words of Christ, led by Antoni Ros-Marbà, conducting the Orchestre de Chambre de Catalogne in 1965. Rarely is spiritual presented in such a spiritual way; it's amazing. 2
AC Benus Posted April 20, 2019 Author Posted April 20, 2019 As it's almost Easter...here is some happy music. This performance is almost breathtakingly fine. Beautiful. Francesco d'Avalos leads The Philharmonia in Clementi's Symphony No. 4. 1
AC Benus Posted May 11, 2019 Author Posted May 11, 2019 More music for spring The Beaux Arts Trio perform the finale from Haydn's Piano Trio in E flat, H.XV No.22 1
AC Benus Posted May 23, 2019 Author Posted May 23, 2019 An a cappella performance of Hard Times Come Again No More by George Cooper and Stephen Foster 1 3
Parker Owens Posted May 23, 2019 Posted May 23, 2019 1 hour ago, AC Benus said: An a cappella performance of Hard Times Come Again No More by George Cooper and Stephen Foster This is stunningly evocative, beautifully sung. I was transported. Thank you. 1
Mikiesboy Posted May 24, 2019 Posted May 24, 2019 11 hours ago, AC Benus said: An a cappella performance of Hard Times Come Again No More by George Cooper and Stephen Foster Michael listened to this earlier on his phone and told me about it. Wow what a wonderful piece... i love their voices truly beautiful. Thanks AC. 2
Site Moderator Reader1810 Posted May 24, 2019 Site Moderator Posted May 24, 2019 11 hours ago, AC Benus said: An a cappella performance of Hard Times Come Again No More by George Cooper and Stephen Foster This is stunning, AC. 2
AC Benus Posted May 24, 2019 Author Posted May 24, 2019 33 minutes ago, Reader1810 said: This is stunning, AC. Ah, thank you, Reader 1
AC Benus Posted May 24, 2019 Author Posted May 24, 2019 47 minutes ago, Mikiesboy said: Michael listened to this earlier on his phone and told me about it. Wow what a wonderful piece... i love their voices truly beautiful. Thanks AC. The song is really great. I love it in most of the performances I've heard 1 1
AC Benus Posted June 3, 2019 Author Posted June 3, 2019 Overture to Offenbach's German-language opera, Die Rheinnixen 1
Parker Owens Posted June 10, 2019 Posted June 10, 2019 I've been lucky enough to be backstage for a local music festival. Here's a piece played recently: Verdi's String Quartet in e minor. Apparently, he dashed it off while waiting to stage Aida. 2 2
AC Benus Posted June 11, 2019 Author Posted June 11, 2019 @Parker OwensThanks for sharing the Verdi video. The finale is surprisingly complex, and reaches in several places for what I'd consider unusual harmonies. It's very engaging 1
Parker Owens Posted June 11, 2019 Posted June 11, 2019 9 hours ago, AC Benus said: @Parker OwensThanks for sharing the Verdi video. The finale is surprisingly complex, and reaches in several places for what I'd consider unusual harmonies. It's very engaging The second movement truly made me think of a stage scene; this sounded so much like a dance, or characters circling each other and singing. But you’re right about the fourth, which exposes a side of Verdi we don’t always hear. 1
AC Benus Posted June 23, 2019 Author Posted June 23, 2019 The most beautiful form of twin-speak ever! Lucas & Arthur Jussen perform Schubert's Fantasy in f-minor 2
AC Benus Posted June 28, 2019 Author Posted June 28, 2019 Joseph Wölfl - Piano Concerto No. 4 in G major, II : Andante
Thorn Wilde Posted July 3, 2019 Posted July 3, 2019 (edited) I feel like this belongs here more than in the other music thread... Sommernatt ved fjorden (Summer Night by the Fjord in English) is a song by Norwegian composer Kjetil Bjørnstad, performed by opera singer Ellen Westberg Andersen. It was recorded in 1978. The song tells a story of the Norwegian painter Oda Lasson (later Krohg when she married Christian Krohg, another famous painter) and her lover, the writer, philosopher and activist Hans Jæger. Oda, Krohg, and Jæger's love triangle is famous in Norwegian cultural history. They were all part of a group of artists and subversives known colloquially as the Kristiania Boheme (Kristiania is an older name for Oslo) in the late 19th century. The song describes the couple out rowing late in a bright summer night, told from the point of view of Oda's sister, Bokken Lasson, who was a singer, song-writer and troubadour. My translation of the lyrics is in the spoiler. Spoiler Jæger rows And Oda sits in front in a boat that they have taken I stand by the window tonight And a violet is my comfort Soon the summer wind announces autumn But the light is in the north Blessed are you who row The boat glides Now Jæger releases the oars and leans forward She takes his hand, it is his home She laughs, I see that a boat Bows its nose down so shy in shame For what takes place on board And the hot and fevered words Something happens He lies there with his head in my sisters dark embrace A black bird wakes us with its song A little boat glides along Between night and day upon the fjord In Hvidsten where we live Jæger rights himself and rows Another night Is over, the light comes suddenly My sister is a bit tired A steamboat sounds, he rows straight Towards this house, that is all And I shiver, for it is quite cold But Oda Lasson smiles To her pale suitor The boat Is tied to the pier beneath my window They stand up He tries to lift her body up He loves all that she is But he understands he is too near He kisses her hair The sun comes, and he departs Edited July 3, 2019 by Thorn Wilde 1
AC Benus Posted July 10, 2019 Author Posted July 10, 2019 Based on a hagis-fueled Scottish novel of the most Scottish type by Walter Scott, here is François-Adrien Boïeldieu's overture to La dame blanche (or the Woman in White)
AC Benus Posted July 21, 2019 Author Posted July 21, 2019 Neeme Jarvi leads the Detroit Symphony in Bristow's Symphony in F sharp minor, movements two and three. 1
AC Benus Posted August 5, 2019 Author Posted August 5, 2019 A Shostakovich andante for a still summer afternoon.... 2 1
AC Benus Posted August 26, 2019 Author Posted August 26, 2019 (edited) A rockin' trifecta. Michael Hofstetter and Anna Bonitatibus bring alive Cimarosa's 32-minute long scene of unbroken music from Act Two of Gli Orazi e i Curiazi, 1796. That war-torn decade produced the turmoil represented in this Classical story of two families driving their nations to war, despite the blood and sorrow it means. This scene is the rushing moment war becomes inevitable. (Sorry for the over-use of the wind machine at the start of the scene... It goes away quickly.) Cimarosa's grand opera is considered by many to be the greatest of the entire 18th century. A recording like this show why. Edited August 26, 2019 by AC Benus 1
Parker Owens Posted September 20, 2019 Posted September 20, 2019 Today I read the chapter Into the Storm from @Mikiesboy's awesome book The Searcher. This chapter reminded me of this piece of music - both get to my heart. 2
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