Drew Payne

It is such a good anthology and Paul's drabbles are also very funny.

This anthology is a collection from a writers workshop in East London. As such is has been designed to showcase the writing coming out of this workshop, and so is a very mixed anthology. This isn’t just a collection of short stories only, or just poetry or only essays. This collection contains many different styles of writing. There are short stories here, but also poetry, essays and even drabbles (100 word stories). The strength here is this collection’s variety. If you don’t want to read poetry or an essay, then the next piece is something different. And there is a lot of variety here, there’s twenty-eight different pieces of writing in this collection. There are certainly highlights here. Belgin Durmush’s short story is a surreal satire on dysfunctional committees, while George Tsappis’s story finds the humanity in less than a glorious time for the British occupiers of 1940’s Cyprus. The poems here span many different styles. Frank Crocker’s poems are pithy and humorous, revolving around one subject or another. George Fuller’s poems paint lyrical pictures of different events and places. Dharma Paul’s poems engage the mind and emotions. But the standout poems here are Deborah Collins’s, both lyrically and memorably, captures the strange and disjointed world of East London during lockdown. And there are Paul Butler’s drabbles. He uses 100 words to tell his concise and sharply funny stories. This anthology is full of different and new writing, it is a chance to find some new authors from East London, and is read that can be dipped in and out of, or read in one or two sittings. Find something original here. Find it here on Amazon

I read a lot of them as a teenager (Aunty Agatha did teach me the importance of plots), but coming back to them as an adult, I've found a lot more to them. This one was so dark.

Ruth Rendell was known for her dark psychological thrillers, but she also wrote many short stories, throughout her career. This was her first collection of them, many of which had been previously published in different magazines. At her best, she always had a feel and understanding for character, especially people caught up in events greater than themselves. Here are several short stories that showcase that ability. She captures characters both on the edge of society and those who are bastions of it. These are also the best stories here, were Rendell writes about a character caught up in a situation, with tragic ends. Rendell uses the twist-in-the-tale format for some of these stories, unfortunately it only sometimes works, other times the twist is so obvious that it is a wonder she completed the story. This collection was originally published in 1976, with the stories all written before then, and many of the attitudes in these stories haven’t aged well. Attitudes to mental illness, child abduction and sexism depicted here do creek with age. The pleasure of this collection, though, is in Rendall’s understanding of character, and at its best it is fascinating. Find it here on Amazon

And fortunately, Fountain isn't judgemental here.

Fortunately, Fountain doesn't take that attitude with the people he is writing about here, though several of those people seemed to be taking that attitude about themselves. That's why I found this book so fascinating.

Tim Fountain set out here to explore Britain’s sexual highways and byways, to explore the fetish clubs, swingers’ clubs, dogging sites and much, much more. He didn’t want to just observe but to explore and experience the sexual underbelly of Britain, the side of Britain that isn’t celebrated in the guide books, well most of them. The result is this book, but it’s more than just a chronical through one man’s sexual adventure. What lifts this book is Fountain’s style and perspective. He doesn’t make fun of or caricature the people he is writing about, he tries to get to know them instead, even when those people are caricaturing themselves. His descriptions aren’t salacious or voyeuristic, this isn’t soft porn masquerading as serious writing. Fountain’s writing does have a strong feel of place, and many of these places are sadly seedy. So many of these clubs are housed in rundown places, as if the venue reflects the embarrassment the participants feel. Fountain’s feeling for place is at its best with his description of a heterosexual brothel, housed on a rundown Manchester industrial estate. Fountain wrote this book after writing and performing his one-man play Sex Addict. He had come out about having sex with over 5,000 people and been labelled a pervert by the mainstream media for that. This book was written after that and seems to be his way of exploring what is labelled “abnormal” by the same mainstream media. But this book is as much about Fountain as those he’s writing about and this adds to the satisfaction of this read. Throughout the book he is emailing and flirting with a man called Richard, who lives in Glasgow. They met after Richard saw a production of Fountain’s play. This anchors the book in Fountain’s own story. This book was written in 2008, before dating apps, but Fountain charts how much dating and hooking-up had already moved online. So much of this book wouldn’t have been possible without the internet, Fountain wouldn’t have found a fraction of these different groups without it, he made so many contacts via the internet and forums on his laptop. Fountain’s prose and insights lift this book into the fascinating read that it is. This isn’t a smut book, as its title and cover might suggest, but a fascinating journey through a side of British society that we don’t talk about, much. Unfortunately, and not by Fountain’s choice, many of his trips through this world are on the seedy side, though he never openly laughs at them. Find it here on Amazon

