Cane23

Roman is emotionally stronger than Sam. This isn’t about bravery on the battlefield - it’s not about Sam being a warrior, even a hero. His weakness lies in matters of the heart. A large part of his emotional insecurity comes from Max’s inability to truly open up and embrace him fully. The tragedy of their relationship is that while they were loyal and solid in so many aspects of life, in the romantic and emotional sphere they only managed to wound each other. That’s where Roman steps in (or Ben, in Sam’s case) - free of that shared burden, but emotionally strong enough to know what he wants, and, more importantly - courageous enough to push Max’s limits without fear of breaking him or losing some sense of brotherhood. At the end of the day, maybe Max just needs to sit down with his niece and watch Frozen. It might finally click that he should just “Let it go.”

You asked me @JJQuinn if Max and Roman’s relationship is developing too fast. I don’t think so. These two stubborn bulls carry such strong sexual energy that everything around them feels like it’s on fire. But it’s not really about the flame - it’s about the smoke they use to conceal their emotions, to hide the very possibility of feelings rising out of that fire. What’s fascinating is how Max and Roman’s dynamic, though shaped by their own characters, essentially mirrors Sam and Ben’s. Just as Ben dug relentlessly into Sam’s soul, trying to break his mask, Roman looks straight into Max’s. A moment of silence is enough for him to trace the path of Max’s thoughts. And he isn’t offended...he simply reminds Max of the rule: no other man’s name (Sam’s) while they are in bed together. And still, there are moments when that rule dissolves into something more vulnerable. Take the way Max helped Roman with Derek. He framed it as loyalty - Roman was Ben’s friend, and since Ben was with Sam, that made them all family. But the truth was different. It had nothing to do with Ben. Max was helping Roman, and Roman alone. Max doesn’t stay silenced either. He throws Roman’s own words back at him...the very ones spoken that night in the hotel. He remembers them because they weren’t just about a rule against mentioning a “third man in bed.” They were a claim. Roman had said - In bed, you are mine… soon, you’ll be in life.

Up until this moment, Blake has been warning, guarding, almost territorial. But with this line, he reveals recognition - that Cash isn’t just a rival, he’s a mirror. This deepens the triangle - If Cash is like Blake, then Jackson is caught between two reflections of the same wounded, stubborn kind of devotion. It raises the stakes: Jackson isn’t choosing between opposites (safe vs. dangerous), but between two men who echo each other in different ways.

I watched the video - it's amazing too. It really made me think what a great movie this could be! With Matt Bomer and Jonathan Bailey in the leading roles, it would be perfect. They had such great chemistry in Fellow Travelers, and if they excelled in drama, I'm sure they'd be fantastic in a rom-com as well.

Guilty as charged! @austinbiguy, sir

Do not trust the Danaans, even when they bring gifts. 😜

Yeah, yeah… pushing the limits as always - let the South burn! 🔥

Since this is, after all, primarily a love story...and not one of those more psychological @CasualWanderer82tales, I’m not going to rationalize, but rather fantasize about the possible outcome. If we set aside all the potential disasters, there’s always Casual’s oldest and most successful specialty - threesomes and polyamory! Honestly, nothing is hotter than imagining a smut scene with these three boys, written by master Casual. Nevertheless, unlike us readers, I’m not entirely sure the American South is ready for such an ending…

I’d suggest Chapter 2 - the floating platform scene at the lake! 😉

I just love the British (original) version of The House of Cards...

Oh my... should I say it? Ah, to hell with it - I told you so! I'm not surprised by your subtle clues or those double-edged signals you like to drop, but this is the first time you've deliberately misled your loyal readers, @CasualWanderer82! You naughty author- there’s truly nothing that can stop you from delivering blood, heartbreak, and chaos... and we love you for it.

One of the best rom-coms I've read in a while. Subtle, intelligent humor; a partnership that begins as a project and ends in romance... simply amazing. This was such an enjoyable read!

Here we are - finally. This is the crux of it all. What’s the point of saving a marriage if your husband is in love with another man? Noah has finally put all the pieces together. Jace’s behavior has been irrational - he doesn’t even know what he truly wants. Or rather, he does, he wants it all. But that isn’t love. He keeps coming back to Noah, insisting on talking, yet he has nothing meaningful to say - because at the end of the day, he loves who he loves, and he can’t change that. And Noah is the monogamous type. What did Jace expect? That Noah would accept a husband, a husband’s boyfriend, and their child under the same roof? And hypothetically, would Jace be so understanding if Noah took a lover too? And let’s be clear - Jace is not less selfish than Matteo (though Matteo’s methods are extreme—cutting himself, finding a surrogate mother, and so on). If Jace truly loved his husband, after everything that came to light, he would give him a divorce instead of dragging him through the courts. Enough with the “I love you, my love” routine - grow up, man, and take responsibility.

