Gay Themed Movie review "Maurice"
Ah Fuck!
I forgot how I felt about this kind of movie; Victorian and Edwardian era movies are my most detested historical and geographical framework. Some people like the idea of servants and masters (No not BDSM kind alas ), a rigid class based society (Movies like this make me want to drink to my grandfather and his strident Marxist-Socialist ideology), and a society so effete that it ignores its own hypocrisy (This is the British stereotype that has existed for nearly a century).
I love "Titanic", because beyond Leo and Kate's romance, ithe disastermarked the death knell of British Class based society. I hate the concept of a society that wound up in itself that you must view a certain group of people as superior to you and that inferior groups below must be intellectually limited.
Yet, I can't hate this movie, because what it did to depict this period it did well. It also brought about great changes to gay rights and gay film.
To add an additional piece of history to this movie, the movie was first shown in 1987, the year of my birth, but it was actually written from as far back as 1913 by E.M. Forster, who everyone remembers for his novel "A Passage to India". As a teen, I had to read his novel, "A Passage to India" as a companion book in curriculum that included "To Kill a Mockingbird" (You can guess the theme for our English class was prejudice), and I didn't really think much of it. The British Empire was long gone by 2000's, so it was just another boring book that lacked Dickensian sympathy or empathy, and had no colloquial connection of Twain. His compatriot of this age Rudyard Kipling was far more popular in this era than Forster. So basically, I felt he was a minor footnote compared to other writers.
Watching this movie and learning about the novel behind it, I know he was much more important to his contemporaries and the conversation of early gay rights. I know this novel was impressive in its time, the movie was revolutionary, and many things we take for granted in gay films getting mainstream would not be possible without it (a benign look at gay relationships).
Let me get into the story as I close my inner debate on this movie for now:
Maurice Hall is an interesting character, who grows up with an early knowledge of sexual development. However, he is puritanical at first, expressing more Christian values and simple minded endeavors. In College, he meets up with Clive, who falls in love with him. They are friends with Lord Risley, a hedonistic party boy, who also shares homosexual interests.
One day, Clive admits his love for Maurice, which changes his life forever. Behind the good Christian moralist in Maurice, he is actually longing for love with guys. Maurice climbs into Clive's room and gives him a secret kiss (a scandalous act in itself by their standards).
Their relationship grows even as Maurice gets kicked out of the College for angering the dean. Then, Lord Risley is caught trying to get some action with a guy. He gets inprisoned and his life is destroyed. Clive gets scared and marries some random chick, leaving Maurice heartbroken. He seeks psychological help to cure his homosexuality that basically does nothing, except line his psychiatrist pockets after a hypnosis session.
As all this is happening, a background character named Alec Scudder, one of Clive's family groundskeepers, finds himself attracted to Maurice. They have a hot and passionate sexual experience
There's a misunderstanding between them, Maurice thinks he is getting blackmailed by Alec, which is untrue. Alec wants to see Maurice again before he travels to Argentina with his family, so he heads to London.
They fix their misunderstandings and have another deep sex session.
In the end, Alec chooses to be with Maurice despite the troubles they may face, because he truly loves him.
The movie is excellent, the characters are fascinating, and the story moves well.
Maurice is the religious closet case at the beginning and you see him slowly removing all the layers of social chains placed upon him under British society. After the movie's 2.5 hours, you see Maurice as a modern gay man, self assertive and welcoming to finding true love despite society's issues with his cause. That's a harder mantle to wear back in those days as he could face economic ruin, social ostracism, imprisonment, or worse.
Clive is a well drawn out character, but he is Maurice's counterpoint. At first, he was the openly gay one, who proposes his love for Maurice. Then, after Lord Risley's ruin and jail time, he comes to grips that he can't beat society and despite his love for Maurice must choose a "proper" path. He marries a woman, who he may never truly love, but he has no other choice in his mind. I like this character, but hate him at the same time. He is unwilling to bare himself and Maurice under social scrutiny, but wishes to keep both his outward social image intact and Maurice as a his "platonic" boyfriend. There is no such thing as having it both ways and being happy; he is lying to himself in the worst possible way.
As for Alec, he's cute in the sort of scraggy boy. Also, he represents what true love is and he is willing to do whatever it takes, despite society, to be with Maurice. He is not a wealthy landowner or a professional; he is your salt of the earth servant. There's something pure about him and redemptive in a way.
I have weird theory when it comes to these three men (kind of like a trinity ) , Maurice lacked love at the start of the movie. Clive brought him love for the first time, but he is corrupted by society's rigid rules and abandons Maurice to marry a woman. Alec is the redeemer of love lost and the one that brings a true and complete love to Maurice. In a way, I think E.M. Forster was using Christian Icons against Christian values; in a sense saying, "Christianity has turned against its own fundamental nature by rejecting love for its rules".
Other than that, it was a long movie at almost 2.5 hours (140 minutes so 2 hours and 20 minutes excluding deleted scenes). The side characters helped drag the story out too long for my taste with the pleasantries of English small talk. I understand subtle language and innuendos, but they just don't stop.
My rating for this movie.....8.5 out of 10, I don't like the period or the ongoing draggy small talk scenes, but I respect the movie and its plot. I also respect E.M Forster more now as an adult than I did as a teen.
Anyone else with a movie
- 4
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