I Universe Discussion Thread (Include: Storm Wolf, Pale Blue Dot, Sigma Squad, and Three Musketeers)

[RedMoon]

I have a true form, but they never see me for what I am.

I have a true name, but they never call me by it.

They replace me with a figment of their imagination.

They demean me with what they think is a humorous name.

Sometimes I am singular, sometimes I am many.

But no matter when, I always feel alone.

Who am I?

 

Hello everyone, and welcome to the I Universe discussion forum! This is a space opera world composed of many anthropomorphic animal stories. All the stories set in this universe primarily explore the definition of the self and what that meaning holds for each individual.

After completing each story, I will publish its appendix here. Readers are welcome to leave comments or join in discussions!

Since the stories contain numerous foreshadowing elements, the clues are often subtle and require different character perspectives to understand the full picture. If you don’t mind spoilers, feel free to ask questions!

A total of 26 stories have been planned, which will take approximately 20 years to complete. I’m currently working hard on translating the completed works into English and gradually uploading them to GA. Brief introductions and explanations for each series can be found on their respective pages. Below is the recommended reading order for the works completed so far:

Storm Wolf: Tranquil waters > Pale Blue Dot > Sigma Squad: Railroad > Three Musketeers > Storm Wolf: Gathering Clouds > Sigma Squad: Scales > Storm Wolf: Roaring Storm > ...

Edited May 12, 2025 by RedMoon

[RedMoon]

Appendix of Storm Wolf: Tranquil waters 

The first part of Storm Wolf has successfully concluded. Thank you to all the readers for your support and for sticking with me through this journey. You are the greatest source of motivation that keeps me writing!

The design of I series is essentially about Luther and his merry companions fighting against evil forces to save the Sol. Although I've realized that I can't simply write a traditional heroic adventure story, this still marks a significant stylistic shift.

The unique nature of the anthropomorphic makes this type of story particularly suitable for exploring themes of identity and belonging. However, I think it's time we see a story where the focus isn't "I chose this character to tell my story," but rather "this is a story that happens to this character." Besides, I believe that anthropomorphic stories deserve a long narrative, rather than just being filled with pwp (This refers to a Chinese-language environment. The English-language environment has many astonishingly outstanding works, and if anyone wants recommendations, I’d be happy to share what I know).

It's a bit strange, I must say. I fully support and even encourage erotic anthropomorphic creations (including all kinds of fetishes), so I'm not the kind of person who'd say, "Why does it always have to involve eroticism?" But still, I find it odd that I can hardly find a non-pwp work with significant length in the traditional Chinese community.

Of course, there are many reasons for this, a small market being a major one. But I don't think that's a reason not to write.

The world of I series isn't overly complex, but the rules of psychic powers and the entanglements between the various factions would take up too much space to explain fully, and it might slow down the pacing. So, in a way, it's unfair to Richter, but basically, Storm Wolf was written as groundwork for I series. As a result, the narrative contains a lot of explanatory sections, which I've tried to make as smooth as possible, but these are sacrifices made for the main story.

Storm Wolf: Tranquil Waters is mostly an "introduction," so it feels quite mellow overall. I had considered creating a scene where Qana and Richter part ways with a "defeat me and I'll let you go" type of drama, but honestly, they aren't the type of characters who would do that. They live in a society governed by the rational Scientific Council, so emotional outbursts aren't very common.

There's also a coming-of-age vibe to the story, which I've found myself less comfortable writing as I've grown older. However, due to the way the story is set up, both Tranquil Waters and Gathering Clouds will have a school-like, coming-of-age tone. Since that's the case, I might as well dive into the troubles Richter faced as a teenager.

Richter, being a scholar, is a challenging character to write because it's difficult to make him seem "interesting." His curiosity about the world around him and his attempts to observe and understand can feel like sudden detachment or immersion when written in the first person. If readers aren't used to this mindset, it could feel a bit jarring and potentially boring. But that's just who he is, and the choices he made led him on this journey. Additionally, he inherited the emotional thinking of both Gray and Snow, making him calm and unfazed by most things, which can make his emotions feel rather subdued.

At the same time, there's a bit of a contradiction. As a psychic, he's incredibly sensitive. On a physical level, he can sense subtle changes, including emotions, but he struggles to fully comprehend their meaning. These abstract, hard-to-quantify things will continue to trouble him for a long time. The lack of interaction with peers his age doesn't help either.

