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Autumn of my Mind


B1ue

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Contrary to popular belief, California does have seasons. They are Tourist, Fire, Holiday, and Flood. I find myself strangely homesick, because I can smell ash in the air. Not that I can escape out of the city if I wanted to, all the places I would run to has a fire blocking access. I wonder how the people at my old job are coping. At my current job, hair is being pulled and feet are being stomped, and I got to gently tell customers that it sucks to be them that the fires cut off major shipping routes.

 

I'm trying to think of a way to approach the next anthology, but I'm having trouble. I think my intention to do a more humorous version of Khayyam may not will out, due to the heavy tinge of regret the theme seems to lend itself towards. Now I don't in general regret, so that in and of itself is unfamiliar to me, but the idealized and simplified personalities that I use for my characters never regret. That's a flaw I have as a writer, I know, but you will never hear me state that I'm any kind of great novelist. :P Also, I have already pretty much summed up my feelings on "the Road Not Taken" right here1. Anything even close to that would only be a sloppier rehashing of that poem, of which I am quite proud. The opposite view, relief of a danger avoided rather than wist, might work, but I need to think about it.

 

Edit: I accomplished something this past week, I finally beat Final Fantasy XII. This isn't a major accomplishment, but one nonetheless. As usual, it was the story that I played for, though the gameplay was a thousand leagues ahead of the previous incarnation. What I liked this time around was that they deliberately f--ked with everyone's expectations. There was the usual band of misfit heroes: the mercenary, the witch, the thief, the princess, the sidekick, the knight, etc., and I'll bet money that everyone who followed the games expected the story to fall into a certain pattern and to revolve around a tormented love between the princess and the main character. Except it didn't happen. In fact, the main character didn't get any action at all, which I cannot recall ever happening since the first game. Hell, in seven, eight, and ten the main characters got a couple beauties to choose from (in nine the main character was hit on by just about everyone, including a male villain and a six-year-old girl). I kept waiting for them to pair off, sure that, even though she was clearly still in love with her deceased spouse and he was more interested in a big brother than a girlfriend, they would get their minds untangled and knock boots. I waited until about two thirds of the way through, when I realized that it wasn't going to happen, and that the game was subtly mocking that expectation. Usually, that kind of behavior irritates me, but it only made me smile this time. It wasn't mean spirited after all, just a joke.

 

1Whoa. 700 reads. Crazy.

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sat8997

Posted

I think my intention to do a more humorous version of Khayyam may not will out, due to the heavy tinge of regret the theme seems to lend itself towards.

 

Now see...why is it usually assumed that the 'road not taken' has to include some sort of regret? Why can't it be that that expected 'road' was, in fact, the wrong one anyway. That way the 'road' you did end up taking turned out to be the right one after all. Just a thought...

 

Sharon

B1ue

Posted

You are absolutely correct, of course. I merely stated that the topic lent itself to tales of regret, bittersweetness, and wist, which was the first thing to pop into my mind when I started to think about the topic. Well, the second thing. The first thing was a story about getting lost in the woods, but I discarded that as a bit flippant. I may go there, naturally, but I wouldn't stop there.

 

But as you say, the topic also lends itself to themes of, "There but for the grace of god go I." My problem with that interpretation is that one of my favorite authors, Lois McMaster Bujold, has written extensively on this topic, enough that most of the words I am using to describe this type of story come from her novels. See, in a large way, I learned my style of writing reading her novels, so it would particularly easy for me to simply retrace paths she has already walked.

 

I never thought about it before, but I learned how to create characters from her, how to dialog and describe from Alice Hoffman, and how to structure (sentences and plot) from William Faulkner. How very odd that I've missed that all these years.

Lucy Kemnitzer

Posted

Maybe Khayyam isn't doing for you what you think he is. Maybe it's something else. It may be that Khayyam allows you to do the world-weary sophisticate by being in the positions he's in. This is always problematic for us Californians, because we have a rural and wilderness backdrop for our cities, and an orientation to the outdoors that urbane people aren't supposed to have. We express our urbanity differently from sophisticates of other locales, though. "World-weary" is generally not it!

 

Speaking of "there but for . . ." We're not burning up here, but we could be, and I'm certainly feeling for you guys. What astonishes me is the hatred being poured on Southern California instead of sympathy. The whole southern half of the state is being painted as the home of nobody but the super-rich and self-indulgent. Yes, most of the houses in Southern California ought not to have been built where and how they were built, but most of the houses on every coastline, riverbank, and the Great Plains ought not to have been built where and how they were built, and it doesn't make their residents villains unworthy of our sympathy.

 

When you connect railroads and fire in my mind, it goes deep -- my dad worked on the railroad for a long time when I was a kid, and also we had fires where we lived regular as clockwork every summer.

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