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Represation, queerbating and pinkwashing


Zuri

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When you get what you want but not what you need

Who doesn’t like a happy ending? So good representation is when everyone reacts positively to the characters' coming-outs, they don’t have to look for love for long and live happily ever after, right? Right? That might represent your dreams, but that doesn’t represent reality. What representation means is: Can I identify with it? Have I been there?

In return, does that mean, we can’t have a happy ending? Sure, we can. But it has to be well-earned. First, the story has to pick up where we currently are. That might be a dark place, we wish to escape. There might be someone reaching out to us, showing us the way. That way might be rocky. And if we keep a stiff upper lip, we find our happy ending waiting for us. And we can do it. We are not alone.

Queer actors/actresses required?

We often have these discussions on social media where queer people complain that queer roles are portrayed by non-queer actors and actresses. Of course, we can question this, but what is this all about in the first place? The claim is backed up by the assumption that privileged people don’t know how to play marginalized roles from experience. That’s partly true.

  1. Method acting doesn’t require the actor/actress to have experienced the exact same thing. It can be similar things

  2. If only one queer and one non-queer actor/actress audition and the non-queer one turns out to be more believable against all odds, why not give them the role?

  3. Just because you have experienced something yourself, doesn’t mean you are as good of an actor to play that

  4. What is the key to authentic scenes? The actors/actresses? They have their fair share of it, but they are really at the bottom of the food chain. For them to strive, there has to be a good script, a good counselor, and a good director. So it sometimes might be wiser to place that experienced person higher up in the food chain

If companies can launder money and air one’s dirty linen in public, why not queerness?

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There are many alternative versions of that meme, and it has a certain truth to it. Just because somebody hoists the pride flag or tweets “love is love”, doesn’t necessarily mean, they are an ally.

There is a difference between “doing every little thing right from the very start” and “showing stereotypes for laughs”. People are allowed to make mistakes, people can learn from them. Not everything needs to be brightly polished. But it might require some research to not repeat falsehoods people were led to believe.

Good and bad examples (totally subjective!)

Titel

Type

Rating

Opinion

Openly straight

Novel

👎🏻

Review

Center of the world

Novel

👎🏻

Review

Sex Education

Series (Netflix)

👍🏻

Although, not being queer per see, Sex Education has a fresh and direct perspective on sex and relationships. Otis might not always have all the answers, but that doesn’t mean that the show can’t portray diversity.

Love, Simon

Movie

👍🏻

Some criticize Love, Simon to be mainstream and commercializing queerness. Although, it cannot be entirely denied that it is a bit softened and romanticized, in my opinion, the storytelling is still done very well. What I didn’t like, was the ending. It was too cheesy, too predictable, too unoriginal. Yet, I enjoyed the idea of Simon being blackmailed from a suspense building perspective as well as his father’s reaction to Simon’s coming-out since it was honest and authentic.

What are your good/bad examples? Feel free to share them!

Edited by Zuri
Add encouraging line at the end

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One film I hold as a great film which for subject matter has two young street hustlers (River Phoenix and Keanu Reeves) who ply their trade amongst gay customers is My Own Private Idaho https://en.m.wikipedia.org/wiki/My_Own_Private_Idaho It has no real happy ending, but is very well acted, great story, and then there is River Phoenix himself https://en.m.wikipedia.org/wiki/River_Phoenix He stared as a child In a number of good films including Stand By Me. His life despite critical acclaim as an actor was not a happy one. He moved to Venezuela from the US with his family who joined The Children of God. He was raped at four years old and died at twenty-three from a drugs overdose. My Own Private Idaho for me is a classic gay film, raw, and real, an example of the best of American cinema, even if it's over thirty years old.

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