Yes, exactly - I think that’s a really good way to put it. For Lyn, keeping harmony can act almost like a substitute for real control. If he can keep everyone else steady, then he doesn’t have to face his own turbulence directly. It gives him the illusion of balance, even if deep down he’s unsettled.

For me, keeping social harmony isn’t just about other people - it’s about my own sense of balance. When everyone around me is at peace, I feel calmer and more grounded, even if I have to compromise my own comfort or principles a little. It’s not that I don’t value my integrity, but in certain situations, maintaining harmony gives me a kind of stability that standing my ground wouldn’t. And goddamn, it’s hard. It takes so much energy, and it can feel exhausting and unfair at times. It’s not only with people I care about - but it can also be among friends, at work, or really in any setting. Somehow, letting things run smoothly helps me feel more in control of my world and less scattered inside. But at the same time, it’s rarely fully satisfying... more like choosing the lesser evil than something truly good for me. So, in the end, keeping the peace isn’t just for others - it’s really my way of holding myself together. Hope it makes any sense to you.

I had to comment on this line separately because it strikes me personally. I see so much of myself in Lyn - not in his blindness to feelings or the signals people send him, but in his desperate need to maintain peace and harmony between them. I know what it’s like to play the main peacemaker in your circle, going so far as to neglect your own wishes or needs just to keep everyone satisfied and “happy.” It’s exhausting and rarely rewarding. So often, it leaves you wishing you could just say, “Fuck you all.” It’s incredibly hard and painful to minimize yourself to bolster other egos, or to accommodate narcissistic tendencies. And then, when you eventually break, everyone acts shocked, wondering what’s wrong with you.

Alexander’s words - “Let go” and later, “Thank you for letting me do this to you” - are crucial moment in the chapter we could see as epic battle of two wills - or, maybe, two control freaks 😉. The first is permission. It’s soft, even intimate, but also underlines that Alexander is the one dictating pace. He tells Lyn when it’s okay to surrender. The second is gratitude, but it lands ambiguously... is Alexander thanking Lyn because he knows how rare Lyn’s vulnerability is? Or is it condescending, a little like a surgeon thanking a patient for trusting his hands? Either way, Alexander frames the act as his doing. Lyn is cast in the passive role - even after the fact. Lyn’s thought... “Lyn would have to get his revenge, and soon” is the real cliffhanger. On one hand, it’s humorous and fits his competitive streak with Alexander. On the other, it’s telling - Lyn can’t just enjoy the intimacy; he needs to restore the power balance. This keeps their relationship charged with rivalry. Sex doesn’t neutralize their tension - it deepens it, making future encounters even more dangerous because now it’s a psychological chess match wrapped in eroticism. Lyn is caught in double trap. One is his own - he insists on control as part of his identity. By teasing Alexander (“aren’t you all about control?”) and by positioning himself as the one who decides when to stop or push forward, he sets a standard he cannot uphold once the intimacy overwhelms him. If he lets go, he feels he’s betraying that self-image. If he resists, he risks looking ridiculous, like he’s “cowardly” in the face of desire. Either way, he can’t win on his own terms. The second is Alexander's trap. Alexander allows Lyn to think he has control, but he is subtly dismantling it. In the sex scene, Alexander weaponizes patience, focus, and sensual detail. He doesn’t take control overtly - he lures Lyn into surrendering it. “Do as you wish.” Lyn hated those words. They made him feel at a loss, like he didn’t even deserve to be told what to do. They meant dismissal, in his book. In Alexander’s, he wasn’t so sure, but his first instinct was the same, to react as if— “I do have a strong wish to taste your cooking,” Alexander added, stopping Lyn from spiraling in self-doubt. This is so beautiful, almost touchy little moment. Alexander is, as so many times in this story, sending Lyn a rescue-belt. He is both teasing and grounding him, preventing Lyn from drowning in his own self-doubt. And what’s touching is that he does it without confrontation, he doesn’t say “Don’t think like that,” he just redirects Lyn toward something safe, intimate, and affirming. This is one of those moments that shows the emotional intelligence Alexander has when it comes to Lyn. Even in a story full of battles for dominance and control, these tiny rescues prove that what binds them isn’t just rivalry or attraction - it’s the unspoken care that keeps slipping through. “I know,” Alexander replied. “That’s what makes things so damn difficult.” This line is deceptively simple, but it’s one of the clearest insights into why intimacy with Lyn requires so much care - it’s not just emotional; it’s methodical, deliberate, and precise, almost clinical in its approach. Lyn is wired to maintain control - emotionally, physically, even socially. He masks vulnerability behind competence, sarcasm, and teasing. Alexander recognizes this, which is why intimacy with Lyn cannot be rushed. It’s not just about getting consent or compliance... it’s about getting Lyn to let go of a lifelong habit of self-protection. Alexander has to proceed step by step, like a surgeon. He can’t brute-force closeness - he has to test, gauge, and intervene at the right moments.

