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    JLynch
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Stories posted in this category are works of fiction. Names, places, characters, events, and incidents are created by the authors' imaginations or are used fictitiously. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 

All My Dreams Pass Before My Eyes - 34. Chapter 34 The Lighthouse

Carey returned to his study table in the library after returning several books to the stacks. Notebooks and his laptop stacked neatly. Empty coffee cups and power bar wrappers dumped in a nearby garbage can.

His last semester as an undergrad. Most students had already left campus for MLK weekend. Carey lagged behind, partly to finish up some loose ends, but mostly to put the finishing touches on his application to the RAND Corporation’s associate program. After a headhunter called him out of the blue, he had two telephone interviews with some people at RAND in California. Fill out the application, he was told. We’ll probably bring you out for a visit in a couple of weeks.

He smelled him before he saw him. Oatmeal. His breath caught in his throat. Carey jerked to his feet as he turned to find Apollo staring at him. They were both frozen in place for a moment. Not a word was said. Then, spontaneously, they threw themselves at each other. Bodies crushed together, arms and hands held tightly around each other, both gasping.

They held each other for a long time before Carey pulled away, tears in his eyes.

“You fuck!” He screamed. “Where have you been?”

“A few places,” Apollo replied, as he tried to catch his breath.

It took awhile to get Carey calmed down. First, sitting at the library table, later at a bar near campus, he recounted the months he’d been held captive as Amir’s sex slave.

“Won’t he come for you?” Carey finally asked.

Apollo smirked.

“He’s got other distractions now. I’m day old bread.”

They held each other tightly as they lay together in Carey’s narrow bed. Apollo stared off in the distance.

“This is it.”

“Mmmm. What do you mean?” Carey was beginning to dose. He was emotionally exhausted.

“Forever. This is the way it’s gonna be.”

Carey nuzzled into Apollo’s neck, drinking in his luscious smell.

“I like the sound of that.”

***

The next morning.

Carey stared up at the ceiling.

“Let’s get outta here.”

Apollo chuckled, “Where to?”

“Ever heard of Tybee Island?”

This time of year, the Island was mostly deserted. Cold and wind swept. They were able to get a room at The Sandcastle good and cheap. After driving straight through, they settled in for the long weekend.

Along the way, shared hopes and dreams. Carey felt really good about his prospects with RAND. Apollo wasn’t crazy about returning to Los Angeles, but Santa Monica wasn’t exactly LA. Maybe he could get into the math program at UCLA. They laughed until they cried about what his essay might be about. Former sex worker, turned math genius.

They had just finished getting out of Carey’s car.

Apollo groaned as he turned around. “What’s up, Omar?”

A moment earlier, he’d heard that high pitched squeal of a laugh. Besides the usual sneer on his face, this time Omar also held a gun in his hand. Carey stared, open mouth, a stunned look on his face.

“Strike three, you out.”

“Whatever happened to strikes one and two?” Apollo asked, a note of sarcasm in his voice.

“The way I play game it’s just strike three, you out,” Omar replied, the smile vanishing from his face. He used the gun barrel to motion for them to move across the street to a sedan parked on the other side. With his key fob, he popped the trunk.

“Let’s take a ride.”

“Are you fucking kidding me?” Apollo blurted, his voice hitting a panic level.

“Get in,” Omar pointed to the trunk.

Reluctantly, Carey and Apollo climbed in.

“Why don’t you just do it now, fuck face,” Apollo glared at Omar.

He shrugged. “Rental. Don’t want to get the trunk messed up.”

With that, he slammed the lid down on them.

They bumped along inside the trunk. Pitch black. Carey felt around for the inside trunk latch. When his fingers touched the spot where it was supposed to be, he found that it had been cut off.

“What’s gonna happen?”

The air was getting clammy. Carey was feeling nauseous from the vibration and the car jerking as it turned left and right. He could barely make out Apollo’s features.

“I dunno, but don’t be scared.”

Carey smirked. “Thanks for the comforting advice.”

Eventually, the car rolled to a stop.

