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Tomas

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Do you have a favorite poem? One that speaks to you and stirs an emotional response?

I actually have two. Both by Edna St Vincent Millay

 

Only until this cigarette is ended,

A little moment at the end of all,

While on the floor the quiet ashes fall,

And in the firelight to a lance extended,

Bizarrely with the jazzing music blended,

The broken shadow dances on the wall,

I will permit my memory to recall

The vision of you, by all my dreams attended.

And then adieu,--farewell!--the dream is done.

Yours is a face of which I can forget

The colour and the features, every one,

The words not ever, and the smiles not yet;

But in your day this moment is the sun

Upon a hill, after the sun has set.

 

Time does not bring relief; you all have lied

Who told me time would ease me of my pain!

I miss him in the weeping of the rain;

I want him at the shrinking of the tide;

The old snows melt from every mountain-side,

And last year's leaves are smoke in every lane;

But last year's bitter loving must remain

Heaped on my heart, and my old thoughts abide.

There are a hundred places where I fear

To go - so with his memory they brim.

And entering with relief some quiet place

Where never fell his foot or shone his face

I say, 'There is no memory of him here!'

And so stand stricken, so remembering him.

 

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I have several from writers from across the world and time periods (Yevtushenko, Keats, Dickinson) but overall this is the one that I always come back to.

 

To Earthward by Robert Frost

 

Love at the lips was touch

As sweet as I could bear;

And once that seemed too much;

I lived on air

 

That crossed me from sweet things,

The flow of - was it musk

From hidden grapevine springs

Down hill at dusk?

 

I had the swirl and ache

From sprays of honeysuckle

That when they're gathered shake

Dew on the knuckle.

 

I craved strong sweets, but those

Seemed strong when I was young;

The petal of the rose

It was that stung.

 

Now no joy but lacks salt

That is not dashed with pain

And weariness and fault;

I crave the stain

 

Of tears, the aftermark

Of almost too much love,

The sweet of bitter bark

And burning clove.

 

When stiff and sore and scarred

I take away my hand

From leaning on it hard

In grass and sand,

 

The hurt is not enough:

I long for weight and strength

To feel the earth as rough

To all my length.

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I have lots of favourite poems but my two absolute favourites are

 

The Raven by Edgar Allan Poe

Once upon a midnight dreary, while I pondered weak and weary,



Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

`'Tis some visitor,' I muttered, `tapping at my chamber door -

Only this, and nothing more.'

 

Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; - vainly I had sought to borrow

From my books surcease of sorrow - sorrow for the lost Lenore -

For the rare and radiant maiden whom the angels named Lenore -

Nameless here for evermore.

 

And the silken sad uncertain rustling of each purple curtain

Thrilled me - filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating

`'Tis some visitor entreating entrance at my chamber door -

Some late visitor entreating entrance at my chamber door; -

This it is, and nothing more,'

 

Presently my soul grew stronger; hesitating then no longer,

`Sir,' said I, `or Madam, truly your forgiveness I implore;

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you' - here I opened wide the door; -

Darkness there, and nothing more.

 

Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

But the silence was unbroken, and the darkness gave no token,

And the only word there spoken was the whispered word, `Lenore!'

This I whispered, and an echo murmured back the word, `Lenore!'

Merely this and nothing more.

 

Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

`Surely,' said I, `surely that is something at my window lattice;

Let me see then, what thereat is, and this mystery explore -

Let my heart be still a moment and this mystery explore; -

'Tis the wind and nothing more!'

 

Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore.

Not the least obeisance made he; not a minute stopped or stayed he;

But, with mien of lord or lady, perched above my chamber door -

Perched upon a bust of Pallas just above my chamber door -

Perched, and sat, and nothing more.

 

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

`Though thy crest be shorn and shaven, thou,' I said, `art sure no craven.

Ghastly grim and ancient raven wandering from the nightly shore -

Tell me what thy lordly name is on the Night's Plutonian shore!'

Quoth the raven, `Nevermore.'

 

Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning - little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blessed with seeing bird above his chamber door -

Bird or beast above the sculptured bust above his chamber door,

With such name as `Nevermore.'

 

But the raven, sitting lonely on the placid bust, spoke only,

That one word, as if his soul in that one word he did outpour.

Nothing further then he uttered - not a feather then he fluttered -

Till I scarcely more than muttered `Other friends have flown before -

On the morrow he will leave me, as my hopes have flown before.'

Then the bird said, `Nevermore.'

 

Startled at the stillness broken by reply so aptly spoken,

`Doubtless,' said I, `what it utters is its only stock and store,

Caught from some unhappy master whom unmerciful disaster

Followed fast and followed faster till his songs one burden bore -

Till the dirges of his hope that melancholy burden bore

Of "Never-nevermore."'