Absolutely...and much more. I believe that line marks the crucial turning point of the story. If we take Matteo and Jace’s history into account, it almost feels as if that fateful night was inevitable. And yet, there was still a possible path where things could have unfolded differently: guilt could have driven the lovers apart, Noah might have eventually discovered the truth but forgiven it as a “moment of weakness.” Unfortunately, after the line you quoted, nothing was ever the same. That moment was the trigger -afterward, Matteo slipped into obsession, and eventually madness. He had been ready to move on, still weighed down by guilt… but once Jace claimed him with those possessive words, all moral and ethical boundaries collapsed. For that reason, whatever evil Matteo does later is not because he is evil in essence (as some of your other characters are), but because he is mad - his actions no longer rational. Jace did this to him. He hurt Matteo as deeply as he hurt Noah. He gave promises...symbolized even by the necklace, a chain binding them -that were double-edged signs. Jace believed he could have it all: love and passion, lover and husband, perhaps even two parallel families and children. He never intended to leave Noah, but he didn’t want to let go of Matteo either. That’s why I feel the least sympathy for Jace (unlike my friend @Seraph28 ). He created this mess, and now he doesn’t know how to deal with it.

Well, there were definitely signs that Vince wasn’t just an ordinary human - signs that now seem clear to Danny too. First, he wasn’t even shocked by the existence of shifters. Then there’s his courage - going after Theo... Always in the middle of the action, always taking the initiative. Ah, you’ve hidden his true identity well @Laura S. Fox!

Was it really just about one night? That night may have been a mistake, yes - and if everything had stopped there, the damage might have been much smaller (even though Chris warned him about the guilt). But let’s not forget - it wasn’t Matteo who reignited the affair. It was Jace who, after seeing Matteo on a date, made a jealous scene and chose to start things up again. And this time, it wasn't just an affair. It became a parallel life- three months of sneaking around, while Jace had a husband and a child at home. They were planning to have another child, for God’s sake. That’s not “just” an affair- that’s a betrayal on multiple levels. Yes, Matteo may have gone too far now, but Jace is not some passive victim in this. Like it or not, he’s an accomplice.

In this chapter, we witness Noah completely losing control over his own life. Whether through manipulation or so-called "good intentions," his agency has been stripped away. His son, Rain, resorts to emotional blackmail, trying to force his parents back together. Jace is playing house - pretending to be the perfect father and devoted husband, while Noah's parents, although finally showing support, overstep by making decisions for him. They suggest he go on vacation with Jace and Rain to "fix" the marriage, when what Noah truly needs is time alone to reflect and gather himself. And then there's Matteo, with his bizarre scheme involving the surrogate mother of Jace’s child - how far is he willing to go?

That’s because you’re a goddamn great western writer! I’m not the biggest fan of the genre myself, so I’m definitely rooting for something contemporary. That said, whatever you deliver, I’m sure it’ll be a masterpiece. Now, I’m off to reread some of your classic evergreens!

I’d love to read a new story from you - something contemporary this time, rather than Wild West, with your amazing characters.

I was hoping for a new chapter of Futile Devices… but it’s wonderful to see you back @CasualWanderer82! We spend so much time fearing broken hearts… but perhaps it’s the broken necks we should fear more - love may wound, but life itself can unseat us in an instant.

I understand why you see Jace sympathetically, but here’s how I see it. Noah needs a man, not a Peter Pan - by that I mean, not a boy who refuses to grow up. Jace has spent too long running from responsibility, clinging to old wounds and bad choices instead of facing them. That doesn’t make him the villain of the story - he isn’t. He’s simply weak, flawed, and still unfinished as a person. But he has to put his life in order without Noah being the one trapped in that prison with him. Yes, they had good years together, but those don’t erase the bad, and all the signs suggest Jace could easily slip again.