It’s the suburbs in the 1970s, and two teenage lads, Enn and Vic, go to a teenage party to meet girls. Vic is the charming and handsome boy, who is always successful with the girls, while Enn is tongue-tied and awkward around them. At this party Vic pushes Enn to talk to them, to finally have some success with the opposite sex, but the girls at this party are amazing and so easy to talk to. This short story is a showcase for Neil Gaiman’s storytelling skills and his otherworldly imagination. Enn, who narrates this story, is almost a perfect picture of teenage angst. Vic is that teenage boy who every other boy wants to be friends with, he’s handsome and able to talk to girls. But what is most memorable here are the girls at the party, both beautiful and otherworldly, but it is their otherworldliness is so memorable. They talk like people who do not understand this world, but not in a bad science-fiction way. Their otherworldliness feels so right and within character for them, and yet each girl is different too, none of them having quite the same otherworldliness. It is these girls that make this story memorable and lifts it into a strange and interesting tale. This is only a short story, easily read in one sitting, but it is a fine example of Gaiman’s writing. If you haven’t read any of his writing before, then this is a great introduction. If you know his work well, then it is a great way to spend some time in his world. Gaiman’s strength has always been that he has a wonderful imagination and combines it with great storytelling skills. Here is an easily readable story of his. Find it here on Amazon

My short story, Even a Monkey Can Fall from a Tree, can be read in this, new anthology, Showtime 2023, but there’s more to it than just that. Every year, Newham Writers Workshop publishes an anthology of its members work, and I’m member of them and this is the fourth anthology I’ve had work published in. But I’m also now part of the editorial team that published it. I had the easy job. My fellow writers, Belgin and Paula, had the hardest task. They proofread and edited all the submissions and they did a wonderful job of it. They captured those annoying repetitions, corrected those silly spelling mistakes we all make and helped the writer to clarify what they were writing. Editing is not my strong point and I’m so grateful for those who can do it well. My role was the formatting of the manuscript, uploading it to Amazon and promoting it online (Which this blog is the first stage of). I had to format it into eBook and paper back book formats. This wasn’t too difficult, except the writer who had their work in a strange format and screwed half the book’s formatting (!!). Martin, my partner, helped me with the cover. The cover picture is Alphabetti Spaghetti by Alex Chinneck. This is a series of sculptures, of post boxes tied into a knot, placed across the country. There is one just down the road from us, its also a piece of public art in the London borough of Newham, which is a theme we kind of fell into for our cover illustrations. The anthology is a showcase of our members work, hence the name, and it contains so much good writing, a chance I got to experience formatting it, and that writing is so varied. There is poetry, short stories, memoirs and a memorial essay. A lot of current poetry I find dense and difficult to understand, but I’m happy that I can’t say that for my fellow writers here. Many of the poems here are lyrical, painting wonderful images with their words, others use words to take an aim at their subjects. Beautiful-Words by Deborah Collins, Noise by Paul Butler, The Tankard’s Mahogany Bar by George Fuller and Resignation by Catherine Daniels are all fine examples of the poetry here. There is a richness of prose here too, and on such a diverse range of subjects, challenging subjects, not simply cosy and safe. Ros Allison gives us another short story about female friendship. Sarah Winslow, Nicola Catton, Dharma Paul and Belgin Durmush all have written short stories that use fantasy themes, ranging from light and whimsical, to dark and memorable. These stories include meeting your hero, strange events in a coffee shop, through meeting yourself and a very dark story about a house that suddenly appears on a hill. My own story, Even a Monkey Can Fall from a Tree, is about a young man who catches Monkey pox (Mpox). Through this infection he finds himself on the receiving end of a world of judgment and homophobia. The inspiration came from reading about different men’s experiences during the outbreak of Monkey Pox in the summer of 2022. As I read their experiences, I felt such an echo of the homophobia circling around HIV in the 1980s & 1990s. It was disturbing to hear all that homophobia resurfacing again. It shouted out to me to write about it, to explore the cost of it. There is also non-fiction in this anthology, personal essays that draw on universal experiences. Dave Chambers’s essay, Uncle Bob, is about how he moved away from and then left the Catholic Church through his relationship with his uncle. Frank Crocker’s essay is about loss, first experienced as a child and then much later as an adult. The last piece in the anthology is also one of the most poignant pieces here. It is a memorial essay about our former treasurer, Margaret Griffith. Margaret died suddenly and unexpectantly in August 2022. Her death had surprised and shocked us all, she had been our longest serving member. This essay, drawn from the eulogies at her funeral, is a way of us remembering such a prominent member of our workshop. This anthology is a showcase of the work coming out of our writers workshop, the original and different voices producing work in East London. You can get a copy of it here. Happy reading Drew