When Omar opened the trunk, the sound of squawking seagulls met their ears. Climbing out, Carey and Apollo looked up at the Tybee Lighthouse, a singular spire rising up against a gray winter sky. The car was parked in a barren parking lot. Tybee Light was apparently closed.

“Let’s take a walk.”

He motioned them to cross the street, through the battery, and onto the windswept beach. Not a single person was in sight.

Omar, all serious now, pointed the gun toward the ocean. Two blindfolds came out of nowhere.

“Put these on.”

Carey quickly complied. Apollo just glared at him.

“Why don’t you just fuck off, fuck off?”

Omar just shrugged.

“Suit yourself.” Then, “Hands behind your heads, on your knees!”

Not like bending down, more like collapsing. Carey’s knees hit the wet sand, a foot or so from the water. Low tide. Apollo beside him.

“You like Boyz II Men rifaqa?” Omar squealed with a cackle.

Not getting a response from either, he continued, now singing.

“You know. ‘Although we've come to the end of the road, I can let you go.’” Off key. In an obnoxious falsetto.

“I think it’s, ‘I still can’t let go.’” Apollo corrected.

“I changed. You don’t mind?” Omar smiled with his teeth. Not a real smile.

“C’mon Omar,” Apollo smirked.

“I told you once before. Leave us? You die,” his tone becoming more serious.

The seagulls’ screeching seemed to have turned to murmurs, almost as if they were saying goodbye, the waves slapped the beach as they crashed into the shore, perhaps clapping a farewell. He’d read somewhere that, just before you die, your entire life flashes before your eyes. Instead, Carey saw only the future. Tenured Professor of Political Science, Apollo at his side, himself a Professor of Mathematics, his husband. A life of harmony and peace. So many good, good, friends. Toby, Bell, Randy, Scottie, Micah, even Harper. Part of a long forgotten poem came to mind, possibly lyrics to a song: “All My Dreams Pass Before My Eyes.” Everything was bright all of a sudden, even though he was wearing a mask. He took a deep breath, convinced it would be his last.

It sounded like Omar was about to say something. But, then, without warning: Boom!

Carey jerked with the sudden crack of the gun. It wasn’t for him, though. He was still there. He heard the body hit the sand. He knew it was Apollo. Tears filled his eyes and he started hyper-ventilating. The back of his head and his cheek were instantly wet.

Then suddenly, a voice.

“Deng!”

Wait a minute! That was Apollo’s voice! One hand still behind his head, Carey pulled the blindfold up with the other and swiveled around. Nearby, Apollo stood, staring at a heavy set Chinese guy. He held a gun, his arm still outstretched, smoke curling out of the barrel.

Omar lay face down in the sand, the back of his head blown off.

“God! I hated that guy!” Deng exclaimed.

Carey scampered to his feet. He held his hands up for a moment. Then glancing at Apollo, just standing there, he slowly lowered them to his sides.

“This doesn’t change anything. Amir will still come after me.”

Deng smirked.

“I think not.”

***

A few days ago, after muttering that word, “enough,” Deng put the wheels in motion. Accessing his super secret folder of some of the most salacious sex acts Amir had directed and participated in, he bundled them all into a zipped file.

The President of State Security for the Kingdom, Abdulaziz bin Mohammed Al-Howairni covered his eyes after watching the first few minutes of one of the videos. Deng had surreptitiously sent the folder to him.

“Mutaqazziz!” Disgusting!

A brief meeting with the General Directorate of Investigation followed after authentication of the videos was confirmed. Lashing? Beating and lashing? Death? Lashing, beating and death? So many options!

Returning from the lavatory where he put his finger down his throat to induce vomiting, Abdulaziz wiped his mouth, rinsed it with water, and directed his assistant to send the dispatch.

Thousands of miles away, Amir had just finished licking the tip of a delightfully warm and sweet tasting dick. It was attached to the slightly sweaty, aromatic body of a skater boy he’d picked up on The Strand in Hermosa Beach.

Earlier, he had been so enraged about Apollo’s disappearance, he had practically lost all control.

“Find him and finish him!” He commanded Omar through gritted teeth.

