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    AC Benus
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Poetry posted in this category are works of fiction. Names, places, characters, events, and incidents are created by the authors' imaginations or are used fictitiously. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 

a Glass Floor Underfoot - 4. how devout's my scream

.

Der Riese

 

Die Meere hab ich getrunken, die Meere sind leer,

Und keine Flüsse von Bergen her werden sie füllen.

Die freundlichen Völker wimmelnd rings um mich her,

Wie nun ihr Blut an meinen Füßen gerinnt.

 

Wolken, die tiefen, und hochfliegende, fing ich mir ein,

Presste sie aus, Schwämme den dorrenden Lippen.

Könnt’ ich die Sterne aus ihren Fassungen brechen,

Aus ihren unheimlich drohenden erhernen Schilden.

 

Was frommt mein Schrei, dem schallend kein Gegenschrei folgt,

Mein geschütteltes Haupt, dessen Locken wie Vipern sich ducken.

In dem erschrockenen Äther mein einz’ger Genoss ist die Nacht

 

– Aber die Nacht ist hohl und saugt meinem Leibe die Seele.

Und der dröhnende Tag, der dumpf meine Stirn schlägt. – [i]

 

 

---------------------------------

 

 

The Rover-Giant

I've drunk the lakes completely, now the seas are dry,

None shall be the rivers from mountains to fill them.

And see the friendly nations who swarmed about me

As their blood now curdles in my footprints.

 

Clouds, both the low-slung and high-flying, have I caught,

And wrung them out like sponges to oft-barren lips.

If I could pry celestial lights from their sockets,

I'd pull them from their unearthly shield's threat.

 

So tell me, how devout's my scream if not followed

By one equally sincere? My head is shaken,

And its curls crouch like vipers, for in the chill air

 

– Night's my only consort, but she sucks my soul.

While the droning day dully beats my brow. –

 

 

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Franz Marc Genesis II (1914)

 

 

 

 

 


[i] Der Riese (“The Rover-Giant”)

Der Kunstwart, Vol. 27, No. 16, May 1914, p. 270

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Copyright © 2022 AC Benus; All Rights Reserved.
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Poetry posted in this category are works of fiction. Names, places, characters, events, and incidents are created by the authors' imaginations or are used fictitiously. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 
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For some reason, this puts me in mind of some late romantic symphonic tone poem. It feels as if each section could be the descriptive text for something by  Saint Saens, or Mussorgsky. 

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On 6/7/2022 at 4:27 PM, Parker Owens said:

For some reason, this puts me in mind of some late romantic symphonic tone poem. It feels as if each section could be the descriptive text for something by  Saint Saens, or Mussorgsky. 

Thank you, Parker. Hearing a musical connection is a wonderful thing to experience :yes:

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In my effort to understand the poems and the images he is trying to express here, I took a brief look at history.  The timing of this one, just before the start of WWI, makes me think he's expressing pre-war Germany.  Regardless, the imagery is very compelling.

Edited by Backwoods Boy
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1 hour ago, Backwoods Boy said:

In my effort to understand the poems and the images he is trying to express here, I took a brief look at history.  The timing of this one, just before the start of WWI, makes me think he's expressing pre-war Germany.  Regardless, the imagery is very compelling.

Thank you, Jon. With this poem, I became acutely aware of the European traditions of giants. More often than not, they are seen as travels; ever forlorn, ever on the move from one remote mountain valley to the next. That seems the base-point from which this poem launches itself.

And it seems much different than the Jack and the Beanstalk giant we grew up with in fairy tales  

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