Book Review: Make Death Love Me by Ruth Rendell
It is 1979 and Alan Groombridge, the manager of a small, provincial town bank, has a fantasy. One day, he’ll steal all the money from the bank’s safe and run away from his suffocating life. A life with a wife and children he no longer loves and doesn’t even like. But he only gets as far as taking the money out of the safe, when he is alone in the bank, putting the money in his pocket, fantasying about where that money will take him, before putting the money back. Then one day, as he holds the money from the safe, the bank is robbed at gunpoint. But these robbers, Marty and Nigel, are almost comically inept; they end up taking the bank’s cashier Joyce and one other employee hostage and leaving with a fraction of the bank’s money. On a wild impulse, Alan runs away with the rest of the money to fulfil his own fantasy.
This is only the premise of this novel.
This is no comic story of a failed bank robbery but instead a downward spiral of four characters swept up in a moment’s bad decision. Ruth Rendell charts these characters’ lives and bad decisions with spot-on physiological skill; her plot comes out of her characters’ psychology rather than forcing them into her plot. She unnervingly captures the changing dynamics in her characters’ relationships, the shifting power dynamics. An illegally acquired gun becomes a lightning rod for the power between three of the characters, corrupting and ultimately destroying them.
This isn’t a conventional crime novel, where a crime is committed and a detective must solve it. This is a novel about the effects of a crime, the effects it has on all the lives touched by that crime, the guilty and the innocent. Rendell wrote these psychological crime novels alongside her Chief Inspector Wexford detective novels and later alongside her Barbara Vine novels. At their best, and this novel is her at her best, these psychological novels are refreshingly interesting and darkly original, and several of them were her best novels.
Make Death Love Me is an uncomfortably original novel and, if you have never read one, a good place to start reading Rendell’s psychological crime novels.
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