He was still furious. But, today, after popping a couple of pills and washing it down with a gulp of Courvoisier, he mellowed out enough to charm the kid into a room at the Beach House. He resembled Apollo in all the right ways, from his long greasy blond hair to his pale hairless body and magnificent cock. Just as he was running his hand up the inside of the boy’s smooth thigh to the base of his almost hairless balls, he heard a text come in.

Normally, he ignored messages. He was intrigued, though. Perhaps Omar had already tracked Apollo down. A mixture of anticipation and dread. He wanted Apollo dead but he was also going to miss him. Amir reached for his phone.

“Report to President of State Security for the Kingdom, Riyadh. Emirates #2375 tonight.”

He sat up straight, immediately unable to control his breathing.

***

Carey thought he was going to be sick as he helped Apollo and Deng pull Omar’s body into the surf. He’d never seen someone’s head opened up like that, his brain looking like a bunch of twisted noodles. Riptides and whirlpools formed around Omar as the low tide sucked him out to sea. They stood there for awhile, knee deep in the water, watching the body slowly disappear.

The two boys stood silently as Deng explained what he’d done and the likely outcome for Amir.

“I don’t know what to say,” Apollo said.

Carey was speechless. He just looked at Deng.

A humorless chuckle.

Before turning away, Deng said, “This is the end of the road.” Pointing, he continued, “Ahead, is the rest of your life.”

 

THE END.

 

p> Thank you so much for reading my story. I hope you enjoyed reading it as much as I enjoyed writing it. As I talked about in some of my comments and in responses to private e-mails, this work is entirely character driven. I so much fell in love with Toby, Carey, Bell, Apollo, and all of the others. I smiled as I wrote them, often times, rolling their words around in my mouth. Maybe, Omar and Amir, not so much.

I considered this work complete before I published the first chapter, or so I thought. But, comments many of you made and guidance from gayauthors.org’s very capable moderators induced to me rethink several chapters along the way. I have no doubt the story was improved, as a result.

If you’re so inclined, dear readers, perhaps you’d like to fill out the recommendations section and, if you’re so inspired, you might write a review. I would be so very grateful.

Copyright © 2024 JLynch; All Rights Reserved.
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Thanks for reading this story. Comments and criticism will greatly be appreciated. You can comment on this site or send me an email: jacklynch945@proton.me.
Stories posted in this category are works of fiction. Names, places, characters, events, and incidents are created by the authors' imaginations or are used fictitiously. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 
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Chapter Comments

18 minutes ago, Lee Wilson said:

Mixed emotions. I'm kind of sad to see it end, but also was getting lost among the multitude of characters as the story went on. I set some recommendations, but really wish there was one for "Confusing."

Also, don't forget to mark it Complete so it can be reviewed.

Good comment about the many characters. Perhaps I should have included a “refresher” of sorts as characters reappeared.

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8 minutes ago, JLynch said:

Good comment about the many characters. Perhaps I should have included a “refresher” of sorts as characters reappeared.

No worries. My reading comprehension is for shit, so it may not have been an issue for anybody else. One positive about shitty comprehension, I can read stories/books multiple times and not remember what's going to happen. Needless to say, it's a negative in my writing; I have to re-read multiple times before it sinks in enough to not screw something up later. 😊

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4 minutes ago, drsawzall said:

Thank you for this and it is appreciated that you took the time to grace these pages with your work. Like any good tale, this begs for a sequel chapter or a dozen!!!

I’m most appreciative of your dedication to reading my work and your very supportive comments. My intuition tells me these characters will be retired, but you never know. I’m hard at work on a new tale…all new characters!

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2 hours ago, johnnyboy2285 said:

I'm still shocked after reading "the end" 🤣🤣

Great story, loved the action, loved the ending, I'm a bit unclear how everyone turned out, but it was interesting to read on the separate lives of so many people.

I tried to wrap a ribbon around the major characters beginning with Chapter 32. Scottie and Randy together, with Scottie destined to become a major super model. Day and Liam fully partnered. Winnie and Micah living a refined life. Toby with the love of his life, Bell. Carey and Apollo reunited for all time. Earlier, it appeared as if Da and Ally would be in a long term relationship. The same with Kaito and Dirk. We don’t know what happens to Harper. Do we actually care? I’d actually written a chapter ending where Marti is on a gurney heading into surgery for a double mastectomy with Gee looking on, tears in his eyes. I deleted it, although it did appear in a different version published on another platform. But, they were all wonderful characters I loved immensely.