His heightened physical awareness gives him significant advantages, allowing him to do extraordinary things even though he's physically weaker. I'm not entirely sure how skilled someone should be after six years of sword training, but as a psychic who can read an opponent's intentions and sense airflow changes, Richter will have a significant advantage. Still, he has yet to win a single match against Qana, which makes sense since this isn't a hot-blooded YA story.

In the prequel, I spent a lot of time researching space physics, including giant structures (like Dyson Swarm and Space Elevators), the possibilities of space warfare (like neutron spears and ablative armor), and celestial anomalies (like black holes and wormholes). It was fascinating, but once Storm Wolf moved to Gaia, where Richter remains within underground facilities, the broader planetary environment couldn't really be showcased.

This series is rooted in a world we are familiar with, but in the first part, readers only glimpse the rising sea levels and the colloid used to reduce albedo and cool the planet. I ended up spending more time researching swords and swordsmanship. With all the psychic power explanations, it almost feels like a fantasy novel. But honestly, can you call it science fiction without psychic powers?

The basic principles of psychic abilities are finally explained in the first part, but I apologize because the second part will still need some advanced application lessons. Like command gestures, the highest rule of psychic powers is understanding, and the core always returns to the concept of "self." It may sound a bit mystical, but I hope it becomes clearer as the journey progresses.

Why carry a sword? Well, as we see, the Sunflare's adamantine weapons are spears, so the form isn't limited, but it also can't be just a shape for show. Otherwise, you get situations like what Richter experienced during his evaluation. Long-handled weapons are cumbersome to carry, and the potential for throwing them makes it harder for them to be seen as part of oneself. In the prequel Curtain Up, Luther simply crushed a pulse spear into ball. For powerful psychics or those with a compatible physique, this isn't a problem, hence the Sunflare and other dragons' weapons are spear. And most of all, adamantine weapons are not primarily intended for use as melee weapons.

Additionally, there are many little details in the chapter titles, and I hope readers can catch my sense of humor! These wolves are essentially "Romans in spirit," so most references are tied to Rome.

The first part, "The Beginning," introduces the mysteries of Richter's background and his early environment. The second part, "The Continuation," will reveal these truths, showing how the hidden undercurrents and intrigues beneath the surface ripple through to the timeline of the main story. That said, dividing the beginning, continuation, twist, and conclusion into 100,000 words each isn't exactly wise, but like Richter, the Storm Wolf has its mission.

From a more cynical perspective, Richter's life purpose is to pave the way for Luther, and this is reflected throughout Storm Wolf. This Spin-off exists to save I series from needing to spend time explaining the complex world and its systems, so although it's unfair to Richter, that's how things had to be arranged.

But it's not just that. My stories always emphasize "legacy." The encounters and decisions made during the journey shape the characters and who they become. In Tranquil Waters, there are many moments that show who taught Richter what, and how these lessons made him who he is today. Similarly, it's just as important to see how Richter entrusts his legacy to Luther. Even though we already know the fate of most of these characters... the journey's sights are just as important as the destination.

Oh, and guess who's coming to the Academy?

Some characters will have their own spin-offs, so certain events will be split into separate stories. From Richter's perspective, there will always be things he never learns about, which might make some parts of the story feel abruptly cut off. I'm not a fan of this approach, but readers seemed to struggle with the first-person shifts in my previous ensemble-style work. So, this time, I'm trying a different approach. Although reading Storm Wolf alone might leave some mysteries unresolved, answers can be found in other characters' spin-offs.

So, while we already know how the story ends, let's continue to watch how Richter makes friends, establishes rivals, and learns how to love and be loved.

Lastly, who was “I” written for?

I believe the answer lies in the journey itself.

 

In the coming days, I will focus on completing the serialization of The Pale Blue Dot. For those who haven’t read it yet, here’s the link.
The Pale Blue Dot consists of several short stories featuring the five main protagonists of the main series while also laying the groundwork for future developments. However, I sincerely apologize that the main series itself won’t begin until Storm Wolf Book 3 is completed. In the meantime, we’ll be exploring other parts of the story.

Also, here are the confirmed characters who will have their own spin-offs: Qana (Falling Snow), Arthur (Honor and Glory), Piqsirpoq (Accumulated Snow), Tadao (The Strong and the Weak), and Kotetsu (Crown).

