Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you.
Moonlight Shadows - 1. Act 1 Scenes 1-6
Act 1
Prologue – A Blank Canvas
The play opens with the house lights still in operation. This scene should introduce the characters in the play with only a few words spoken. A Central Spotlight appears. No one is present on stage, there is a desk and a lamp beside it. B/O. Three Spotlights Appear. Two seats on the spotlights on the left and right. B/O. The Central Spotlight appears and this contains a man in a black suit , his name is The Writer. The writer is sat writing at his desk with a quill at his hand and his lamp off. His lamp remains off till the end of the scene. B/O. The Left Spotlight appears with the character called Rita stood in it. She is looking very young and energetic. She stares at the writer’s space , which is in darkness. B/O. The Right Spotlight appears with the character called Jacob sat in it. Jacob is sat on the side of the chair with the front of his body facing the writers space which is blank. He as with Rita , looks youthful. B/O. The Central Spotlight appears with just the writer sat in it , He has a glass of water. He takes a drink and picks up this time a biro pen. B/O. The left spotlight appears with Rita looking quite a bit older and is now wearing old “granny” glasses. B/O. The Right spotlight appears with Jacob looking older with an old man’s cardigan on and old man’s glasses. B/O.
The Central spotlight appears with the Writer, this time having a laptop or modern notebook. B/O. The left spotlight appears , Rita appearing much older now , with her granny stockings on and walking with a walking stick or walking aid , she looks into the writers space. She looks angry. B/O. The right spotlight appears. Jacob appears much bolder or with white hair , he is stood like a cripple. He stares angrily at the writer’s space. B/O. The 3 Spotlights appear. The writer is still writing. Rita and Jacob approach the table. B/O. The writer turns his lamp on. He places his notebook or laptop in one of the drawers of the desk and stands. Rita and Jacob see him stand ( they are currently stood in the central spotlight ) and slowly but surely flee. The writer walks around the table and sits on the front of it. The stage is only lit by the lamp ( the lamplight can be represented by the houselights ) , giving us an idea of solitude and that the writer creates his own light. Which he can turn off at any time.
Writer
The wondering nature of life. I would sigh but I haven’t the breath. I hear you asking what just happened. Are you expecting me to explain
It will explain itself in this process we call theatre. I am not here to entertain you. I am merely here to watch. To keep the house clean, to keep it in order by doing things
like turning a lamp off.
He turns the lamp off and the house lights fade. We hear a bus parking noise.
Scene 1 – The Bus
The writer boards the bus, he ignores the driver who doesn’t see him and sits in the front side seat on the right. Another man was already sat on the bus is sat at the back of the bus in the corner.
A Wispy but affectionate old man called Jacob half boards the bus. He waves stage right to Rita, an old woman who is standing just off the bus.
Jacob
See you later my dear, I hope you enjoyed our time together.
Rita
You know I always do. Will see you at some point, I will visit soon!
Jacob
I look forward to it, so long.
Rita
Farewell.
Rita exits stage right. Jacob walks past the driver.
Driver
Morning.
Jacob
Oh sorry, didn’t realise. Single, Daventry.
Driver
Long way mate. Well, four hours. Depends on timing. Ah well, long bus routes take long time. £9.90 please.
Jacob
Wonderful, I’ve always wanted a bus journey that long.
Jacob sits down on the first seating facing forward on the left. He smiles and waves outside the window at Rita who is offstage. B/O
Scene 2 – The Bus
The Fashionable Girl ( FG ) Enters. She is constantly pouting and giving evil glances at people she is on her phone.
FG
You what I mean! I mean! He was so wonderful. Errrr.. Single To Northampton please. No Darling I was talking to the bus driver.
Driver
£7.80 please.
FG
Anyway, Talk to me darling! Oh my god you lucky…
The Driver Deliberately Coughs
FG
Oh hang on. What!
Driver
£7.80 please.
FG
Oh sorry , I wasn’t listening! (Into her phone) Four times in one night?
He prints her ticket
Thanks Darling
Driver
Don’t call me darling.
Writer
I wouldn’t call him darling because he has anger management issues. Its best not to annoy those who are controlling your mode of transport. But what am I to say, I’m not even here. Really.
She obviously doesn’t hear him and the driver doesn’t hear him either. No one can hear him. Except Jacob.
FG
(Back on phone) Ok. What!? Monoglian Cluster? No way…
Writer
I sometimes wonder if this is the epiphany that everyone is waiting for. A drunken young woman moaning about sexual positions. Can I really write about this?
FG
Like , Oh my god!
She puts the phone down. B/O
Scene 3
A Nurse boards the bus. She is anxious. The Driver gives her evils.
Driver
Where you off to.
Nurse
Earls Barton. Single.
Driver
Clock on my machine isn’t working. What’s the time.
Nurse
4.20
Driver
Great, already 10 minutes late. Have you got the money or not?
Nurse
How much?
She rummages through her purse.
Driver
£5.80
Nurse
I only have a £5 note. Bugger. Can you just let me on? I’m visiting my brother he only just got out of hospital. Can anyone lend me 80p
An awkward silence. Jacob stands. Hands her a £1 coin.