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So I read this story in its entirety over the last two days. And I held off with leaving any comments for two distinct reasons. Reason One: I tend to be too direct and honest with my critiques and this is not really encouraged. Reason Two: Every single comment would have been seen as negative. 

I think everyone can be honest and admit the first few chapters are in desperate need of re-writes and editing. As one person commented, this story is very confusing. Though the prose gets markedly better as the chapters progressed. I would say this is a really good first draft. But to see it fully realized, it should be gone over again. But I saw in a comment above, the author says these characters are retired. So I must see this for what it is.

This story seems to be two different yet similar stories that were mashed together. I would be curious to see if the author wrote each chapter and posted it immediately. I wonder this as numerous plot points were introduced in early chapters only to be dropped by the wayside to focus on sex scenes, which there are a plethora. 

The standout character by far, is Apollo. It would have been amazing if instead of all the other characters that really did not add anything to the story except gratuitous sex scenes, were dropped to focus on what I felt was the A story, Carey and Apollo. 

Instead of Tobey's pointless story arc, (my second favorite character), we got to see Apollo's journey as he tried to make his way through the seedy gay underground. As Carey get's more entangled with the Shadowy Circle, Apollo helps a young boy get out before he is fully corrupted. My mind grew wild with the possibilities. 

I grew increasingly frustrated until I remembered. I was mad that the author didn't write the story I wanted and instead selfishly wrote the story the author wanted to tell instead. How dare that author. (this is said with my tongue firmly placed against my cheek) So I adjusted my thinking and thought about the story I was freely given.

Should you read this? The chapters are short, it's a quick read with some interesting characters and plot devices. There are some filler chapters that could be cut without hurting the narrative, but you do get one really hot sex scene and a happy ending. There are a lot of stories on this site that I wouldn't even take the time to rate much less finish. So I'd give this 2.5 out of 5 books. 

J

 

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JLynch

Posted (edited)

On 4/5/2024 at 1:25 PM, Jason Rimbaud said:

First and foremost, thank you for reading my story and taking the time to write these thoughtful comments. I would like to have the opportunity to respond and provide answers to some of the things you have speculated about.

So I read this story in its entirety over the last two days. And I held off with leaving any comments for two distinct reasons. Reason One: I tend to be too direct and honest with my critiques and this is not really encouraged. Reason Two: Every single comment would have been seen as negative. 

Even though you obviously had a negative response to parts, most, or all of the narrative, you read it all the way through. The story must have resonated with you, in some way. I’d love to hear what kept you reading.

I think everyone can be honest and admit the first few chapters are in desperate need of re-writes and editing.

It’s interesting that you made this comment. I felt the first chapters were the most well crafted if, simply because they were the first. I reread the story from the beginning numerous times while I was writing it. As a result, each time I read it through, I found mistakes and made countless other edits. Not so much with the last chapters as they were reread fewer times.

That being said, I know the entire story would have benefited from a beta reader or an editor. Unfortunately, I didn’t have access to any, as my writing is entirely private. Early on, I received a couple of suggestions from the gayauthors moderators that had a profound effect on helping me shape the narrative. Likewise, comments from other readers, both in public, and through private communications, helped keep me on track.

As one person commented, this story is very confusing.

I can see that. The story jumps forward in time and then goes back. Characters appear and disappear for long expanses only to reappear again. There was a method to my madness. I thought it would work but, as mentioned earlier, a good editor could have ripped it apart and made better sense of it.

Though the prose gets markedly better as the chapters progressed. I would say this is a really good first draft.

Thank you! This gives me hope!

But to see it fully realized, it should be gone over again. But I saw in a comment above, the author says these characters are retired. So I must see this for what it is.

Even though I love them all, I’m ready to let these characters go. I don’t see any sense in writing about them as they age. I’m most comfortable writing about younger people as the central characters. They will only reappear (possibly) if I bring them back in some new context. Right now, I can’t imagine what that would be.