 

But the raven still beguiling all my sad soul into smiling,

Straight I wheeled a cushioned seat in front of bird and bust and door;

Then, upon the velvet sinking, I betook myself to linking

Fancy unto fancy, thinking what this ominous bird of yore -

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

Meant in croaking `Nevermore.'

 

This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom's core;

This and more I sat divining, with my head at ease reclining

On the cushion's velvet lining that the lamp-light gloated o'er,

But whose velvet violet lining with the lamp-light gloating o'er,

She shall press, ah, nevermore!

 

Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

`Wretch,' I cried, `thy God hath lent thee - by these angels he has sent thee

Respite - respite and nepenthe from thy memories of Lenore!

Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'

Quoth the raven, `Nevermore.'

 

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil! -

Whether tempter sent, or whether tempest tossed thee here ashore,

Desolate yet all undaunted, on this desert land enchanted -

On this home by horror haunted - tell me truly, I implore -

Is there - is there balm in Gilead? - tell me - tell me, I implore!'

Quoth the raven, `Nevermore.'

 

`Prophet!' said I, `thing of evil! - prophet still, if bird or devil!

By that Heaven that bends above us - by that God we both adore -

Tell this soul with sorrow laden if, within the distant Aidenn,

It shall clasp a sainted maiden whom the angels named Lenore -

Clasp a rare and radiant maiden, whom the angels named Lenore?'

Quoth the raven, `Nevermore.'

 

`Be that word our sign of parting, bird or fiend!' I shrieked upstarting -

`Get thee back into the tempest and the Night's Plutonian shore!

Leave no black plume as a token of that lie thy soul hath spoken!

Leave my loneliness unbroken! - quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!'

Quoth the raven, `Nevermore.'

 

And the raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

And his eyes have all the seeming of a demon's that is dreaming,

And the lamp-light o'er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

Shall be lifted - nevermore!

 

AND the two part poem

 

 

 

 

INTRODUCTION

 

 

 

Hear the voice of the Bard,

Who present, past, and future, sees;

Whose ears have heard

The Holy Word

That walked among the ancient trees;

 

Calling the lapsed soul,

And weeping in the evening dew;

That might control

The starry pole,

And fallen, fallen light renew!

 

'O Earth, O Earth, return!

Arise from out the dewy grass!

Night is worn,

And the morn

Rises from the slumbrous mass. 'Turn away no more;

Why wilt thou turn away?

The starry floor,

The watery shore,

Is given thee till the break of day.'

 

 

 

and

 

 

 

EARTH'S ANSWER

 

 

 

Earth raised up her head

From the darkness dread and drear,

Her light fled,

Stony, dread,

And her locks covered with grey despair.

 

'Prisoned on watery shore,

Starry jealousy does keep my den

Cold and hoar;

Weeping o'er,

I hear the father of the ancient men.

 

'Selfish father of men!

Cruel, jealous, selfish fear!

Can delight,

Chained in night,

The virgins of youth and morning bear. 'Does spring hide its joy,

When buds and blossoms grow?

Does the sower

Sow by night,

Or the ploughman in darkness plough? 'Break this heavy chain,

That does freeze my bones around!

Selfish, vain,

Eternal bane,

That free love with bondage bound.'

 

 

 

 

BY WILLIAM BLAKE

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I have lots of favourite poems but my two absolute favourites are

 

The Raven by Edgar Allan Poe

 

He definitely has a few of my favorites. One of the longest poems I can actually quote in full is the Raven. The one so poignant, weird and true of his, brilliant stuff:

 

Alone

 

From childhood's hour I have not been

As others were; I have not seen

As others saw; I could not bring

My passions from a common spring.

From the same source I have not taken

My sorrow; I could not awaken

My heart to joy at the same tone;

And all I loved, I loved alone.

Then- in my childhood, in the dawn

Of a most stormy life- was drawn

From every depth of good and ill

The mystery which binds me still:

From the torrent, or the fountain,

From the red cliff of the mountain,

From the sun that round me rolled

In its autumn tint of gold,

From the lightning in the sky

As it passed me flying by,

From the thunder and the storm,

And the cloud that took the form

(When the rest of Heaven was blue)

Of a demon in my view.

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I haven't seen that one before. Thank you for sharing, it's awesome. If you like The Raven there is a group called Omnia who have done a musical version. It might sound like a strange thing to do but it really works. It sends shivers down my spine every time I hear it :)

 

 

 

 

Edited by Nephylim
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There are two rather long poems that I like. Both run to about 130 or more lines. The first is "Renascence" by my favorite poet, Edna St. Vincent Millay. The second (which I'll not post unless someone asks) :) is "The Love Song of J. Alfred Prufrock" by T.S. Elliot.

