Is it right to mourn the words?
I've been re-plotting Busted (yeah, I'm keeping that title for now, as it's better than the replacements I've managed) and I've come to the part of the process I really hate -- chopping out the good bits because they just don't work.
Chopping the crap out's relatively easy. Embarrassing, yeah (I mean, I wrote it in the first place, and what was I thinking?), but easy. So that flashback scene to when Chris was a kid? Gone. Poof, and no worries.
Unfortunately it also means that Steve's rant at the end of the interview with Stephanie's gone, the scene with Alex in the bar (where Alex's real nature comes out) and the scene in Chris' living room where Joe moves in is gone too. Dammit.
Ah well, they're only words. There are plenty more where they came from, and better to cut something out and have to put it back later than not cut it out and have it get in the way. (Not that it makes it easier, but it's gotta be done)
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