This story seems to be two different yet similar stories that were mashed together. I would be curious to see if the author wrote each chapter and posted it immediately.

As I wrote in the notes at the beginning of the story, this story is indeed a mash-up of two separate stories that have been published on other platforms. Those stories did not align with gayauthors.org standards, so I took them apart and reconstituted them to create this new piece. The entire narrative was complete before I published the first chapter. However, along the way, I realized I needed to flesh out certain aspects of the story, so I revised and added narrative to some chapters.

I wonder this as numerous plot points were introduced in early chapters only to be dropped by the wayside to focus on sex scenes, which there are a plethora. 

The standout character by far, is Apollo. It would have been amazing if instead of all the other characters that really did not add anything to the story except gratuitous sex scenes, were dropped to focus on what I felt was the A story, Carey and Apollo.

I agree that Apollo is a compelling character. He’s based on a young man (boy?) I encountered just as Carey did, in the median of a boulevard. I saw him for less than 10 seconds but, nevertheless, he was burned in my brain. His story just kind of rolled out of me. I probably received more comments about Apollo than any other (Bell was a close second). One reader recounted his own homelessness, others provided information about human trafficking. Another prayed, “I hope he’s ok,” as if he was a real person. 

Instead of Tobey's pointless story arc, (my second favorite character), we got to see Apollo's journey as he tried to make his way through the seedy gay underground. As Carey get's more entangled with the Shadowy Circle, Apollo helps a young boy get out before he is fully corrupted. My mind grew wild with the possibilities.

I guess I might have disappointed you by not fleshing out these parts of Apollo’s story. Interesting idea. A new story?

I have to disagree with you about Toby. I don’t see his story as pointless. He’s a young man trying to find his sexual identity. And, find love. I think that’s a worthy subject. 

I grew increasingly frustrated until I remembered. I was mad that the author didn't write the story I wanted and instead selfishly wrote the story the author wanted to tell instead. How dare that author. (this is said with my tongue firmly placed against my cheek) So I adjusted my thinking and thought about the story I was freely given.

What story did you want told?

Should you read this? The chapters are short, it's a quick read with some interesting characters and plot devices. There are some filler chapters that could be cut without hurting the narrative, but you do get one really hot sex scene and a happy ending. There are a lot of stories on this site that I wouldn't even take the time to rate much less finish. So I'd give this 2.5 out of 5 books. 

Thank you for that rating. I understand that a 2.5 doesn’t sound all that great. But, you obviously have very high standards. I’m grateful you took the time.

 

 

Edited by JLynch

Even though you obviously had a negative response to parts, most, or all of the narrative, you read it all the way through. The story must have resonated with you, in some way. I’d love to hear what kept you reading.

Ugh, this is exactly what I meant when I said my comments are taken as negative. Which only goes to show you how bad of a writer I truly am.

This time, I am taking my time to make sure I convey my thoughts in a manner that is honest, yet easier to understand. This is going on my fifth hour and third re-write. Because if anyone knows me at all, I tend to overwrite. 

Firstly, I really enjoyed this story for reasons I will explain. But first, when I actually take the time to comment on a story, it is because I really enjoyed it. I like the author's voice, the plot points, characters, and lately the sex scenes. And when I like a story enough that I want to comment, I tend to be bluntly honest in my comments.

And since you took the time to graciously respond to me I will attempt to answer the questions you asked and hopefully explain myself better this time around. 

My Confusion

Most of my confusion stemmed from the actual formatting of the words on the page. There were many times, based on formatting, I lost track of who was speaking as the usual "he said" or "she said" were missing. I kept having to go back and count the sentences to see who was speaking. There were also times, within a single paragraph where the action switched times as well as places. This was jarring and it took me out of the narrative. You want to avoid anything that would take the reader out of your narrative for any reason.

Use of Time Jumps:

There are two different time jumps that also confused me. The first type, when there was a time jump buried in the narrative itself. Time jumps are fine and necessary in any narrative, but they should be easy to spot. IE: "For the next few hours, Carey focused on his homework, but he couldn't get his mind off Apollo's smell. He gave up and went the store." Indicators such as this was missing. 