 

Renascence



All I could see from where I stood

Was three long mountains and a wood;

I turned and looked another way,

And saw three islands in a bay.

So with my eyes I traced the line

Of the horizon, thin and fine,

Straight around till I was come

Back to where I'd started from;

And all I saw from where I stood

Was three long mountains and a wood.

Over these things I could not see;

These were the things that bounded me;

And I could touch them with my hand,

Almost, I thought, from where I stand.

And all at once things seemed so small

My breath came short, and scarce at all.

But, sure, the sky is big, I said;

Miles and miles above my head;

So here upon my back I'll lie

And look my fill into the sky.

And so I looked, and, after all,

The sky was not so very tall.

The sky, I said, must somewhere stop,

And -- sure enough! -- I see the top!

The sky, I thought, is not so grand;

I 'most could touch it with my hand!

And reaching up my hand to try,

I screamed to feel it touch the sky.

I screamed, and -- lo! -- Infinity

Came down and settled over me;

Forced back my scream into my chest,

Bent back my arm upon my breast,

And, pressing of the Undefined

The definition on my mind,

Held up before my eyes a glass

Through which my shrinking sight did pass

Until it seemed I must behold

Immensity made manifold;

Whispered to me a word whose sound

Deafened the air for worlds around,

And brought unmuffled to my ears

The gossiping of friendly spheres,

The creaking of the tented sky,

The ticking of Eternity.

I saw and heard, and knew at last

The How and Why of all things, past,

And present, and forevermore.

The Universe, cleft to the core,

Lay open to my probing sense

That, sick'ning, I would fain pluck thence

But could not, -- nay! But needs must suck

At the great wound, and could not pluck

My lips away till I had drawn

All venom out. -- Ah, fearful pawn!

For my omniscience paid I toll

In infinite remorse of soul.

All sin was of my sinning, all

Atoning mine, and mine the gall

Of all regret. Mine was the weight

Of every brooded wrong, the hate

That stood behind each envious thrust,

Mine every greed, mine every lust.

And all the while for every grief,

Each suffering, I craved relief

With individual desire, --

Craved all in vain! And felt fierce fire

About a thousand people crawl;

Perished with each, -- then mourned for all!

A man was starving in Capri;

He moved his eyes and looked at me;

I felt his gaze, I heard his moan,

And knew his hunger as my own.

I saw at sea a great fog bank

Between two ships that struck and sank;

A thousand screams the heavens smote;

And every scream tore through my throat.

No hurt I did not feel, no death

That was not mine; mine each last breath

That, crying, met an answering cry

From the compassion that was I.

All suffering mine, and mine its rod;

Mine, pity like the pity of God.

Ah, awful weight! Infinity

Pressed down upon the finite Me!

My anguished spirit, like a bird,

Beating against my lips I heard;

Yet lay the weight so close about

There was no room for it without.

And so beneath the weight lay I

And suffered death, but could not die.

 

Long had I lain thus, craving death,

When quietly the earth beneath

Gave way, and inch by inch, so great

At last had grown the crushing weight,

Into the earth I sank till I

Full six feet under ground did lie,

And sank no more, -- there is no weight

Can follow here, however great.

From off my breast I felt it roll,

And as it went my tortured soul

Burst forth and fled in such a gust

That all about me swirled the dust.

 

Deep in the earth I rested now;

Cool is its hand upon the brow

And soft its breast beneath the head

Of one who is so gladly dead.

And all at once, and over all

The pitying rain began to fall;

I lay and heard each pattering hoof

Upon my lowly, thatched roof,

And seemed to love the sound far more

Than ever I had done before.

For rain it hath a friendly sound

To one who's six feet underground;

And scarce the friendly voice or face:

A grave is such a quiet place.

 

The rain, I said, is kind to come

And speak to me in my new home.

I would I were alive again

To kiss the fingers of the rain,

To drink into my eyes the shine

Of every slanting silver line,

To catch the freshened, fragrant breeze

From drenched and dripping apple-trees.

For soon the shower will be done,

And then the broad face of the sun

Will laugh above the rain-soaked earth

Until the world with answering mirth

Shakes joyously, and each round drop

Rolls, twinkling, from its grass-blade top.

How can I bear it; buried here,

While overhead the sky grows clear

And blue again after the storm?

O, multi-colored, multiform,

Beloved beauty over me,

That I shall never, never see

Again! Spring-silver, autumn-gold,

That I shall never more behold!

Sleeping your myriad magics through,

Close-sepulchred away from you!

