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drpaladin

Posted

In modern life, battery charge is a constant anxiety

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Bill W

Posted (edited)

The word charge  originated around 1200 from the Old French chargier ("to load, burden"), which derived from the Late Latin carricare, meaning "to load a wagon or cart".  It stems from the Latin carrus ("two-wheeled wagon").  Its meaning shifted from physical weight to abstract responsibility (14c.), financial cost (15c.), accusation (15c.) Impetuous attack upon an enemy (1560s), and the amount of electricity carried in a capacitor or battery (1767).  

According to the Oxford English Dictionary (OED), the earliest known use of the verb charge is in the Middle English period (1150-1500), with the earliest evidence dating to before 1250 in the Ancrene Riwle (a guide for anchoresses), where it carries the sense of loading or imposing a burden.  The earliest evidence for the noun charge appearing around c1225, meaning "a load, a weight".  The original sense was "a load or burden," including cargo on a ship or a pack animal, but it quickly evolved to mean an injunction, duty, or responsibility (late 13th century).  The legal sense of "accusation" or "injunction" is recorded from the late 14th century, with formal legal accusation arriving in the late 15th century.  The military sense of "rushing to attack" appeared, possibly evolving from the earlier meaning of "loading a weapon" (1540s).  First used in the sense of filling with electricity was 1748.  

Edited by Bill W
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Bill W

Posted

The concept of "charging forward" in storytelling—often termed narrative drive or forward motion—is critical for keeping an audience engaged, ensuring that every scene, character action, and dialogue exchange pushes the plot toward a specific goal or resolution. It prevents narratives from becoming stagnant, ensuring that characters are active agents of change rather than passive observers of their own lives.  

The importance of charging forward in storytelling based on the provided search results: 
Maintains Audience Engagement and Interest:   
Creates Momentum: A story that moves forward keeps the audience hooked by creating a "need to know" what happens next. 
Fosters Curiosity and Concern: By setting up goals and obstacles, storytellers spark curiosity (intellectual need to know) and concern (emotional need to see a positive outcome). 
Prevents Boredom: Without forward motion, stories feel stagnant or mundane, causing audiences to lose interest.  

Powers Character Development and Agency:  
Active vs. Passive Characters: Characters must take active steps to overcome obstacles, which keeps the story moving. A story "charges forward" when characters actively pursue their goals, rather than waiting for things to happen to them. 
Forces Growth: The conflict required to move a story forward forces characters to grow, change, and face challenges, making them more compelling.  

Provides Structure and Purpose:  
Ensures Relevance: Every line of dialogue and scene should contribute to the main character’s goal, ensuring that all elements of the story are necessary.  
Defines the "Spine" of the Story: The narrative spine connects the beginning, middle, and end, ensuring a coherent, linear progression (or, in the case of flash-forwards, a deliberate, high-tension non-linear progression).  

Heightens Stakes and Tension:  
Escalates Conflict: A forward-moving story constantly introduces new, harder challenges, which escalates the stakes and makes the outcome more impactful.  
Utilizes High-Stakes Decision Making: When choices are irreversible, they force characters and the plot forward with increased drama.  

Enhance Emotional Impact:  
Delivers a Satisfying Payoff: By building anticipation, a forward-moving story ensures the final resolution feels earned, rather than arbitrary.  
Allows for Reflection: Even when characters are moving quickly, the narrative structure can be used to pause and reflect on the consequences of their actions, deepening the emotional weight for the audience. 

"Charging forward" does not mean abandoning quiet moments, but rather ensuring that all moments—quiet or loud—directly contribute to the overarching story goal.
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