The other time jump could be fixed by shuffling the order of the chapters. I would have started the story with Chapter Two: The Lake and put Chapter One: Tybee Island as Chapter Four. I would have moved Apollo's time jump back to when it happened in real time in regards to Carey's journey. 

This ties back in my theory that Carey is actually the protagonist of this story. I will die on that hill. :)

Two Stories In One

This makes sense now in my tiny brain. But if you were to honestly ask any reader who the protagonist of this story, I would venture a guess the answer would be Carey, as he seems to be the emotional glue that holds the story together. With the exception of Toby, they only have one interaction, Toby is only connected to Bell, and Bell isn't the main character either. So for me, in regards to Carey's story, Toby is the odd man out. 

So when I wrote pointless characters. I now can read that back and see how arrogant and hurtful that comment could be taken. Because what I should have written, those characters and/or scenes that do not move Carey's story forward actually hurts the narrative. Remember, I did not know it was two stories mashed together, I went by what I saw on the page.

Chapter 27, nice little chapter with some sex, but it doesn't affect the outcome of the story at all. Chapter 30, I don't remember reading about Liam, so if I did, his character didn't resonate with me so why should I have a whole chapter about him falling in love in Europe. I wanted to know what the *insert explicative* was happening with Apollo!

I want to be very clear. This is only my opinion, this doesn't mean I'm right. But you asked so nicely I felt you deserved to know my convoluted thought process. 

You wrote, I guess I might have disappointed you by not fleshing out those parts, 

Would I have liked to know more about Apollo? Yes, and I'll tell you why. You made the decision to bring him back in the narrative. You could have chosen to keep him gone until he showed up on Carey's door in the last chapter. But you didn't, so I blame you for making me crave more of this fascinating character.

You asked, What story did I want told?

There is an old saying in the theater, if you show a gun in the first act, someone better be dead on the stage by the third. You introduced what I thought was great conflicts for our characters to overcome, the Shadowy Circle, Cary and/or Toby navigating the upper crust of society and the manipulations that could result in that, Harper being the scorned lover and seeking revenge on Carey, Bell using his charms to leave a path of destruction until it all comes crashing down and he realizes that Toby is actually the one he needed, but it was too late as Toby moved on. The professor, he groomed Carey to a point, went after Bell, and then Toby, but in the end even he got a happy ending with Micah. 

Apollo faced real adversity and had to overcome tremendously. But we are given but a taste of that conflict. And through it all, I didn't really see growth in Apollo in terms of character development. He was pretty much the same when he started as when he ended.

Carey had nothing to overcome really except his acceptance that he was a sub.  It was enjoyable to read about his sexscapades with hot guys, but what I was hoping for was conflict. I wanted him to grow as a character through facing adversity.

And then there's Bell. That selfish, manipulative asshole that floats through the story without once getting called out on his self-entitled behavior. And the one time you could have broken him down a little, enough to cause him to run back to Toby, he came out on top again. I'm referring to the encounter with the husband and wife, they should've have used him in a way that would force him to change his behavior. But not only did he get away with all of that, he ended up with the second best character in the entire story. And boy did that make me mad, Toby deserved someone better than Bell. :)

For me to feel so strongly is a credit to your strong characters. This is why I said I thought it was a great first draft. You have already told an entertaining story with great characters, and you have hinted at a deeper, richer story lurking underneath that could be brought out with further re-writes. But if you are finished, then I can respect that.

Remember, you wrote the story you wanted to tell. And I really did enjoy it very much. So at the end of the day, it doesn't matter what story I want told.

I hoped I answered your questions, I know that I tried to honestly convey my thought process. I also hoped it came across how much I enjoyed your story very much. And if you go on to write other stories, I would volunteer to be a Beta Reader for you anytime. Though I could only assume how much I'd suck at that job as well. 

So to clarify my rating for you, and hopefully I explained my thought process, I broke it down into categories. 

