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    AC Benus
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Stories posted in this category are works of fiction. Names, places, characters, events, and incidents are created by the authors' imaginations or are used fictitiously. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 

a Glass Floor Underfoot - 27. sweet curlicues

.

Romantiker-Bildnisse

Herrn John Höxter gewidmet

 

9.

Ein Tönen wehte über den verschloßnen

Bergzug, der dunkel unser Sehnen grenzt;

Luftspiegelung flog heran von der verfloßnen

Zeiträume altem Zauberprunk beglänzt.

 

Wie schwer ich lieg! Wild stemmt Sich meine Hand

Dem Boden auf . . . nur meine Schulter steigt . . .

Das Bild ist weg. Kahl dehnt Sich graues Land,

Und süßes Locken aus dem Süden schweigt. [1]

 

---------------------------------

 

Romantic Portraits

Mister John Höxter bestowed

 

9.

When a waltz drifted through the closed mountain range

Darkly edging the heights our desires climb,

A lost mirage wafted up from someplace strange,

Gleaming the magic of a misplaced time.

 

Heavy I feel where I lie. My wild hand

Pushes on the ground . . . shoulder raised compliant . . .

But the image fades. Bare stretches gray land,

And sweet curlicues from the South, quiet.

 

 

spacer.png

Franz von Stuck Faun with Syrinx (1914)

 

 

 

 

 

[1] Romantiker-Bildnisse ("Romantic Portraits”)

This collection of poems is appended with the note: Berlin. Frühiahr 1911 (“Berlin, early part of the year 1911”). The aus dem Süden reference in the concluding line to No. 9 apparently refers to very well-known Johann Strauss II waltz “Rosen aus dem Süden.”

 

https://archive.org/details/dieschriftendesn0000unse/page/222/mode/2up

 

https://www.youtube.com/watch?v=VJeElzKzpvA

_

 

Copyright © 2022 AC Benus; All Rights Reserved.
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Stories posted in this category are works of fiction. Names, places, characters, events, and incidents are created by the authors' imaginations or are used fictitiously. Any resemblances to actual persons (living or dead), organizations, companies, events, or locales are entirely coincidental.
Note: While authors are asked to place warnings on their stories for some moderated content, everyone has different thresholds, and it is your responsibility as a reader to avoid stories or stop reading if something bothers you. 
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A waltz on the mountain pass… it’s an arresting image. So too is the raised, compliant shoulder. Even though the vision fades, the echo and its memory remain. 

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58 minutes ago, Parker Owens said:

A waltz on the mountain pass… it’s an arresting image. So too is the raised, compliant shoulder. Even though the vision fades, the echo and its memory remain. 

Thank you, Parker. I should point out that to the German-speaking mind, the South conjures up images of the warm skies (and beautiful men ;) ) of Italy! 

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4 minutes ago, AC Benus said:

Thank you, Parker. I should point out that to the German-speaking mind, the South conjures up images of the warm skies (and beautiful men ;) ) of Italy! 

That also explains (in my own speculative imagination) the curlicues of the Italian Baroque. 

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1 hour ago, AC Benus said:

Thank you, Parker. I should point out that to the German-speaking mind, the South conjures up images of the warm skies (and beautiful men ;) ) of Italy! 

 

1 hour ago, Parker Owens said:

That also explains (in my own speculative imagination) the curlicues of the Italian Baroque. 

Thanks for the follow-on dialogue, which always brings further enlightenment :) 

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