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Writing Tip: Conflict Is Key


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Sorry for the slight delay this morning, got caught up in one too many phone calls. Sometimes, conflict can be a burden, or - as Libby Drew helps point out, it can be the key to great writing. We hope you enjoy this latest writing tip - let us know some other ideas for conflict that you think could be effective. As always, if you have a writing or site tip that you'd love to share with the community, let me know. - Trebs

 

Enjoy!

 

 

 


Conflict Is Key


Creating powerful conflict and weaving it tightly throughout the story is a difficult skill to master. It can take years of practice. But the reward is worth the learning curve, especially if the result is cathartic to the reader.

 


Conflict is what makes us interested in outcome. A story with a weak conflict that leaves the characters exactly as they were at the start won’t be satisfying; your story won’t make a lasting impression. I’m betting that’s a no-brainer for most people reading this. Unfortunately, knowing isn’t the same as doing, so here are a few generalities to keep in mind while crafting your plot.

 

Your main character, your hero, should face three different types of conflict.

 

• Internal
• Relational (with other characters)
• External (against environment or circumstances).

 

Use all three. It’s not as difficult as it might seem at first glance, and your story will have more depth.

 

Keep the tension rising. Always. All the time. The pacing of conflict in your story should look like this:
Conflict Simmers --> Conflict Boils --> Conflict Explodes --> Temporary Safety --> Repeat.

 

Envision your story with peaks and valleys. Your peaks should get progressively higher as the climax nears. At every turn, ask yourself “How can I make this situation worse?”

 

Conflict is the nervous system of your story. It sets characters in motion, forcing them to do things they would never have imagined doing. They may lash out or jump onto paths they never expected to travel. In reality, most people try to get along with others, to bring peace to potentially explosive situations. Your characters should go out of their way to make those situations worse. This will highlight their imperfections. Make them more richly rounded.

 

Your characters can’t all love each other. They can’t always agree. If they do, your readers will be asleep by chapter two. Or looking for something else to read. So don’t hold back. Let characters say things they’ll regret. Make then lose their tempers, their possessions, and their hearts. Push them beyond their limits and then show the reader how much that hurts them.

 

Consider these suggestions:

 

• Give your characters opposing goals.
• Make them face their fears and rely on their weaknesses instead of their strengths.
• Deny them what they want most of all. Then deny them again.
• Introduce uncertainty at every opportunity—is a friend truly a friend?
• Make them care, then threaten what they care about.
• Leave them isolated and under attack from both friends and enemies. Maybe even from themselves.

 

It may sound complicated, but chances are you already have a solid grasp of what’s needed. Execution may not be so simple, so stay vigilant. Test yourself by “graphing” your story. Is the tension escalating as it should?

 

Pushing your characters into conflict will drive your story tension higher, forcibly evict blandness and banality, and leave behind something far more fulfilling for the reader. Conflict is a requirement of satisfying fiction, so make it a strong component of your stories.

 

~Libby

  • Like 7

7 Comments


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Mann Ramblings

Posted

“How can I make this situation worse?” :D :D :D

 

That is my mantra. LOL.

 

I love all your points and wholeheartedly agree with every one. May we all use them successfully and create compelling fiction!! Good post, Libby. I think we all need a reminder now and again of what drives our story and makes it work.

  • Like 2
K.C.

Posted

I always worry that I'm adding too much conflict (now I need to see where I can add some more and make them really suffer)  I'm so cruel to my characters :P

  • Like 2
joann414

Posted

I agree.  I ask myself how much can happen to a person, and still the story sound realistic.  But, guess the more, the better, as long as you keep it believable.

  • Like 2
  • Site Administrator
Cia

Posted

I think conflict doesn't have to be overt, and for short stories I often worry more about the figuring out the desires of the characters than writing action fueled drama. Thwarted desire can really drive a plot. Desire motivates everyone, from what they want to eat, do for the day, their goal in life... and more.

 

Consider this plot: A man is up late due to a work project his immediate boss is requiring him to do last minute when the boss dropped the ball. He missed out on the game he had tickets for, because his job isn't something he can blow off. He's already upset from missing his game, and being forced to work during his time off. Then he overslept.

 

He stops for coffee at a drive thru, just needing a burst of caffeine to make it through the presentation, then he's going to take the rest of the day off. He pulls out, taking a sip of his coffee, and gets pissed--it's wrong! Incensed beyond what he'd normally be by his existing agitation, he slams the cup down while cussing. The top pops off and soaks his sleeve and burns his hand.

 

Distracted by the pain, and his extreme anger, he fails to notice the car backing out. It slams into his door, pinning him in the car and injuring his left side. He misses the meeting and his boss fires him. Walking out of the building with a box of his personal items under his good arm he ....

 

All of that drama is fueled by thwarted desire, even the boss firing him due to his thwarted desire to get someone else to do his work to get him off the hook for failing. Keeping the character's desires in mind, and focusing on how you can use those, can help move your plot along as well.

  • Like 3
Former Member

Posted

I was keeping a checklist in my head as I read this, lol.  Yep, I got this.  Yep, there's that one too!  I was kind of worried when I first started reading because I was scared that maybe I was being a little too static, but by the end, I let out a sigh of relief.  Really compelling post and very inspiring!  Thanks!

crazyfish

Posted

Conflict is good, internal and external.  Better when the external conflict puts a spotlight on the internal conflict.

Best when the conflicts are thematic. You want the story conflicts taken together as a whole to support a thematic statement of your design. Or you get these sorts of rambling stories in which everybody is at war with everybody else, there's chaos everywhere, but there's no real center to guide the story altogether.

 

So while it's good to torture your MC, you need to be careful that you aren't torturing him or her for torturing sake. Their conflicts together should making some argument for/against a theme that resonates throughout the story.

  • Like 2
Mark Arbour

Posted

Consider these suggestions:

 

• Give your characters opposing goals.

• Make them face their fears and rely on their weaknesses instead of their strengths.

• Deny them what they want most of all. Then deny them again.

• Introduce uncertainty at every opportunity—is a friend truly a friend?

• Make them care, then threaten what they care about.

• Leave them isolated and under attack from both friends and enemies. Maybe even from themselves.

 

 

God, you're an evil bitch.  :-)  And I say that with love.  Make them care, then threaten what they care about?  LMAO.  Truly awful.  But such good suggestions. 

  • Like 3

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