Oohs, spoilers, spoilers (!!). Bless him but Liam isn't very good at pushing himself forward, and he still has a habit of retreating back into himself. I want to capture the changing nature of the ward, these are patients and they will be discharged and staff will change. Liam isn't living in a normal home environment (though his life with his mother was never normal), and I wanted to show how transient it can be.

Liam sat in the corner of the sofa hidden away in the Common Room reading his latest book. His book was something safe to hide behind. He could lose himself in reading it, but he could also use it as a barrier against other people. He could hold it up in front of his face stopping others from looking directly at him, from talking with him, and it worked. People there left him alone. He'd had his dinner - again a meal so overcooked that there was little taste to it - and now he was killing

Thank you. I wrote this story over ten years ago, sadly so little has changed since then. I still hear right-wing Christians calling for marriage equality to be repealed, and Row v Wade, in the States, should be a wake-up call to all of us.

It is 1976 and Mary Ann Singleton changes her visit to San Francisco into a permanent move. Naïve from her sheltered live in Cleveland, she wants a new life in The City. She finds an apartment at 28 Barbary Lane, and gets drawn into the found family her landlady, Mrs Madrigal, has created from the other tenants there. There is bohemian Mona Ramsey, gay Michael "Mouse" Tolliver and womanising Brian Hawkins. Though we are introduced into this by Mary Ann, this isn’t her story alone. Soon we are following the different lives of the residents of 28 Barbary Lane. Armistead Maupin’s stroke of genius was to set this story within a household of apartments and the tenants who live there, with their unconventional mother-figure in Mrs Madrigal. Through their lives he could write about the different aspects of San Francisco life in the 1970s. The other genius is that not just Maupin populated this novel with a large number of LGBT characters but that he treated them the same as all the other characters. They don’t come to sordid ends or end in pathetic suicides, they just have as messy and complicated lives as the straight characters. This novel was originally written as a newspaper serial and its style still reflects that, short and episodic scenes that rely on dialog, rather than description, to build character and atmosphere. This creates a fast-paced read, peppered frequently with jokes, but from time-to-time I did want a few passages of description just to slow down the pace and give me a moment to breath. This isn’t a historical novel, it was written in the 1970s and gloriously reflects the times. This isn’t a story about bright colours and brighter pop music. It explores the social change and different lifestyles that the 1960s had hinted at. It reminds us how important the 1970s were, especially if you are LGBT. Unfortunately, it does portray some of the 1970’s sexual politics that we now find questionable, it was a different time. Maupin wasn’t the first author to write a multi-character, multi-plot novel, but what he did was fill his novel with characters that had previously not been given a central role, and to portray them in an honest, open and non-sensational way. For so many LGBT people, of a certain age, this was a revolutionary novel. And today, it is still a novel that can hold a reader’s attention for a fascinating journey, with a lot of good jokes along the way. Find it here on Amazon

I have only one bit of advice about starting writing, do it now! It's too easy to put it off, and you live in Valencia, there MUST be some great inspiration from there.