Compelling characters: 4 out of 5 Books
Compelling sex scenes: 4 out of 5 Books
Overall Narrative: 2.5 out of 5 Books
Story Structure & Formatting: 1 out of 5 Books
Overall Enjoyment: 4.5 out of 5 Books

 

On 4/7/2024 at 6:11 PM, Jason Rimbaud said:

Even though you obviously had a negative response to parts, most, or all of the narrative, you read it all the way through. The story must have resonated with you, in some way. I’d love to hear what kept you reading.

Ugh, this is exactly what I meant when I said my comments are taken as negative. Which only goes to show you how bad of a writer I truly am.

This time, I am taking my time to make sure I convey my thoughts in a manner that is honest, yet easier to understand. This is going on my fifth hour and third re-write. Because if anyone knows me at all, I tend to overwrite. 

Firstly, I really enjoyed this story for reasons I will explain. But first, when I actually take the time to comment on a story, it is because I really enjoyed it. I like the author's voice, the plot points, characters, and lately the sex scenes. And when I like a story enough that I want to comment, I tend to be bluntly honest in my comments.

I’m very flattered that you enjoyed my story. You seem to have some very high standards. 

And since you took the time to graciously respond to me I will attempt to answer the questions you asked and hopefully explain myself better this time around. 

My Confusion

Most of my confusion stemmed from the actual formatting of the words on the page. There were many times, based on formatting, I lost track of who was speaking as the usual "he said" or "she said" were missing. I kept having to go back and count the sentences to see who was speaking. There were also times, within a single paragraph where the action switched times as well as places. This was jarring and it took me out of the narrative. You want to avoid anything that would take the reader out of your narrative for any reason.

I was aware of this but I used this device based on several books I’ve read where the dialogue flows in one stream of consciousness. One author just combined dialogue of two different characters into the same paragraph. Now, that was confusing! That being said, it’s possible that I had developed the voices of my characters enough that what they were saying was easily attributed to them.

Use of Time Jumps:

There are two different time jumps that also confused me. The first type, when there was a time jump buried in the narrative itself. Time jumps are fine and necessary in any narrative, but they should be easy to spot. IE: "For the next few hours, Carey focused on his homework, but he couldn't get his mind off Apollo's smell. He gave up and went the store." Indicators such as this was missing. 

The other time jump could be fixed by shuffling the order of the chapters. I would have started the story with Chapter Two: The Lake and put Chapter One: Tybee Island as Chapter Four. I would have moved Apollo's time jump back to when it happened in real time in regards to Carey's journey. 

I was sort of stuck on “Tybee Island” being the first chapter. I just thought it was a strong opening even though it was out of time order. I should have resisted that compulsion and published it in consecutive time order. That would have forced me to make the first chapter more compelling…so as to draw the reader in to read on. 

This ties back in my theory that Carey is actually the protagonist of this story. I will die on that hill. :)

Indeed, he is THE protagonist. 

Two Stories In One

This makes sense now in my tiny brain. But if you were to honestly ask any reader who the protagonist of this story, I would venture a guess the answer would be Carey, as he seems to be the emotional glue that holds the story together. With the exception of Toby, they only have one interaction, Toby is only connected to Bell, and Bell isn't the main character either. So for me, in regards to Carey's story, Toby is the odd man out. 

That certainly makes sense. To be honest, Toby is a simple naive kid, clueless in many ways. I believe Day tags him in that way. But, that simple, innocent beauty of his is an important part of the narrative. His confusion, desire, and pursuit of love tugs at the heart.

So when I wrote pointless characters. I now can read that back and see how arrogant and hurtful that comment could be taken. Because what I should have written, those characters and/or scenes that do not move Carey's story forward actually hurts the narrative. Remember, I did not know it was two stories mashed together, I went by what I saw on the page.

Chapter 27, nice little chapter with some sex, but it doesn't affect the outcome of the story at all.

I respectfully disagree. I needed to bring some closure to Kaito, especially, and to Dirk, to a lesser extent. This was actually an inserted chapter. In one of the other stories that was the basis for this one, Dirk suffers a career ending injury on the football field. Kaito is there to provide him with solace. 

 Chapter 30, I don't remember reading about Liam, so if I did, his character didn't resonate with me so why should I have a whole chapter about him falling in love in Europe. I wanted to know what the *insert explicative* was happening with Apollo!

