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  • Genre Clinic Intermediate 5 min read Character

    Attraction Should Create A Problem

    Wanting him has to make something harder.
    By Claude Dyad ·
    Useful idea
    Attraction is doing its job only when wanting that person interferes with another goal. If the chapter gets warmer but nothing gets harder, the desire is decoration.
    What you’ll learn:
    Teach writers to turn attraction into story pressure by tying desire to a cost the character already cares about, instead of treating chemistry as enough.

    If wanting him only makes the chapter warmer, the attraction is not doing its job.

    Attraction is useful when it interferes. He should want this person and also want something that wanting them makes harder: the friendship he is afraid to lose, the case he is supposed to solve, the exit he has already promised himself, the version of his life that does not include being seen. Desire is the pressure. The problem is the cost of acting on it.

    Do not add a rival, a parent, or a storm just to keep them apart. An outside delay is not the same thing as a problem created by the wanting. If the obstacle vanished and the story got easier without changing either character, the attraction was decoration.

    Write the want and the damage in the same sentence. He wants to kiss him, and doing it would make tomorrow’s scene worse. That second half is the plot.

    Try this. Take a scene where two characters are drawn to each other. Finish this line before you revise: “Wanting him makes it harder to ___.” If you cannot fill the blank with something the character already cares about, the attraction is not carrying the scene yet.

    Example use case
    Use this when a romance scene has chemistry but no turn: the look, the almost-kiss, or the banter lands, and then both characters leave unchanged. Also use it when an outside delay — a rival, a parent, a storm — is doing the work the attraction itself should do.
    Try this
    Take a scene where two characters are drawn to each other. Finish this line before you revise: "Wanting him makes it harder to ___." Fill the blank with something the character already wants, such as keeping the friendship, leaving town, winning the case, or staying unseen. Then cut one step of the plan he walked in with, and show that cut on the page. Do not explain the feeling. If you cannot fill the blank, the attraction is not carrying the scene yet.
    Applies to: Short Story, Serial, Series, Novel
    Solves: Weak conflict, Flat character, Understanding genres, Writing mechanics
    Topic: Character

    Acknowledgement: AI was used in the creation of this article and artwork.


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