corvus Posted February 12, 2009 Share Posted February 12, 2009 (edited) PLEASE read this on efiction -- the formatting doesn't work out here. It's not essential, per se, but important. Let me know what you think. ----- AT THE COFFEESHOP 1. Ah, Alfredo— I saw you at the counter between the interminable seasons of hungriness, while just outside the storm had begun to putter, and I stood to hail you, but said nothing (or perhaps I dropped my coffee, and was muttering to that) and you turned and you weren't you after all. Wouldn't it have been embarrassing if I had hailed the person-not-you? But if I did, perhaps the person would have become you. If I could have said the four secret words that would have brought you. 2. Do you not recall how we, at school, learned names in the C minor of secrets just as we'd secrets in your bed, the cool afternoons laid out on green coverlets? I dreamed that I had become a peacock tailing a wide wall of feathers of purple-green feathers and learning the peacock's strut and stalk when my cry flew out the window and door because I was too short for these rooms and too long for these rooms, and the more I cried, the less I belonged in these rooms. I have forgotten those four secret words. O words, noisy noose of the self and no more use to myself than the colorless notes of dying birds. 3. The boy runs up, and all his blood burns with the call of being alive, being a boy; yet he is not joy. The boy turns round, his heart hooked to his eyes and flesh, secretly again; yet he has no sin. The boy falls dead, grass green and purple-veined pass through an empty fence; yet he lacks silence. The boy was the man. The grass was the din of flesh in air's rushes; no word stands for this. 4. On underground trains, he hears the sound of wild mimosas that touch, touch the dead. He shuts his eyes to keep the silence in because outside brings the hush of wings. Those mimosas, having touched the dead, produce in his mind the hushed green sound too much like the wild dark, those dreadful wings. He shuts his eyes to keep the silence in. Softly, softly; do not move the leaves; do not make me fly. 5. If you saw me Alfredo, you would be surprised at how like a ghost I have been I have become. But I am here discipled to this loss, this pale flit this flutter, voiceless inanimate ether to not give that cry to never risk thought beaten stretched to flesh, in the clear intolerable mesh of a ghastly cry a greenish feather. But if I saw you, would I recall those four secret words at last? Alfredo, Alfredo, you cannot know how stretch those interminable hours of hunger that are like hands, hands that link, but cannot warm each other. Somewhere, in darkness shut further from your soul than even the green and purple-green cry dreamed, imagined, are four million secret words that gather, harden, obsidian themselves sharper, blacker, until they seek reality through my throat, my skin. Edited February 12, 2009 by corvus Link to comment
Duncan Ryder Posted February 12, 2009 Share Posted February 12, 2009 That is an astounding piece of work. Truly. And I say that, who have been immersing myself in Lorca for the last few days. You are very brave to post poetry, and have every right to be. Link to comment
Procyon Posted February 21, 2009 Share Posted February 21, 2009 I just reread this and was going to say a lot of inadequate things about it; how the image of those four secret words is really haunting and how I think the second stanza of part 2 is amazing, and how I think this poem is wonderful and scary at the same time, and that the build-up, just as you think it can't get any more intense, takes it even further -- but really I would just like to tell people to read it, because it's one of the best poems I've read this year (and I've actually read quite many ) and even though it's long, it's worth the time and effort it always takes to read and take in a poem. Link to comment
AFriendlyFace Posted March 14, 2009 Share Posted March 14, 2009 The style and structure of the poem are very unique and fascinating. I also found the imagery to be quite powerful and effective. My only criticism is that I found the piece to be a bit opaque. On the other hand, when I got to the section about the mimosas in part 4 my mind completely wandered off and began pondering my favourite Sunday brunch beverage. So perhaps the opacity was the fault of my own distractibility and not a failing of the poem itself. Anyway great piece -Kevin Link to comment
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