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Stories posted in this category are works of fiction. Names, places, characters, events, and incidents are created by the authors' imaginations or are used fictitiously. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 

Footprints - 3. Chapter 3

Limerence

Step back.

You can’t rely on lust to carry through a relationship and that’s what this man is; relationship material, not a piece of meat dangling before your vision playing with the intense desire in your jeans. Your mind screams out for his body but what will remain afterwards if not Shame and Sadness. For a moment you consider the horrors that will follow. No matter that it’s been four years since your last sexcapade, the hard on will have to wait. He has dreams. He has a goal. He has a family. Friends. You want to know. Get to know him.

‘Wait.’ Your voice hangs in the air.

He scrunches his forehead. His lips tighten. “What? Did I do or say something wrong?’

‘No. Not at all. How about lunch? I bet you’re hungry.’

‘Yes I am, but…’

‘That settles it then. I’ll make lunch for us.’

This is the first time you wish you were inside his head, reading his thoughts.

‘I’m sure I said something wrong,’he says. ‘I’m so sorry if I did. I mean, we’ve only just met and I feel like a teenager.’ He sits on a kitchen chair as you prepare prawns and oysters, tomato and cucumber.

‘William. I…I’m nervous. I told you that. You’re a known sportsman. I’m a nobody and you have something that I don’t have. Ambition. I can’t allow myself to be the one to end your dreams.’

He shakes his head and grins. ‘Is that the only reason?’

‘No. It isn’t. There’s more. It’s called lust. I don’t want that. I fear that I’ll never see you again if we have sex. I’d rather just be your friend if you can handle that.’

‘Maybe you’re right. Maybe I’ll never see you again, but that will be your doing, not mine. I’m not that kind of a person.’

‘I don’t do that to people. Their hearts and souls mean a lot to me. I don’t fuck things up. I speak from experience. I have been a one night stand too many times in my life. I don’t want that.’

He stares without saying a word. You study his face. The smooth lines, the feint blonde stubble on his chin, the dimple on his left cheek. Silence has a thunderous effect on conversation. Especially one as important as this.

Eventually. ‘Are you rejecting me?’

The knife falls from your hand. ‘What? No way! I’m afraid that you’ll reject me. I want you. But not like this.’

He climbs off the chair and approaches. Reaches out. Fingers lightly on your face. There are tears in his eyes as he leans in. His kiss is short but meaningful. ‘I understand. I’m sorry if you thought that all I want from you is sex. That’s not so. I would love to get to know you better.’

‘Thank you. You have no idea how much that means to me.’

‘I do know. I want the same.’

You eat on the patio. Tankers on the horizon. Gulls whirling in the air.

‘I would have thought that an Olympic swimmer would have his trainer tagging along.’ You say between bites.

‘My trainer's on leave. Seychelles. Returns in a fortnight. He insists I train in the club pool, but I have other ideas. My strength won’t come from pool training. The ocean gives me strength. It’s like there’s more resistance in the water. It breathes, and it’s like the water is trying to stop me. By the time Craig gets back I’ll probably have increased my swim time by at least thirty seconds.’

‘It’s a novel way of training I’ll give you that. If you need any help while you’re training here, just shout.’

‘You’d help me? Man, that’s mint. You could check my time during various stages. Would you do that?’

‘I’d love to.’

‘Time me to the buoy. Time my swim back. If I get lazy, kick my butt.’

‘Your team, do they know that you’re gay?’

‘Yes. They accept me unconditionally.’

‘What’s not to accept about you?’

‘You’ll see. I’m not all perfect. But, enough about me, what about you?’

He takes your hand and holds it to his mouth, kissing gently.

‘What do you want to know?’

‘Anything you care to tell.’

‘I bought this place six years ago. I was involved with someone whom I thought was the most perfect man. He worked in Durban. Had to travel everyday. 120 kilometres, there and back every day. One day he didn’t come home. Still hasn’t. It’s been four years now.’

‘That sucks. How could anyone do that?’

‘He never said. No note. No telephone call, well, not from him anyway. A work colleague of his called me. She said that I could keep all of his stuff. He wouldn't be returning. ‘

‘Just like that.’

Yes, just like that. You felt sorry for yourself. You had given him three of the best years of your life. You never argued. Never snapped. Never resorted to conflict. It was the end of your world as you knew it.

‘I cried for weeks on end. Didn’t eat. Couldn’t sleep. Hollow. It’s been four years now. I haven’t bothered about men. Or women. I decided then and there, never again. I will never be hurt again. And so I paint, and collect furniture. I know they can’t hurt me.’

