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It's a bloody cascade effect


TheZot

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it's one of those iceberg things. (Or one of those "I need to install this one little package on my Debian Linux system" things...) I've got a simple exchange between two characters, which looks like:

 

"What do you think, Ben," the white haired man asked. "One of the Great Cities?"

 

Ben frowned and held his spyglass up to look again. "No," he said after another survey of the city. "I don't think so. It's not from the First Age, either. Second, I think. It's definitely big, but it doesn't match anything I've heard of the Great Cities, and it doesn't look right for anything from the First Age. Too primitive."

Simple, right? No big deal, though there's a lot of stuff implied in there. First that there are cities kicking around that are impressive enough to be grouped together (and the group capitalized), second that there have been at least three divisions of history significant enough to be classified together that way, and the third that in a society with significant amounts of magic, a city three miles in diameter that looks like it was yanked out of the bedrock in a single piece would be considered 'primitive'.

 

That's swell and all. I've no problem with that, and I don't care that there's no extra detail given to the reader. It's not like you get a history of London when a character wanders through Trafalgar Square -- it's the fact that there is history that's important, not that the reader knows the history. That gives a story more weight, makes it seem more real, even if it is a fantasy.

 

Unfortunately, the problem there is that while the reader doesn't necessarily know these things, I'm not sure that the author (i.e. me) can get away not knowing things. So now, because of a mostly off-hand comment that's very much in character (except maybe being a bit too wordy -- Ben's very terse) that one of the characters made, I've got to sketch out about fifteen thousand years of history.

 

These guys so owe me at least one publishable novel by the time I'm done...

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Guest Rob Hawes

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That's part of the joy of writing - knowing everything about your characters and their environment even if you don't share every last detail. I've got 3,000 years of history and forty pages of character information for my next story, though I know much of it won't be shared with the reader. If you can build a clear picture in your mind then you don't need to share every last detail with the readers, they will pick up on a lot of it from what is said and done.

 

The reward, of course, is being able to write a story without having to look back through what you've written to find out what colour a character's eyes are or when a city was built. Makes it a lot easier to just enjoy the writing. Keep at it mate - I'm sure it will be worth it in the end. :D

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Oh, it's definitely worth it, and not only does it tend to make the story flow better (except when I have to make a side-trip to another file to jot down a bunch of notes and sketch out some background) it makes other stories flow better. Not, in this case, that I need much help there -- looking at my drafts folder for this particular setting and these characters, I think sometimes I could use a little less inspiration...

 

Ah, well, it's just me whining. I'll get over it. :)

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Go create a world, Dan. How difficult can that be? ;)

 

Let there be light ...

 

 

Kitty

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