Momus plays a major role in the main series, so at most, he might only have a short stories, but it’s unlikely he’ll get his own spinoff.

If readers want to see spin-offs about other characters, feel free to leave a comment, including the character, time, and event. As long as it doesn't involve major spoilers, I'll consider it.

And, uh, if you're really keen on seeing R-18 intimate interactions (or solo scenes), that's also possible. Just leave a comment with the character or scenario, and I'll see if it can be written as an alternate timeline or within the same canon.
 
If you're too shy to comment here, feel free to send it to my inbox.

I will also take some time to figure out how to use the GA forums and post relevant information there, such as recommended reading order.

Once again, thank you for all your support!

Any comments or discussions are welcome. All feedback and thoughts are incredibly helpful!

*There's something interesting about translation that I've noticed: for some reason, "adamantine" is always translated as mithril or orichalcum, and even a few times as electrum or platinum. However, in the first hundred trying, not once was it correctly translated as adamantine, even after countless corrections with software.

Adamantine, mithril, and orichalcum could roughly correspond to refined gold, mysterious silver, and mountain copper in direct translations, so it's strange that they get mixed up. What's more, translations for fantasy works were standardized pretty early on. Just sharing an interesting phenomenon.

[RedMoon]

Appendix of The Pale Blue Dot

I'm delighted that the prequel short story has been successfully completed--what a fantastic journey it's been! I'd like to share some fun facts about the writing process. Hopefully, this will give you a deeper understanding of each character's design and their origins.

 

Transparent

When designing Tohru, I wanted to find a small herbivorous animal that had both antlers and fangs, yet wouldn't seem too unfamiliar to readers. In the end, the muntjac came to mind! The surname Nara was chosen as a nod to the famous tourist spot.

This character design was indeed influenced by Beast Complex, but initially, I was simply pondering what kind of kink would be the most horrifying for an herbivore, and it led to this idea.

"Being attracted to carnivores" should probably be classified as a kind of fetish, because the preference for dietary habits outweighs the existence of the body itself (as long as there are fangs, it's fine). I once read a food fetish fic featuring Louis, Legoshi, and Bill on AO3, which expanded my understanding of the world, so I did some light research.

"Fetishism is the ability to feel love and be loved through certain objects (or body parts)"--I found that fascinating. So, in terms of sexual orientation, Tohru would be closer to pansexual.

With these elements combined, the first viewpoint character was born.

The setting of the story is in Valles Marineris on the planet Mars. I tried to depict a very oppressive world, including its societal facade, its darker sides, and a rough technological timeline. The character's personality, hints about psychics, and coded language were revealed in flashbacks. In the end, Tohru's helplessness under the transparent dome, yearning to touch the real starry sky and gain freedom, was the conclusion.

The tension and fear during the hotel scene might have been a bit lacking (since it was, after all, a budget hotel role-playing situation?), so perhaps I need to delve deeper into portraying the mentality of a character who feels powerless and weak. Overall, although Transparent was the shortest in length, I think the atmosphere at the end was second only to Pale Blue Dot.

Fly

Darkfang was inspired by Golden Treasure: The Great Green by Dreaming Door Studios, though the world itself isn't connected, so this isn't a continuation of the end of "Wheel of Fate."

Fly (The original title's meaning is closer to "Riding the Wind," but it felt too long, so I decided against it) is probably the most average story I've written. I'm not great at writing positive characters, and I didn't want to dwell too much on the isolated, lonely aspects of being ostracized. Plus, this is a reptile character who's also straight--yeah, I should have split up those unfamiliar elements.

Although I might have made Wingless seem like a tool to explain the plot, he does have his own important storyline!

The concept of the three names for the dragons reminded me of the naming conventions from a previous age in The Wheel of Time, but since it's not critical to the story, I decided to leave it as is.

The first name is a gift, a name given by a caretaker; the second name is an identity, reflecting how others see you; the third name is self, the truest reflection of yourself.

Thus, in intimate relationships, dragons tend to use the first name, while the third name is used to show respect.

Dragon songs are a part of their psychic abilities. If this were a fantasy work, I might take the poetry part more seriously. But since this is a sci-fi story (and what's sci-fi without faster-than-light communication and psychic powers?), capturing the general imagery is enough.

Because dragons sometimes communicate in a highly poetic manner, they are accustomed to conversing with hidden meanings and implications. They often require the listener to read between the lines or recognize double entendres.