‘I...I’m so sorry.’

‘Thank you. But, you don’t need to be. It wasn’t you.’

‘I know. It’s just that I never want to be hurt. I can only imagine what it must be like.’

‘You’ve never fallen in love?’

‘No. My swimming has taken care of that aspect of my life. Dedicated.’ He laughs. It’s a bright shiny morning laugh and you stare at him as though he is the only man on earth. ‘But, I would like to fall in love. I mean, I would love for someone to teach me about this guy called love. I have no idea what he looks like or what he wears, I don’t know what he eats or what he dislikes. I know I want to know.’

It’s taken you thirty to minutes to fall in love.

The butterflies in your tummy are a sure signal. The man fits. The desire. The wanting. The pain has begun. The limerance has commenced. Since yesterday he has been intrusive in your thoughts and you’re walking on air because there is reciprocation. He has made you talk about the past, made you deal with it, and everything else is in the background. There’s nothing wrong with him. Nothing negative. Everything positive. Above all, he turns you on, and you know you turn him on. But there is a lingering question. Is this infatuation? You’re thirty. The internet says he is 20. Is this limerence respectable? Of course it is. Here are the beginnings of deeper feelings that will last as long as the relationship. It could be a life-time because you two blend together in an emotional bonding. You seek love. He wants to learn.

‘You’re quiet,’ he says.

‘Sorry, I was thinking. What time do you need to get back?’

‘I didn’t specify a time. I told my parents to expect me when they see me.’

‘You did?’ A smile sweeps across your face.

‘Yup. They weren’t too happy about it, but they know I can look after myself.’

‘Wanna take a walk on the beach?’

‘I’d love to.’

It has stopped raining.

Hand in hand you trudge along the shore. The sand is thin, the waves cool. He runs and dares you to catch him. He’s fast. It takes all your energy to catch up and make the dive. You’re both on the sand, he’s trying to escape your grip, you’re trying to keep him from running. After a few minutes he gives up, stares into your eyes, and kisses you gently. There is no need for words as you try to build a sandcastle, but you know the rising tide will wash it away and tomorrow there will only be a few heaps.

Are you building a sandcastle?

To be continued...

Pleased that you're still with Footprints. Thank you so much for your input. Hugs
Louis J Harris
  • Like 8
Stories posted in this category are works of fiction. Names, places, characters, events, and incidents are created by the authors' imaginations or are used fictitiously. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 
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My thoughts right now is this. Louis can switch gears in a heartbeat. After reading Imagine, and then this, I'm enthralled at your whole realm of writing, and how you do it. Both of these stories capture the reader, but each in its' own way. Just saying. I love it!

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I'm proud of both these boys for not just jumping in the sack. It seems like William feels the same way Basil does.

 

I love your description of the sandcastle and the sand and all your imagery in this wonderful story, Louis.

 

You always leave me wanting more. :)

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On 12/29/2013 12:10 PM, joann414 said:
My thoughts right now is this. Louis can switch gears in a heartbeat. After reading Imagine, and then this, I'm enthralled at your whole realm of writing, and how you do it. Both of these stories capture the reader, but each in its' own way. Just saying. I love it!
Sharpening my pencil for more.
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On 12/30/2013 11:15 AM, Lisa said:
I'm proud of both these boys for not just jumping in the sack. It seems like William feels the same way Basil does.

 

I love your description of the sandcastle and the sand and all your imagery in this wonderful story, Louis.

 

You always leave me wanting more. :)

Thanks Lisa. I am trying to mske it as real as possible.
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On 12/30/2013 11:15 AM, Lisa said:
I'm proud of both these boys for not just jumping in the sack. It seems like William feels the same way Basil does.

 

I love your description of the sandcastle and the sand and all your imagery in this wonderful story, Louis.

 

You always leave me wanting more. :)

Thanks Lisa. I am trying to mske it as real as possible.
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On 12/31/2013 06:17 PM, nostic said:
I like how he handled his lust and his hurt was so real I felt like crying. Thank you.
Thanks Nostalgic. I need to becareful when writing emotions. I don't want it to sink into melodrama. Glad you feel connected to the emotions in the story. Hugs
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unconventional: My expected struggle with "stream of consciousness" never came. Basil thinks quite clearly indeed, more than I certainly, but I suppose you needed to warn off the grammar police. :-)

 

second person present: I'm inside with Basil, but I'm not Basil; or maybe I'm a different ego of Basil, much as when I talk to myself in second person, one actor to another on my stage of consciousness.

 

limerence: an essential new word. Thank you!

