Albert1434

Come on Drew you have no answer for that one?

Aloha Gary!

Aloha All

I am wrong about the party which is at Johnnys house in the backyard.

Tonight I made for diner! Brazilian Cream Chicken with Plantains and sofrito rice pilaf!

Here is a great shot of Gary!

Thanks for reading — and great eye. Violet is slipping into the script, even if she won’t admit it yet. They’re supposed to be heading to that party, but this moment grabs them just long enough to change the night’s rhythm. And yes, those physical details are absolutely a little tremor before the real quake hits. And one other thing they are in L. A.

Thank you — I’m really glad this chapter struck you that way. Violet’s reactions are meant to feel intriguing, a little unfinished, like she’s still sorting through the echoes the script stirs in her. That sense of “something familiar” will sharpen as she has more time to sit with it. And you’re absolutely right: Carrington is a wildcard. He enters the story with just enough presence to unsettle the rhythm, and Violet is experienced enough to recognize that. This isn’t her first time navigating motives, risks, and the quiet politics behind a project. She’s reading him just as carefully as she’s reading the script.

Thank you — I’m really glad the tension landed for you. That edge between calm conversation and the quiet rumble underneath is exactly what this chapter is meant to carry. Sam staring at the jelly and butter wasn’t accidental. He’s already living inside the eruption sequence, already seeing the world in metaphors of heat and movement. It’s not a literal earthquake yet, but it is a tremor in his imagination — the first hint that the project is starting to seep into his senses. The ground hasn’t moved, but Sam’s mind has. And you’re right about Violet. She’s drawn to the script, but her connection is different from Johnny’s. Johnny feels the story in his bones; Violet feels the responsibility in hers. She’s already calculating the logistics, the cost of filming on location, the obstacles that will come with turning vision into reality. She sees the beauty, but she also sees the bill. That’s what makes her essential — she’s looking at more than the finished product. She’s looking at the path to get there.

Thank you so much — I’m really glad this chapter resonated with you. Violet’s finally stepping out of the shadows a little, and we’re starting to see the way her mind works: sharp, intuitive, and always balancing the art with the reality behind it. She connects to the script the same way Johnny does, but she carries that extra weight of responsibility — the part where vision has to meet numbers. She’s already running the math in her head, already anticipating the hurdles, already protecting the project before anyone else even thinks to. That’s just who she is. And Johnny recognizes that. It’s part of why their collaboration works — his instinct and her strategy meeting in the middle. And yes, Sam’s calm presence in all of this matters. He and Johnny don’t need to explain anything; they just settle into that quiet, steady rhythm together. It’s one of the anchors in the story.

Thank you — that’s a great read on the chapter. Violet clearly connects with the script, but she’s weighing the cost and the scale of making something this ambitious. She’s practical, even when she’s inspired. And Carrington… yes, he remains a question mark. His “stepping in at the right time” comment hints at deeper connections, maybe even influence that isn’t fully visible yet. It’s enough to make anyone wonder what strings he can pull — and why.

Aloha All