By the way, Darkfang is super nerdy--hopefully, someone will catch that little Easter egg.

While Fly may be a bit average, I'm still reasonably satisfied with how it turned out.

Promise

I tried to avoid making the situation on the planet Pavor too much of a template, but since it's a reflection of real-world issues, some of these problems are inevitable.

Dahl and Ali are references to my own work, so let me indulge a bit here--feel free to check out The Wish, the first part of the Central City series (not translate and post here, it's a 600k Beastars fan-fic).

There are still many mysteries surrounding Dahl, waiting to be revealed. The main function of Promise was to further expose the larger world, including the existence of the Council, conflicts between factions, and political entities.

Eyes

The viewpoint character in Eyes is a tribute to Jack London himself. The setting of the moving sidewalks is a reference to Isaac Asimov's The Caves of Steel. Strictly speaking, the knock-off New Colossus is also a "tribute" to someone--albeit a negative one.

Jack London, as a writer of animal literature, may have been the gateway for many furries. When I needed a place name for a character's surname, Jack London was the first name that came to mind. So, if you haven't read The Call of the Wild or White Fang, go check them out!

I'm a bit dissatisfied with how Asimov's sci-fi series eventually turned into a mystical force-driven plot (although here I am, kicking things off with psychics). I prefer short stories like The Bicentennial Man. Nevertheless, Asimov's work is undoubtedly a sci-fi classic.

The moving sidewalks setting was a late addition. Originally, it was just a regular parkour scene, but I felt it wasn't sci-fi enough, and Lunar streets should be more unique. I once imagined, while shopping at a megastore, what it would be like if conveyor belts carried customers directly to the product aisles. That concept eventually made its way into the Lunar streets and was influenced by the scenes in The Caves of Steel.

While low-gravity parkour would have its own unique tricks, I prefer using this method to share my favorite works with others. Although this part is a bit complex, I see it as a continuation rather than something that should remain static.

This scene, where Dahl and Jack escape the security unit, serves as a key moment for their potential future understanding of one another. For Dahl, it's a matter of life and death, while for Jack, it's just rebellion--but the shared experience creates a chance for mutual understanding. Of course, their identities and backstories hint at inevitable conflict, which is why such understanding is necessary.

 Pale Blue Dot

I love this chapter! The scene of Luther and Richter watching Gaia, gently tapping on the glass, while Richter is left with only his reflection, should be spectacular.

The inspiration for Pale Blue Dot (The original chapter title's meaning is closer to "Dust.") came from the "Pale Blue Dot," a photograph of Earth taken from space. The story's conclusion also hints at why the solar system, as we know it, has now become a world full of anthropomorphic creatures, which is tied to the "Pale Blue Dot."

When the structure of this story (including the main narrative) was mostly done, I saw Rukis's illustration for the first chapter of Heretic, "Damning Confession," and my mind was blown.

After finishing the prequel short stories, I realized Rukis had posted the full text of Heretic, so I took a look, and sure enough, when writing this kind of theme, there are certain plot directions that won't differ much.

This was incredibly awkward, so I changed the Canine Empire from a theocracy to a Scientific Council, and I also removed a main character who was a clergyman. However, Richter's original role as a captain was promoted to fleet commander because of this.

This was the first time I faced such a problem since my subjects have always been relatively niche. Though it's not quite "reinventing the wheel," the scene where the commander dies in the arms of his subordinate soldier couldn't be removed. Following the principle of "detaching the homage parts without causing the plot to fall apart," the final result is what you see.

The names also presented a dilemma. From certain angles, changing the names might have seemed suspicious, so I kept them as an homage and used Luther and Richter--sort of a namesake concept.

Pale Blue Dot is the longest part, and since the supporting characters will appear again later, they are more vivid and fleshed out. Ian, Abel, and Jose's interactions are just adorable.

However, the interaction between Luther and Richter, because these parts of the memories are sealed, doesn't quite match the tone of Pale Blue Dot. The playful "secretary and exasperated boss" dynamic will only appear in Richter's side story Storm Wolf, and since that will spoil the ending of I, it won't be finished first.

As for Luther and Maya's scene, writing it was incredibly uncomfortable. It turns out I care a lot more about "informed consent" than I realized. Consent under duress shouldn't be considered consent...

