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    AC Benus
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The content presented here is for informational or educational purposes only. These are just the authors' personal opinions and knowledge.
Names, places, characters, events, and incidents are based on the authors' lives and experiences and may be changed to protect personal information. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 

Zero to Hero, a Guide - 4. Essay One: Wabi-Sabi and the Zen sense of humor

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Wabi-Sabi and the Zen sense of humor

 

The old adage “Beauty is in the eye of the beholder” is something almost everyone can agree on. In terms of Japanese ascetics and what makes worthy subjects for poetry, they are governed by the concept of wabi-sabi. The two words can more or less be rendered in English as sadness and rust.[1] But what does that mean…?

Well, different people react differently to the same experience. For some, when they stroll along a wooded path and see a log being rotted by the rain, or encounter a lichen-spotted boulder, may think “decay” and no more. For others, the sights remind them of the cycle of life, of how trees live and die so others may replace them in the fullness of time, or regarding the boulder, may pause to think how earthlike it is and associate humans clinging to the surface of our planet.

But take the same experience and view it from an enlightened wabi-sabi perspective and you will notice how the moisture glistens off the pieces of fragmented wood; you think it’s beautiful and lonely. You will notice the boulder and think that even this seemingly immobile thing is temporary; it fell from someplace, and it is slowly – inextricably – moving on. All things/all life is just the same: temporary although appearing fixed.

These feelings are directly linked to a Chinese form of Buddhism which took root and thrived in Japan. In about the year 1200, Zen gained ground and popularity amongst the elite and spread quickly. It taught enlightenment in ways where the acolyte interacted with the world directly. It would be as if the Shakers set up compounds in Manhattan and went out each day to find their simplicity amongst the chaos. This very real struggle to zone in on what matters led to some remarkable art, both visual and literary.

Skewed humor is a trademark of the movement. But why? To me it seems a way to downplay the stress of everyday concerns and embrace the absurdness of life and death itself – to achieve freedom from them, in other words.

Examples of Zen paintings are pretty well-known. The Enso mark is a giant calligraphy “O”, which can stand for the concept of absolute infinity and absolute nihility existing simultaneously (yes, lol, it’s meant to blow your mind; meant to show you that thought itself is nothing but a pointless, vicious circle). Another popular image explored by Zen artists relates to the Buddha’s transfiguration. This moment, when the master died surrounded by his lovers and apostles, is a favorite subject of mainstream Buddhism. Since whiteness is associated with the master, a Zen painter imagined the scene anchored by a giant white daikon radish – the dying Buddha – attended by mournful mice. This of course was meant to be both humorous and sacrilegious. It is arguable what the exact message is supposed to be, but the humor suggests that people not take religious iconography too seriously; instead, perhaps the picture says, be inspired by the natural sights around us all the time.

This same humor can be found in the poetry of 14th century Zen abbot Ikkyu. He once got naked at a dinner being hosted in his honor, laying his vestments in front of his food tray. When asked why, he replied, “Because you serve my robes of office, not the me within them.”

In his verse, he delighted in his eccentric ways, referring to himself as “Crazy Cloud,” the wanderer.

 

Each day and every minute,

Priests pore over their secret texts in the dark.

Before they go blind, however,

I wish they’d read the epistles

sent daily by the wind and rain;

by the snow and the moonlight.

 

◇ ◇ ◇

 

I’d like to offer you

something to soothe you,

but in the Way of Zen,

we don’t have a goddamned thing.

 

◇ ◇ ◇

 

Joy and hate; relationships and loneliness;

clarity/shadows; heat/coolness; anger/happiness;

the self and the outsiders –

philosophy and every poetic road to Beauty

leads only to decay and perdition,

but look what we find along the Way!

A path strewn with blossoms of apricot and peach.

 

He was also famous/infamous for ignoring the precept of priestly celibacy. In fact, he celebrated sex in his writings as a means of connection between human beings and the larger world outside ourselves.

 

Lovemaking can transcend this life.

The stirrings of a single autumn night of sex

surpass the staid, hundred-year wait

of meditating alone, sitting still.

 

◇ ◇ ◇

 

Lust hurts the bearer when deepest,

causing a dearth of poetry and words,

yet now, my pleasure is the most natural,

like a breeze playing through my empty halls.

 

I hope learning about how to approach the world via wabi-sabi and a Zen sense of humor can add depth to your poetry, especially to your Tanka and Haiku.

 

spacer.png

 

the Enso mark

 

 

 


[1] A literal translation would be “isolation” and “oxidation” (as the Japanese language makes no distinction between rust and patina). When Japanese wish to express a feeling of sadness, they rarely use the actual word for it (which is kanashii), but rather choose between sabashii or wabashii instead. Both express a sense of being devoid of human contact, and in using them as a substitute for “sadness”, speak volumes about the well-known Japanese collective thinking. The nuances in the terms are these: wabi also conveys a sense of the poor or rustic; thus a lonely rich man can only be sabashii in his isolation.