Jacob
I have a pound coin.
Writer
Random acts of human kindness.
Jacob
Keep the change for yourself my dear. You look like you need it.
Nurse
Thanks, I owe you one. What's your name and address, I’ll pay you back.
Jacob
Just forget about it. Okay?
Writer
She needs the money. She intends to pay it back.
Nurse
Wow… erm thank you.
She sits behind the writer and opposite Jacob. B/O
Scene 4 – The Bus
The Writer scribbles a lot faster than usual. The fashionable girl takes a phone call.
FG
Hello?
No Answer
What’s up? Kamal! What is it?
A man appears in a spotlight. It’s Kamal. He is dressed in his funeral suit. He is sad.
Kamal
Minerva. Minerva. It’s a bit hard to say. Mum passed , No that’s not the way to say it.
Writer
You do realise that she’s as thick as two short planks. People these days.
FG
Kamal … What?
Kamal
Mum’s crossed over the border.
FG
Oh no! What … To France?
Writer
Oh for god’s sake woman!
Jacob laughs.
Kamal
No… to the afterlife…
FG
Err... What?
Writer
No wonder you failed GCSE English four times!
FG
Oh! She …?
Kamal
Yes.
FG
Oh…
She cries. Kamal Exits. The spotlight is removed.
Jacob
Are you ok my dear?
FG
Oh I’m just fine , thanks.
Jacob
Are you sure?
Man
May I be of any assistance.
Everyone jumps , no one realised he was there except the driver and the writer. The writer knows all.
Writer
Driver, intervene.
Driver
Oh , he was on here before you all. He boarded at the station. Meh, if he’s willing to pay more money then I have no problem.
Man
Yes I did , Do you have a problem with that.
Jacob
Young man. That is hardly the attitude to have.
Man
I think not , in the words of the late great Arthur Conan Doyle , elementary , My dear Wattson.
Jacob
Jacob.
Man
Jacob. Whatever. You have an argumentative nature possibly caused by an unhappy and beaten childhood with a broken heart. Yes that’s correct. Am I correct.
Writer
By George, This man may be even more philosophical than I am. Good Lord, I must stop myself. But its so delicious!
He scribbles madly.
Jacob
Why you , you are quite right.
FG
Ok first of all this is my dilemma and I don’t want anyone butting in with it ok!
Man
But you see. I can. I’m a PhD Psychiatrist. Do you need someone to talk to?
FG
No! I don’t have a mental problem.
Man
Ok. If that’s what you want, I won’t stand in your way.
Writer
That sorted that problem out. I love it when a plan comes together.
B/O
Scene 5 – The Bus
The writer is busy scribbling his writings.
Jacob
Excuse me sir.
The writer ignores. Jacob walks and sits next to the writer. The other passengers are looking very strangely at Jacob.
Excuse me , I’m trying to talk to you.
The writer scowls.
Writer
What.
Jacob
Who are you?
Writer
You can’t see me , I am a figment of your imagination.
Jacob
I can certainly see you and you are certainly not a figment. And I ask you again. Who are you?
Writer
Ok can you see. Now can you leave me alone.
Jacob
Who...
Writer
(Interrupting) Just leave me alone! Can’t you leave me alone , can’t you see I’m working. I’m the writer. Now go away!
Jacob
Thanks. That is all I wanted to know.
He walks back to his seat. B/O.
Act 1 Scene 6 – A Bus
Driver
Next stop, Northampton.
Nurse
Thanks.
Driver
You’re welcome.
A group of 5 yobs board the bus.
Yob A1
How long till Northampton.
Driver
Hang on.
Yob A2
Come on we don’t want to wait here all day!
Yob A3
You’ll be late!
Yob A4
And you don’t want that.
Yob A5
Do you?
Driver
I’m only one man! About an hour. Direct route.
Yob A1
Well. That’s not quick enough.
Yob A2
Yeah! Not quick enough.
Yob A3
Can’t you speed?
Driver
No I can’t. I can’t speed for you.
Yob A4
Why not!
Driver
Because It’s illegal.
Writer
I’ve had enough of these so called yobs.
He stands up and walks to the front of the bus. He enters a surreal world which only The Writer, the yobs and Jacob can see it.
Writer
Turn around and look at me boys.
They do so.
You have two choices. One, I leave you alone and you get on and nothing has to go wrong. Two, I kill you all by removing you from existence itself. Your choice.
Yob A5
What if we don’t choose?
Writer
Then I shall remove you anyway. Everybody knows that everybody dies.
All A Yobs
Yeah right!
Writer
I did not want to do this. But you have pushed me too far…
He takes out an eraser and for the first time he rubs something out of his notebook. He is mind controlling the A yobs.
All A Yobs
Life tells us to kill ourselves.
Jacob
No don’t do that to them. They are only children.
Writer
Oh yes I forgot. Humans show compassion. I was looking forward to that.
He takes out a pencil and writes out something.
All A Yobs
Life tells us to go home and stay safe.
Writer
I was going to enjoy that.
Jacob
Well it was inhumane.
B/O
Writer
I’m not human.
Jacob
Right. Sure you're not...
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you.
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