 

melodrama: Reading your reply on avoiding melodrama, I recalled other plots driven artificially by angst, fear, and pain. The dictionary definition differs, but maybe you are using the word as I do. Change and pain are essential to life. Rational actors welcome or at least accept both where they must, strive for beauty and pleasure where they can, and avoid raining down needless pain and suffering on all concerned. In "Footprints" I see an honest portrayal of rational actors.

 

sanity: I took a break from your powerful story Imagine There's no Heaven, an honest portrayal of what I see as mass psychosis, to step away from needless pain and suffering. Compared to that, is sanity at issue here? Basil's carefully buffered stasis is in jeopardy, but is his sanity?

 

sandcastle: If this pair, a 30-yr old seeking love and a 20-yr old wanting to learn, are building a sandcastle, that's OK.

 

underlined italics: I suppose you did that because italics alone don't show up well in the sorry san serif fonts that afflict most on-line stories. I yearn for the day when enough computer screens can support Times New Roman that we can relegate san serif to headings and tables.

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On 01/03/2014 01:35 AM, knotme said:
unconventional: My expected struggle with "stream of consciousness" never came. Basil thinks quite clearly indeed, more than I certainly, but I suppose you needed to warn off the grammar police. :-)

 

second person present: I'm inside with Basil, but I'm not Basil; or maybe I'm a different ego of Basil, much as when I talk to myself in second person, one actor to another on my stage of consciousness.

 

limerence: an essential new word. Thank you!

 

melodrama: Reading your reply on avoiding melodrama, I recalled other plots driven artificially by angst, fear, and pain. The dictionary definition differs, but maybe you are using the word as I do. Change and pain are essential to life. Rational actors welcome or at least accept both where they must, strive for beauty and pleasure where they can, and avoid raining down needless pain and suffering on all concerned. In "Footprints" I see an honest portrayal of rational actors.

 

sanity: I took a break from your powerful story Imagine There's no Heaven, an honest portrayal of what I see as mass psychosis, to step away from needless pain and suffering. Compared to that, is sanity at issue here? Basil's carefully buffered stasis is in jeopardy, but is his sanity?

 

sandcastle: If this pair, a 30-yr old seeking love and a 20-yr old wanting to learn, are building a sandcastle, that's OK.

 

underlined italics: I suppose you did that because italics alone don't show up well in the sorry san serif fonts that afflict most on-line stories. I yearn for the day when enough computer screens can support Times New Roman that we can relegate san serif to headings and tables.

Wow! Thank you very much for this insight. Melodrama can be cheesy and that iscwhat I want to avoid. Both characters are rational as you have seen. There are moments when he will go off, and that is coming soon. But ja, so far I have been happy with his behaviour.

 

I am limerent with the word limerence. LOL. Glad you are too. And its such an easy word on the tongue too. When I came across it, it became a WOW moment for me.

 

Basil's sanity does play a part here. It's in his art.and the first work of art which he doesn't see as insane, is his current portrait of William. He will show this to William soon. It will b interesting to see his reaction.

 

Imagine is very different. There is pathos. The agony of war. Two characters who come together only thru tragic circumstances. It isn't finished.

 

The sandcastle question to me represents a touch and go kinda thing. In that question I see things like the age gap between the two. The ambition of one character. The longing in the other character. It could all go South for Bazil, but he is willing to take a chance.

 

Italics. Yup, the underlined words are italics.

 

Once again I loved your input. Hugs

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What a great chapter. The emotions of these two characters come across so vividly. Reading about how cowardly Basil's ex was broke my heart. It gives good insight as to why he's been a hermit for the past four years. I wonder if a part of him still expects his ex to return.

I love the image of the two of them building that sandcastle. They'll always have this time together, even if/when the tide comes in and washes it away.

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On 04/19/2014 08:52 AM, Valkyrie said:
What a great chapter. The emotions of these two characters come across so vividly. Reading about how cowardly Basil's ex was broke my heart. It gives good insight as to why he's been a hermit for the past four years. I wonder if a part of him still expects his ex to return.

I love the image of the two of them building that sandcastle. They'll always have this time together, even if/when the tide comes in and washes it away.

Building sandcastles is a metaphore for the insecurity that Baz is feeling with Will. He knows he has fallen in love at first site, and this is one of the themes throughout the story. Thank you for your kind words, appreciate your support.
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It's beautiful and so pulls at one's deepest yearnings. I love the sand and the beach too and the isolation. The surroundings somehow are appropriate to the emotions and the experiences. Love like this is the thing of dreams so not sure whether this is coming down at sometime with a big crash - sorry, probably reflecting my own insecurities here!

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