 

_    

Copyright © 2019 AC Benus; All Rights Reserved.
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The content presented here is for informational or educational purposes only. These are just the authors' personal opinions and knowledge.
Names, places, characters, events, and incidents are based on the authors' lives and experiences and may be changed to protect personal information. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 
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Thank you for this great and inspiring essay of the different aspects of Wabi-Sabi.  The concept really speaks to me, especially the aspect of "downplay the stress of everyday concerns and embrace the absurdness of life and death".

The drawings you posted are so beautiful. And I remember a discussion about the paintings of Casper David Friedrich, we had in connection with Wabi-Sabi. But now my mind wanders to the Dutch Still life and its Vanitas symbols. Isn`t there a Wabi-Sabi aspect in them?

Muha 🙂

Edited by Lyssa
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I enjoyed reading this. I think most of us are taught haiku as kids because they are short and kind of nothing poems. Frankly that's how i always thought of them and dismissed the form really.
 
I know this essay wasn't about haiku, but the thinking you are trying to show us in this short essay, can relate easily to them. The Zen, the way of feeling/seeing things does. And the humour, well it's not exactly black, but humour is often used by people in serious situations ... cops and firemen, doctors/nurses, joking in ways that make you wonder if they care at all. They do but it's how they cope with the horrors they see daily.
 
So i get the skewed humour you speak of in your essay. It helps people cope, to see the world is not always so serious, and to stop and look at things from a different angle. And when Ikkyu removed his robes of office ... then we see the man. The robes make us bow, and speak in a certain way to him, without them he is just a man. So it is with much of the world. So we need to look under things and look at them from other angles. 
 
I loved his poetry by the way, and how he saw god in the wind, and the poems about what sex can be and mean were wonderful. I think i have enjoyed meeting him very much.  Thanks for introducing him, AC.
 
I think as poets we need to learn these things, to be whole, just as we need to learn history, math, geography, social studies, etc. to be educated and whole in our society. 

 

 

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On 2/13/2019 at 9:45 AM, Lyssa said:

Thank you for this great and inspiring essay of the different aspects of Wabi-Sabi.  The concept really speaks to me, especially the aspect of "downplay the stress of everyday concerns and embrace the absurdness of life and death".

The drawings you posted are so beautiful. And I remember a discussion about the paintings of Casper David Friedrich, we had in connection with Wabi-Sabi. But now my mind wanders to the Dutch Still life and its Vanitas symbols. Isn`t there a Wabi-Sabi aspect in them?

Muha 🙂

Thank you for reading, Lyssa. I don't think Ikkyu is well known outside of Japan, but maybe that's because he's only gotten lukewarm translations ;) For me it's fun to imagine how to bring Zen's shock-effect into English. Anyway, I appreciate you reading this essay and leaving me some support. I hope it helps people deepen their poetical reserves. Muah 

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On 2/13/2019 at 10:37 AM, Parker Owens said:

This was very helpful. As I am dense, I will need to read it a number of times to absorb much of the text into my own writing. 

With all the wetness of this winter, the patches of lovely moss have grown in my front garden, and I've taken pictures. I will post them tomorrow, but the natural reaction people have to them speaks to their wabi-sabi sensibilities -- whether they have one or not, lol. For me, the moss is very beautiful, full of life and eternity and hope and despair, but for others, they look at and think, "Oogh, gross." I think you, my friend, naturally get the connected feeling, not the icky one. :)

 

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On 2/13/2019 at 2:43 PM, Mikiesboy said:
I enjoyed reading this. I think most of us are taught haiku as kids because they are short and kind of nothing poems. Frankly that's how i always thought of them and dismissed the form really.
 
I know this essay wasn't about haiku, but the thinking you are trying to show us in this short essay, can relate easily to them. The Zen, the way of feeling/seeing things does. And the humour, well it's not exactly black, but humour is often used by people in serious situations ... cops and firemen, doctors/nurses, joking in ways that make you wonder if they care at all. They do but it's how they cope with the horrors they see daily.
 
So i get the skewed humour you speak of in your essay. It helps people cope, to see the world is not always so serious, and to stop and look at things from a different angle. And when Ikkyu removed his robes of office ... then we see the man. The robes make us bow, and speak in a certain way to him, without them he is just a man. So it is with much of the world. So we need to look under things and look at them from other angles. 
 
I loved his poetry by the way, and how he saw god in the wind, and the poems about what sex can be and mean were wonderful. I think i have enjoyed meeting him very much.  Thanks for introducing him, AC.
 
I think as poets we need to learn these things, to be whole, just as we need to learn history, math, geography, social studies, etc. to be educated and whole in our society. 