@Gary L, that is such a perfect disscription of PD James's novel, she was a great novelist who just happened to write crime novels. The first one of her novels I read was Death of An Expert Witness, what an amazing and dark novel, she made death so unpleasant and horrible.

Thanks

This is a slim volume, just one short story, The Part-Time Job, and an essay, Murder Most Fowl, but it’s a perfect quick read as an eBook. The Part-Time Job is a story about revenge and murder. The unnamed narrator was bullied at school by Keith Manston-Green and at twelve vowed to kill him. The rest of the story is how he achieves this. As a motive for murder this might seem petty and trivial but to anyone whose school days were blighted by bullying will identify with this narrator’s actions, though may not agree with them. But this is a very pedestrian plot, the narrator achieves his goal in a rather obvious way. What lifts this story is the unexpected and dark twist at the end. If you stay reading to the end, then you are rewarded with a very dark and satisfying ending. Murder Most Fowl is an essay about why James wrote mystery crime novels, and this is a real gem. She doesn’t write about how she writes, where she finds her plots and inspiration. Instead she writes about why she writes in mystery/crime genre and what she hopes to achieve doing that. It also gives an interesting reading list of her favourite authors, what she enjoyed from their books. PD James was an amazingly talented author, whose novels were always more than just about the puzzle of who the murder is. Her novels also explored different and interesting themes, underneath her murder plots. Like so many great authors, after her death there seemed a rush to publish the remainder of her unpublished work, the short stories and essays that had been published in magazines and newspapers, but were never published in book form. This slight volume is a product of this. James was always a great writer, even here, but this book is more for the PD James fan, it isn’t a place to first discover her work, there are several of her novels that are better for that, but this book is still an interesting read. Find it here on Amazon

I hope you can't identify with it too closely, with what happens. Happy reading

Thanks, it was a great read. It is also a short read but Alan Bennett doesn't write long fiction

The Ransomes, a middle-aged, middle-class couple living in North London, return home to their mansion flat, from a night at the opera, and discover they have been burgled. But this is no ordinary burglary. Every single thing in their home has been taken. They are greeted with only bare floor boards and walls. All the possessions they are left with, in the world, are the clothes they are wearing. In this novella, Alan Bennett strips this middle-class couple of all their belongings and therefore forces them to re-examine their position in society, what does it mean to be them. In very Bennett style, the wife here flourishes, using this as a chance to explore the local community around her, that previously she had just passed through to get to somewhere else. The husband, though, stripped of his possessions, fails to cope. All that seemed to have made him, his possessions, have been taken away. This is a slim volume but Bennett still manages to pack a punch with his sparse prose, with many touches of his sharp and on-the-nail humour. Though not a subject always associated with him, this is Bennett on firm territory, he knows these middle-class people and what brings them down. Bennett uses an unusual premise to write a character study of a couple suddenly thrown out of the rut their lives had comfortably fallen into. As with much of his previous prose, this is a short but enjoyable read, and easily re-read. Find it here on Amazon

@lawfulneutralmage, thank you for such solid gold advice and thank you for adding it to my blog. I try to make my passwords as long and as complicated as possible, but as you say, security is a two-way street.

Thank you. I was originally going to just have the interviewer quizzing and challenging Gemma Clarke, but she would have hung up before I could have made my points. Then I thought about what would have happened to Rhys Clarke's sidekicks, and that gave me the rest of the chapter.

Thanks, but at least I was able to get it back

Thank you. It was as I started to write this blog, it occurred to me, why didn't she just create a new, fake profile? I've heard of this happening to other people but it was still a shock to have it happen to me. My only advice is to have a really long password because LinkedIn doesn't seem that concerned about our security.

He really should have tuned in an hour earlier and listened to Leanne James. But I felt it made much more of a dramatic impact hearing this from one of his ex-bullies. I also wanted to have Gemma Clarke not being agreed with to show how things were changing and had moved on. Liam is nineteen here, he's more down and lonely than depressed. The chapter is a flashback to Liam at fifteen.