Pale Blue Dot is the part I'm most proud of. The meaning of the "Pale Blue Dot" will be a recurring symbol throughout the entire work. Naturally, Pale Blue Dot holds a higher place than other parts. It's also clear that I'm more comfortable and familiar with wolves, so species that are more different from them tend to receive less attention. However, I will strive to overcome this, and the viewpoint characters in the main story won't have such a wide disparity in screen time.

 

Here are some of my thoughts after completing the prequel, which I'd like to share with everyone. I truly appreciate all of you for reading up to this point, and I welcome any feedback or discussion you'd like to share with me!

[RedMoon]

Appendix of Sigma Squad: The Railroad

Hello everyone, Sigma Squad Book 1 is officially complete! Thank you all for reading and sharing your feedback!

It's been an amazing journey, and I hope you've enjoyed it as much as I have!

The backgrounds of the Sigma Squad members were already decided back when I was writing Pale Blue Dot. Abel's story is probably the most violent and longest, while the others will be shorter. This series was originally intended to be all-ages, but each member of Sigma Squad has their own dark backstories, which is more in line with my style and the kind of stories I tend to tell. I hope it wasn't too shocking or hard for you to accept. Let's keep going and see where the story leads us!

As for secondary characters, Abel is probably my favorite. His story is also the most complex, which is why I shared it in Book 1.

In the original design, 76184 was meant to have an extremely nasty personality. When 74258 rejected his offer, he actually hit him. But later, I realized that if he had hit him then, there wouldn't be any story afterward. So I changed it to the current version, where 76184 was no longer trying to get something out of 74258, allowing 74258 to feel safe and willing to accept, leading to their eventual equal relationship, as symbolized by "the temperature was just right."

As a side note, the first number refers to their breed, the second and third digits refer to their origin, and the final digit is their individual number. Each count's territory has fewer than 100 red foxes, and their primary work is mostly handled by drones.

The red foxes from Texas had it pretty rough. Though it's not so bad to live in a peaceful little world, just making the same choices as the masses, in the end, they were all executed by impalement. For tyrants, after all, everything is their to give and take away whenever they please.

That said, I wonder if some of the violent and bloody scenes might have gone too far or were a bit unnecessary? I have to admit, the part where 74258 was tortured by Hunter felt a bit excessive to me. But in the end, I decided to keep it to show just how bad Hunter truly was.

One of the key missions of Sigma Squad is to introduce the current state of Gaia. Abel's journey is mostly focused on the plantation and observing the city from the outside. Of course, there's also the introduction of rats and bears, which will be fleshed out further in other members' stories.

I really enjoyed the scene where the two of them were speeding on the motorcycle--it had that cyberpunk meets road trip vibe. I hope I managed to convey that sense of boundless freedom to the readers.

There are also some new characters introduced in this story, most of whom will appear in other stories (including Storm Wolf). You'll get to see what some of these characters were like before they went bad, and who was rotten from the start. If any of the characters stood out to you (in any way), I'd love to hear your thoughts!

Sigma Squad Book 1, The Railroad, has its biggest twist in Abel's identity. I wonder if any readers figured it out before 74258 revealed it at the end?

The perspective of 76184 was decoded from that chip, so all the inner thoughts (like his feelings during fainting) actually belong to 74258. And in the end, 74258 decides to accept the "precious gift" and continue the journey for both of them--seeing a world where the skies are bluer and the grass is greener.

Though I admit the title may have been a bit misleading, since The Railroad is primarily 76184's story, a story of "those who didn't make it." So there wasn't much background given for 74258. But Abel's journey isn't over yet, and the ripples from it will stir up waves in the main series.

For example, there are three parts to "The Railroad," but what about the final part? And all the old grudges and new rivalries--who will our clever little fox end up with in the end?

Before we return to Richter’s journey, we’ll be jumping back a thousand years in the timeline to explore the early days of the empire’s founding. The reason for this shift is simple: my computer broke down during that period, and I couldn’t continue writing Storm Wolf.

Anyway, thanks again, everyone, and I hope you'll continue to enjoy the stories to come!

[Darryl62]

I love that both stories are listed at number 3 and 4 respectively this month for Sci Fi and also listed under fantasy in the nres

[RedMoon]

9 hours ago, Darryl62 said:

I love that both stories are listed at number 3 and 4 respectively this month for Sci Fi and also listed under fantasy in the nres

Oh wow, I didn’t notice, but it’s an honor to have so many people willing to read it!
I’ll keep working hard to keep it going!