 

 

Taking my role seriously -- as introducing student-poets to authentic Haiku -- :) I have to present that central to Basho-style poetry is a Zen that's central to him. What he did was astounding; taking joke poems (a form akin to limerick) and making it sublime. But he never loses his humor either. I think of his Haibun where a troupe of traveling female prostitutes invite themselves to spend the night in their roadside accommodations, much to Basho and his boyfriend's chagrin. In the poem, he praises the beauty of the man he loves as a setting moon, and comments on the clingy women as beach grass reaching up to snag that same moon (but the joke was on the women, he's saying). That shows a sense of humor which is combined with a dialogue on what wordiness (and freedom from it) is all about. Not easy to convey in words, especially to a culture like ours where "Zen" is thought to have something to do with rocks, lol. 

Thank you for reading -- next Prompt will be up in a few days. 

 

Edited by AC Benus
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On 2/13/2019 at 7:34 PM, MichaelS36 said:

tim says some brilliant things! And I'll do my best to look differently at things. And look for that humour.  Very interesting !

Thank you for reading and commenting, Mike. I think Tim will be an excellent guide, based on various things he tells me he notices while out walking in warmer weather. Maybe this spring, you two should take a special wabi-sabi stroll just looking for various poetry "triggers." 

Again, thanks for reading. The next Prompt will be posted in a few days. 

Edited by AC Benus
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4 hours ago, AC Benus said:

Thank you for reading, Lyssa. I don't think Ikkyu is well known outside of Japan, but maybe that's because he's only gotten lukewarm translations ;) For me it's fun to imagine how to bring Zen's shock-effect into English. Anyway, I appreciate you reading this essay and leaving me some support. I hope it helps people deepen their poetical reserves. Muah 

Well the Dutch East India Company had a settlement in Dejima, maybe the have also importet some influences of poetry. This would be a very interesting topic to look into. I have to explore this further if I can find time. 🙂 🙂 🙂


 
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5 hours ago, Lyssa said:

Well the Dutch East India Company had a settlement in Dejima, maybe the have also importet some influences of poetry. This would be a very interesting topic to look into. I have to explore this further if I can find time. 🙂 🙂 🙂

It's an interesting topic. You and I have discussed poetical directions a bit, as you introduced me to German poetry from the start of the 20th century and I remarked how it was moving in a different direction than American poetry from the same time. In America, there was a strong influence from Japanese poetry melding with the natural aesthetics of this country as wide-open territory (God's country, as they used to say of the prairie). Carl Sandburg was a traveling salesman, but his poetry called out to Americans of every social stratum, like with his "Fog" 

 

The fog comes 

on little cat feet. 

 

It sits looking 

over harbor and city 

on silent haunches 

and then moves on.

 

This is a poem Ikkyu himself could have written. By about 1910, the Japanese aesthetic of poetry was enmeshed seamlessly with American poetical mind. I think in some ways it still is. 

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This makes more sense the second time around.  I get the sly humor completely.

As an aside, just today I was trying to remember who wrote that poem about the fog.  It was featured in English 101.  Yeah, it was cool, but I didn't quite understand why Miss Slonim had multiple orgasms about it.  I guess I understand better now.  Much like with Robert Frost, where the "road less traveled by" looks different at the far end. :) 

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OK! This small chapter has inspired me to write another chapter of Tanka attempting to incorporate Wabi-Sabi precepts.  As I was reading this I compiled a list of places that would be suitable settings for these poems.  @Backwoods Boy will probably recognize many of the settings, as most so far are in the Columbia Gorge. I did one almost immediate based on a true happening when two friends and I began a  hike that started at Multnomah Falls.  It will probably take a week at least for them to be written and then posted.  Looking forward to the next chapter in this book. :hug:

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7 hours ago, raven1 said:

OK! This small chapter has inspired me to write another chapter of Tanka attempting to incorporate Wabi-Sabi precepts.  As I was reading this I compiled a list of places that would be suitable settings for these poems.  @Backwoods Boy will probably recognize many of the settings, as most so far are in the Columbia Gorge. I did one almost immediate based on a true happening when two friends and I began a  hike that started at Multnomah Falls.  It will probably take a week at least for them to be written and then posted.  Looking forward to the next chapter in this book. :hug:

I'll be looking forward to your Multnomah Falls experience.  Are you including Rooster Rock? ;) 

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I hadn't put that on my list, but it's going on now!  Thanks for the reminder. I have two for Multnomah Falls and one for Rowena Plateau.  With Rooster Rock that will be four poems.  I want to do at least 5 poems for each chapter.  Do you have any more suggestions?  Do you think that Maryhill would be a good spot?  There are some interesting things there involving human aspirations, but not so much about the outdoors.

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14 minutes ago, raven1 said:

I hadn't put that on my list, but it's going on now!  Thanks for the reminder. I have two for Multnomah Falls and one for Rowena Plateau.  With Rooster Rock that will be four poems.  I want to do at least 5 poems for each chapter.  Do you have any more suggestions?  Do you think that Maryhill would be a good spot?  There are some interesting things there involving human aspirations, but not so much about the outdoors.

Maryhill is an intriguing place - a historical oddity, as I see it - the strange desert retreat of the jet-set of more than a century ago.  I'll be interested in which aspects you choose to feature in a mere seven lines.  The Stonehenge replica comes to mind.

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