Writing about AIDS
My current story, "Man In Motion", takes place in 1985/86. It is impossible to write a gay-oriented story in this era without infusing the AIDS crisis into it. For someone like me, who was closeted, AIDS wasn't a daily event. I didn't see my friends die, I didn't even know anyone then who was positive. For me, it was more of a latent fear. The fear that you could get it. The fear that I could get it. And then not only would I have a death sentence (most likely), I'd be outed. I think AIDS for me was more like the cold war. It was always out there, threatening to destroy my life, but it wasn't tangible. The missiles were in their silos. Interesting Freudian slip there.
The irony is that as I write this story, I'm writing about a group of gay characters, out gay characters, whose experiences with AIDS would be much more visceral, who would be suffering the agony of seeing their friends, and maybe even family, succumb to AIDS. So to flush out the story, I've e-talked to some people who were there, and gotten some great feedback from my Advisory Board. Sometimes I steal their stories. Sometimes I use them as a guideline.
But I'm only up to Chapter 3 and I've already gotten some e-mails from people who are adamant that I'm portraying it wrong. There are too many deaths. There aren't enough deaths. I didn't deal with the reaction of people's friends correctly. I didn't show the suffering, the death, in macabre enough detail. It's frustrating because I don't have the personal experience to say "Hey, f**k you. This is how I remember it."
So of course I did what I always do when I get frustrated. I go whine to Sharon. And she reminded me that every one who lived in that era has a different recollection, a different experience, a unique horror of the disease and an equally terrible way that it effected them. For those of you who want, please feel free to share those experiences here or in my forum. Man In Motion Forum I'd love your input. In the meantime, I'm going to do my best to put the epidemic in the story where appropriate, and try not to make "Man in Motion" as depressing as "1968."
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