Aolfe is s clever woman. She knows what she wants, and what E needs. If, in the end , that is a rather dom/sub relationship - as I suggested after a previous chapter - so be it....
It will be revealing to see/ hear/read how much or, probably, little the two will be saying to one another. Yet, the communication, even silent, will determine O's future
Well, after the two Gluck opera's, and Theodorakis, there may be place for a new musical rendering, in our times - if only given the political relevance of, at least, the first part of the story: a leader ruthlessly offering his daughter - sons, people - for war gains. A challenge...?
Interesting.
But...
I feel I have missed something. It now seems as if C and M have had many conversations - of which I am not really aware - and that they were of such s nature that C has repeatedly told his friend(s) about them, and him, whereas It was under the impression that the (few) exchanges they had left him puzzled, and even disturbed, in such a way that he would most certainly not share them with any other person.
This is indeed a spell-binding, moving chapter. The step-for-step growth of self-awareness.
The thought about questions being currency and answers positioning, in so many social situations, is terrifyingly apposite.
A very convincing evocation of time-disruption - modern "gothic" at its best. Since, as far as I know, no one has really experienced such shifts and told science, or psychology, about its effects on the psyche, you've really set yourself a difficult task: telling us how C is going to deal with it.