[RedMoon]

Another story comes to an end—and according to schedule, there are still twenty-three more planned works waiting to be written!

The idea for The Three Musketeers came to me while working on Railroad, specifically when I was thinking about what species that great tree should be. That led to another question—who planted that giant oak in the first place?

In case anyone’s curious: the one where the Abels sit and watch the sunset? That tree was planted by Zorro.

The foundations of the Railroad organization gradually took shape from there. The story is not just about inheriting a legacy, but also about addressing the aftermath of the Herbivores-Carnivores War, including how the foxes ended up in such a desperate situation.

Naturally, that means we can’t avoid the topic of transitional justice.

Since Storm Wolf is intended as a young adult series, I’ve deliberately compressed the number and depth of debates and political issues—those who’ve read Wish (my 600k Beastars fanfiction) will probably understand what I mean.

That said, because the situation depicted has already spiraled into retribution, it makes the discussion and portrayal of these themes a bit awkward.

To be honest, I personally don’t have a strong interest in punishment or accountability. I have trouble grasping the meaning or legitimacy of punishment—if it's to reduce harm by removing or isolating a threat, that makes sense to me. But if the harmful behavior has already stopped, what’s the goal of punishment then? Perhaps this stems from my own brain’s neural patterns being at the extreme ends of the normal distribution, but in any case, I’m not trying to deny the importance of accountability in transitional justice (it’s just not my first priority), so there’s no need to say too much more.

The core of The Three Musketeers is compensation.

Edwin, Zorro, Michael —even Smith—their actions are all deeply influenced by guilt. Even if it wasn’t strictly their fault, they each tried to transform that guilt into acts of restitution.

Speaking of guilt, it’s worth mentioning the relationship between Edwin and Dr. Barry (Edwin did call her by her first name once—that’s a tiny little Easter egg). I won’t spell it out here, but feel free to guess why the doctor takes such a special interest in Edwin.

There are also several mirrored plot elements in the story, like the Leo/Zorro pairing versus Michael /Smith, or Leo/Zorro versus Edwin/Zorro. One of Zorro’s key moments of character development is the night at the hot springs, when he comforts Edwin—that’s when he steps into the role of someone who can offer support, not just receive it. (That scene’s gesture mirrors when Leo once comforted Zorro after he was swept away by the undercurrent.)

The “I” motif makes a return as well. I personally really liked the moment where Zorro, in uniform, looks at himself in the mirror—not seeing an impostor, but his own reflection.

The organization's name being a form of roleplay by its founding members was planned early on, and the characters’ fates were meant to follow the original. So yes, it should be obvious—Edwin was originally supposed to be crushed to death saving Zorro. But after a lot of thought, I realized that aside from follow the original and giving Zorro more fuel for rage and Michael more pain, there was no strong reason to kill Edwin—so I let him live.

The roleplaying game also serves as an important piece of foreshadowing. I wonder if anyone has guessed who D’Artagnan is? That one was intentionally kept vague, and I removed the scenes where Zorro duels Athos and Aramis. As for The Wizard of Oz, Michael plays the role of Dorothy. When Edwin says he’s “a friend of Dorothy’s,” that’s meant literally—another small Easter egg. There are fewer references to Dune, but when Neil spits on Collins at the end, that’s both a farewell and a sign of respect (“sharing water”), as well as a mimicry of tears. That’s also why Collins responds with, “I treasure the gift of your water”. And the reason for gritting your teeth? In a high drop hanging, there’s a risk of biting off your tongue, which wouldn’t be very pleasant to witness. I’m not sure if anyone expected me to let Smith to cut Neil open, but honestly, I only write extreme scenes if the plot absolutely demands it.

Aramis doesn’t yet have a full name, but maybe he will in Twenty Years Later, a spinoff focusing on the Scientific Council, which can be seen as a sequel to The Three Musketeers. After all, the Man in the Iron Mask hasn’t appeared yet! But it’s a very low-priority project—unless readers become super passionate and demand a continuation, it won’t be high on my list. 

If anyone’s curious about what happens to certain characters before the events of Twenty Years Later, feel free to leave a comment—I could write a short epilogue. But the major historical shifts should already be clear: the Golden House will start preparing to swallow all of the Americas, driving the Maned Wolf House to Australia.

I personally really enjoyed The Three Musketeers—what did you all think?

Please feel free to share any of your thoughts or impressions—I’d love to hear them!