Liam was a more significant character in another version of this story. I thought I did a pretty good job introducing him and giving him a decent back story, even though it was a little thin.

I want to be very clear. This is only my opinion, this doesn't mean I'm right. But you asked so nicely I felt you deserved to know my convoluted thought process. 

You wrote, I guess I might have disappointed you by not fleshing out those parts, 

Would I have liked to know more about Apollo? Yes, and I'll tell you why. You made the decision to bring him back in the narrative. You could have chosen to keep him gone until he showed up on Carey's door in the last chapter. But you didn't, so I blame you for making me crave more of this fascinating character.

You and everybody else (as I’ve mentioned). He is an absolutely compelling character. I tried to tell as much of his story as I could or dared. There was some much darker stuff. 

You asked, What story did I want told?

There is an old saying in the theater, if you show a gun in the first act, someone better be dead on the stage by the third. You introduced what I thought was great conflicts for our characters to overcome, the Shadowy Circle, Cary and/or Toby navigating the upper crust of society and the manipulations that could result in that, Harper being the scorned lover and seeking revenge on Carey, Bell using his charms to leave a path of destruction until it all comes crashing down and he realizes that Toby is actually the one he needed, but it was too late as Toby moved on. The professor, he groomed Carey to a point, went after Bell, and then Toby, but in the end even he got a happy ending with Micah. 

Apollo faced real adversity and had to overcome tremendously. But we are given but a taste of that conflict. And through it all, I didn't really see growth in Apollo in terms of character development. He was pretty much the same when he started as when he ended.

Carey had nothing to overcome really except his acceptance that he was a sub.  It was enjoyable to read about his sexscapades with hot guys, but what I was hoping for was conflict. I wanted him to grow as a character through facing adversity.

A very good point!

And then there's Bell. That selfish, manipulative asshole that floats through the story without once getting called out on his self-entitled behavior. And the one time you could have broken him down a little, enough to cause him to run back to Toby, he came out on top again. I'm referring to the encounter with the husband and wife, they should've have used him in a way that would force him to change his behavior. But not only did he get away with all of that, he ended up with the second best character in the entire story. And boy did that make me mad, Toby deserved someone better than Bell. :)

Bell was a character that everyone loved to hate. I’d have to go back in my notes to count the number of times readers called him a shit ass. There’s no question, a lot of people wanted to see him get cut to ribbons. On the other hand, Toby loved the guy. And, when he just showed up in Savannah, it was if he finally let go of all of his shitty preferences and decided to devote himself to Toby.

For me to feel so strongly is a credit to your strong characters.

I LOVE my characters. I could write pages and pages about them without even calling it a book or a story.

This is why I said I thought it was a great first draft. You have already told an entertaining story with great characters, and you have hinted at a deeper, richer story lurking underneath that could be brought out with further re-writes. But if you are finished, then I can respect that.

I’ve been encouraged privately by others to give this another look. I just may do that. Right now, I’m writing another story with some new interesting characters. I just hope the story itself isn’t too damn confusing. Maybe that’s my writing style??

Remember, you wrote the story you wanted to tell. And I really did enjoy it very much. So at the end of the day, it doesn't matter what story I want told.

I hoped I answered your questions, I know that I tried to honestly convey my thought process. I also hoped it came across how much I enjoyed your story very much. And if you go on to write other stories, I would volunteer to be a Beta Reader for you anytime. Though I could only assume how much I'd suck at that job as well. 

Ha! Ya never know. Perhaps we should keep in touch. Writing is such a solitary activity, as you know. You’re sitting there wondering if any of it works…and not knowing until you click the publish button.

So to clarify my rating for you, and hopefully I explained my thought process, I broke it down into categories. 

Compelling characters: 4 out of 5 Books
Compelling sex scenes: 4 out of 5 Books
Overall Narrative: 2.5 out of 5 Books
Story Structure & Formatting: 1 out of 5 Books
Overall Enjoyment: 4.5 out of 5 Books

That’s great! Thank you for taking so much time to write this comment. I’m humbled!

 

 

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