Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you.
All errors or problematic bits are my own fault.
Bragi's Bagatelles - 2. April 18th to April 31st
April 18
You could ask
for logarithms of
the square of the hippopotamus,
or discreetly derivative discrete functions
and where their apogees intersect,
but the answers are not
rational.
You could ask
where sparrows ought to hide,
not from their natural predators,
but exotic snakes and cats that people release
into the wild ‘cause it’s easier
to set them on the world
than to care.
You could ask
the many mute watchers
why they say nothing while we struggle
to comprehend the hostility of neighbors
who once smiled and waved every morning
but now fly the flag of
oppression.
April 19
The osprey and the common tern
must feel neck muscles stretch and burn,
for they must hover hours on end,
their seafood supper to discern.
Each bird will stoop to apprehend
a fish, and then strive to ascend
to some secluded sylvan spot
where they their manners may suspend.
To keep frayed nerves from getting hot,
the osprey pecks at what it’s got
withdrawn from all society,
but leaves the bones to sun and rot.
The tern will gulp entirely
it’s hors d’oeuvre sans propriety
and thence its first course will adjourn
to search for more variety.
April 20
Three sweet notes
Ring over the meadow
Beneath the watchful circling vultures,
For the white-throated sparrow celebrates the spring
Despite these ominous black shadows
Which effortlessly soar
In the blue.
If you look
you can see two faint stars
in the handle of the Big Dipper;
I’m told the Onondagas checked their eyes with them,
and though old age dimmed not their heart’s fire,
they only remembered
the heavens.
April 21
One white pelican
glides low across the water
caressing the waves.
~ ~ ~
Two swallow-tailed kites
wheel above the cypresses
in order to dive.
~ ~ ~
Three great blue herons
beat dark wings against white clouds,
fearless of thunder.
~ ~ ~
Four dozen ibis
flash in line under the sun,
undulating west.
~ ~ ~
White eyed vireos
flutter amongst five palm trees,
hid in abundance.
~ ~ ~
Six roosting peacocks
cry into the thick darkness
to become nightmares.
April 22
It wearies mind and body to contain
the age-old animosity verbose,
with which the blind religious make to stain
the present times on screen and radios
and make themselves into unyielding foes
of colors painted on the rain-lit sky,
defending laws no bible would impose –
this is the hill on which they choose to die?
So many other battles could they strain
to fight: disease and hunger have arose,
disaster, famine, tyranny and pain,
but what we need is unity to close
the book of life upon these and dispose
their ashes where they might forever lie;
instead they’d force us into life umbrose –
this is the hill on which they choose to die.
We fight to climb, the summit to attain
and scramble through the icy wind that blows
across the mountain, through the slanted rain
paralyzing fingers and the toes,
yet we will celebrate the fact we froze
if only we the darkness can defy
and shout at them, the causes of our woes,
is this the hill on which you choose to die?
Self-righteous ones, who think your power flows
unending, though the ages testify
that you must learn what what every despot knows:
is this the hill on which you choose to die?
April 23
You don’t need
to say a word, not one,
nor move half an inch, save to breathe in,
for I know your best thoughts ere they shine in your eyes
or your broad smile on forms full on your lips,
and it takes but a tick
to kiss you.
April 24
A vector is a funny beast,
in quantities from most to least
combined with a direction set
like up to down or west to east.
The vector’s 3-D alphabet
of i, j, k can make one sweat,
but these locate a spot in space
where planes at angles may be met.
Once you accept their warm embrace,
then vectors’ algebra may grace
orthogonals we’ll learn for sure,
while products cross and dot we trace.
The world would be forever poor,
unoriented, sans allure,
our helices would be so triste
un-vectored with abstractions pure.
April 25
I woke up
to find a million leaves
turning the maples into green clouds
while every beech branch seemed kindled in minute flames
ready to consume the whole hillside
in exuberant fire
of the spring.
In April,
trees briefly remember
colors to which September calls them,
with leaves born in bronze before growing serious
in adolescent green confidence
as they forget about
November.
In the yard,
there stands an old ash tree,
once proud and full, but now gaunt and spare
and crowded by impertinent poplar saplings
with no respect for mossy grandees
and stories to recount
of summer.
April 26
I always take the time to check the weather
so, unlike blue jays, I can change my feather,
though other birds can take some heed of fashion
reacting to the heat of passion.
I’ll never be the quintessential model
with disposition mostly arthropodal
because I’m certain that my epidermis
make one think I’m pachydermous.
I would not say I am a chameleon
with clothes so very Mephistophelian,
but I would gladly share my big umbrella
with another handsome fella.
April 27
How I arrived here, I don’t know,
the streets all look alike to me
with their cloned houses, row on row,
no rock, no bush, no spindly tree
stands out, so one goes oft astray,
for in this living parody
each residence is painted grey
designed by corporate artifice
that visitors are made to stay;
I can’t recall my finding this
bland intersection coming through,
but maybe if I reminisce
I’ll think of turns I took each day,
consider why I’ve gone amiss,
and somehow, after long delay
I’ll shed my mediocrity
and steer my soul a better way
to places that I’m meant to be,
where trees and gardens verdant grow,
and ‘neath unclouded skies might we
hold hands and learn our love to show.
April 28
The special exhibition of my fears
has many rooms, curated and select,
where viewers on my follies may reflect
or laugh at those impressioned souvenirs,
bright paintings of embarrassments and tears
and walls with cubist middle age bedecked,
obscure and abstract items to inspect
provoking pity at my wasted years.
Yet here and there, in some neglected space
an ornate frame encloses some sweet scene:
a memory that time cannot efface,
of sunlit April evenings glowing green
when all the world seemed given unto grace
as you and I together did convene.
April 29
There is much
that is broken in this world:
circuits, teacups, headlights and handles,
solemn treaties, ethics laws, rules against spitballs,
and not least of these are the hearts
of those who every day
suffer hate;
Yet I love
this beautiful old earth,
and with the dawn aspire to embrace
all the fractured and fragmented humanity,
so sad faces remember their smiles,
brothers forget old wrongs,
and we heal.
April 30
I make my thanks
for lettuces emerging from the soil—
just tiny points of green in sprout—
but they will bless
another afternoon as brighter foil
against bare earth as if to shout
now winter’s done!
Despite the fact they are so very small,
those rising dots are large enough
that my delight
extends to yellow violets by the wall
amidst the grass and mossy stuff,
until the sun
meanders west behind the greening hill
and supper from a season past
lies oven bound;
then does your name on its scent call me still
to hallow pleasures which at last
must end the day;
yet not those gifts for which I’m grateful, no,
for you and I have many days to grow.
April 31
We both know
there is no extra day
and though I wish, it’s not mine to make
one more opening for poetry in this month;
so I must yield to the calendar,
yet not concede those words
which remain.
Thank you for taking the time to read this second half of poems written for this April. I'm very grateful to @Valkyrie for sending prompts which helped jumpstart and inspire. If you have comments, thoughts or responses, I am always very glad to see them.
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Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you.
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