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Busted chapter 72


[Only one or two parts to go. Racing to the end now]

 

That sent a chill down Chris' spine and left a lump in his stomach. 'Hungry' was always bad with the violently insane. Not that he had a whole lot of experience with those. He was a detective in a small city police department. He had to deal with drugs and gangs and the occasional psychopath. As deep as he'd dived into the case, the state guys were right. He hadn't ever dealt with this stuff. Not that they had, but that was a problem for another day.

 

What he did have was a connection with this guy, whether he wanted it or not. He also had a reputation as being big and not too smart. That was an image he and Steve had gone out of their way to cultivate, and most people were more than happy to accept. People were sloppy around stupid people. They made mistakes, and Chris needed this guy to make a mistake.

 

If he didn't want food, what did he want? He was clearly insane. He'd killed seventeen people that they knew about, and probably had a trail of bodies left behind him in Arizona. Much as he hated to think about it, if this guy had preyed mainly on gang members and drug dealers, he wouldn't have been too high a priority to track down.

 

The way he talked made it sound like he was looking for something exotic, or less tangible. Hernandez and his girlfriend had been killed normally enough. The hiker out in Woodstock had been in the woods for too long to tell if there was much special about her death. Mike's professor friend had been expertly gutted, and had part of his liver missing. The gang in Harford had their throats slit, though the palm reader that had been killed with them had been partly flayed and had her eyes removed. Chris shuddered to think what would've happened to Joe if he hadn't gotten free. What was likely to happen to him.

 

There had been an element of ritual, of something supernatural, in all the murders but the first. That could mean a lot of things, none of them good. It chilled Chris' blood to think maybe something truly supernatural was involved. He shouldn't think it, it ought to be nonsense. But there was Alex. Alex changed everything, and maybe this was real.

 

Flashes of horror movies ran through Chris' mind, and he regretted every single one he'd ever seen. They never ended well, and he feared this wouldn't, as the monster ate his soul, or something equally nasty. Which might well be what this

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TheZot

Posted

Y'know, I get the feeling that an author's supposed to know what'd motivating all the characters somewhere before the last dozen pages of the book. Ah, well, I have a handle on it now. Definitely have a bunch of things to fix for the rewrite, and I may have to schedule a day or two at a good research library while I'm at it. (Assuming I don't do the lazy author thing -- skim a few books and fake it)

Lucy Kemnitzer

Posted

Y'know, I get the feeling that an author's supposed to know what'd motivating all the characters somewhere before the last dozen pages of the book. Ah, well, I have a handle on it now. Definitely have a bunch of things to fix for the rewrite, and I may have to schedule a day or two at a good research library while I'm at it. (Assuming I don't do the lazy author thing -- skim a few books and fake it)

 

 

Not always, and certainly not always in the first draft.

 

Research is good, but fiction is fiction, and in the end you have to make everything up anyway.

 

I have a feeling I'm going to be sad about the conenction between grandfather and Alex. Unless Alex is an opposing spirit. But that wouldn't be right, either.

TheZot

Posted

Y'know, I get the feeling that an author's supposed to know what'd motivating all the characters somewhere before the last dozen pages of the book. Ah, well, I have a handle on it now. Definitely have a bunch of things to fix for the rewrite, and I may have to schedule a day or two at a good research library while I'm at it. (Assuming I don't do the lazy author thing -- skim a few books and fake it)

Not always, and certainly not always in the first draft.

This is true, and it's definitely a first draft. Not too bad as fiction on "teh Intarweb" goes, but I figure it's possible to set my expectations a little too low. :)

Research is good, but fiction is fiction, and in the end you have to make everything up anyway.

Yep, this is true, but if I'm going to be playing around with things from myths and legends, it does kinda behoove me to get it generally right, or it'll annoy folks who're actually familiar with them. I know that happens to me -- I've got one (otherwise reasonably nice) book where in the opening few pages the vet gets hauled out to someone's horse farm and... he grabs his bag 'o stuff to go. That put me right off, since no large animal vet does that. They've all got pickups with custom cabinetry in the truck bed filled with all sorts of stuff. (You try hauling around enough mineral oil and rubber hosing to flush out a colicking horse in a satchel...) It's one of the major startup costs for a vet practice. It was still a good book, but I almost didn't get past that point, and I don't want to do it to anyone else, at least not more than I have to.

I have a feeling I'm going to be sad about the conenction between grandfather and Alex. Unless Alex is an opposing spirit. But that wouldn't be right, either.

 

Well, I had been kind of thinking of this guy as a malevolent spirit (which'll play in the endgame in the next part) but it kinda hit me that maybe this guy is actually Chris' grandmother's version of Alex. Though that doesn't exactly work right, now that I think about it more, so I may go back to Plan A, in which case there's no actual explicit connection other than Chris' maternal grandfather not actually being human and all.

 

Lucy Kemnitzer

Posted

QUOTE

Research is good, but fiction is fiction, and in the end you have to make everything up anyway. --me

 

Yep, this is true, but if I'm going to be playing around with things from myths and legends, it does kinda behoove me to get it generally right, or it'll annoy folks who're actually familiar with them. I know that happens to me -- I've got one (otherwise reasonably nice) book where in the opening few pages the vet gets hauled out to someone's horse farm and... he grabs his bag 'o stuff to go. That put me right off, since no large animal vet does that. They've all got pickups with custom cabinetry in the truck bed filled with all sorts of stuff. (You try hauling around enough mineral oil and rubber hosing to flush out a colicking horse in a satchel...) It's one of the major startup costs for a vet practice. It was still a good book, but I almost didn't get past that point, and I don't want to do it to anyone else, at least not more than I have to.

 

Yeah, that's the thing. I say I need to know enough that I don't write anything stupid. Since most of what I write is not what's here but science fiction (not lazer pistols and personal rocket ships and galactic empires, but terraformed worlds and machines that are plants and medicines that are animals), I can get away with a lot if I work it right, but I insist on knowing enough to work it right.

 

As to the spoiler: the first idea is intriguing. The second idea is also. I'm not sure they're mutually inconsistent.

TheZot

Posted

I think I'm just going to punt on the details. It's not like they have to be brought out in the story and arguably they shouldn't be -- just because I know what's going on doesn't mean it has to go on the page. That way lies world building, or evil villain monologuing, and that's usually kinda dull. So we'll just leave it as is and make sure the characters behave in ways that fit their backgrounds (even if they have two or more potential ones) and leave it at that.

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