O God, I cried, give me new birth,

And put me back upon the earth!

Upset each cloud's gigantic gourd

And let the heavy rain, down-poured

In one big torrent, set me free,

Washing my grave away from me!

 

I ceased; and through the breathless hush

That answered me, the far-off rush

Of herald wings came whispering

Like music down the vibrant string

Of my ascending prayer, and -- crash!

Before the wild wind's whistling lash

The startled storm-clouds reared on high

And plunged in terror down the sky,

And the big rain in one black wave

Fell from the sky and struck my grave.

I know not how such things can be;

I only know there came to me

A fragrance such as never clings

To aught save happy living things;

A sound as of some joyous elf

Singing sweet songs to please himself,

And, through and over everything,

A sense of glad awakening.

The grass, a-tiptoe at my ear,

Whispering to me I could hear;

I felt the rain's cool finger-tips

Brushed tenderly across my lips,

Laid gently on my sealed sight,

And all at once the heavy night

Fell from my eyes and I could see, --

A drenched and dripping apple-tree,

A last long line of silver rain,

A sky grown clear and blue again.

And as I looked a quickening gust

Of wind blew up to me and thrust

Into my face a miracle

Of orchard-breath, and with the smell, --

I know not how such things can be! --

I breathed my soul back into me.

Ah! Up then from the ground sprang I

And hailed the earth with such a cry

As is not heard save from a man

Who has been dead, and lives again.

About the trees my arms I wound;

Like one gone mad I hugged the ground;

I raised my quivering arms on high;

I laughed and laughed into the sky,

Till at my throat a strangling sob

Caught fiercely, and a great heart-throb

Sent instant tears into my eyes;

O God, I cried, no dark disguise

Can e'er hereafter hide from me

Thy radiant identity!

Thou canst not move across the grass

But my quick eyes will see Thee pass,

Nor speak, however silently,

But my hushed voice will answer Thee.

I know the path that tells Thy way

Through the cool eve of every day;

God, I can push the grass apart

And lay my finger on Thy heart!

 

The world stands out on either side

No wider than the heart is wide;

Above the world is stretched the sky, --

No higher than the soul is high.

The heart can push the sea and land

Farther away on either hand;

The soul can split the sky in two,

And let the face of God shine through.

But East and West will pinch the heart

That can not keep them pushed apart;

And he whose soul is flat -- the sky

Will cave in on him by and by.

-Edna St. Vincent Millay

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Not a big fan of poetry at all, but I gotta say, I love Robert Frost. Especially this one. The Road Not Taken.

 

Two roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;Then took the other, as just as fair

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that, the passing there

Had worn them really about the same,

 

And both that morning equally lay

In leaves no step had trodden black

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.

 

I shall be telling this with a sigh

Somewhere ages and ages hence:

two roads diverged in a wood, and I --

I took the one less traveled by,

And that has made all the difference.

 

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Not a big fan of poetry at all, but I gotta say, I love Robert Frost. Especially this one. The Road Not Taken.

 

 

That would have been my third faourite if I hadn't thought three was greedy :)

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I have several actually. But for now I'll just go with my two absolute favorites. Howl by Ginsberg, and The Hollow Men by Eliot.

 

 

 

The Hollow Men by T.S. Eliot.

 

Mistah Kurtz -- he dead.

 

 

 

A penny for the Old Guy

 

 

 

 

I

 

We are the hollow men

We are the stuffed men

Leaning together

Headpiece filled with straw. Alas!

Our dried voices, when

We whisper together

Are quiet and meaningless

As wind in dry grass

Or rats' feet over broken glass

In our dry cellar

 

Shape without form, shade without colour,

Paralysed force, gesture without motion;

 

Those who have crossed

With direct eyes, to death's other Kingdom

Remember us -- if at all -- not as lost

Violent souls, but only

As the hollow men

The stuffed men.

 

II

 

Eyes I dare not meet in dreams

In death's dream kingdom

These do not appear:

There, the eyes are

Sunlight on a broken column

There, is a tree swinging

And voices are

In the wind's singing

More distant and more solemn

Than a fading star.

 

Let me be no nearer

In death's dream kingdom

Let me also wear

Such deliberate disguises

Rat's coat, crowskin, crossed staves

In a field

Behaving as the wind behaves

No nearer --

 

Not that final meeting

In the twilight kingdom

 

III

 

This is the dead land

This is cactus land

Here the stone images

Are raised, here they receive

The supplication of a dead man's hand

Under the twinkle of a fading star.

 

Is it like this

In death's other kingdom

Waking alone

At the hour when we are

Trembling with tenderness

Lips that would kiss

Form prayers to broken stone.

 

IV

 

The eyes are not here

There are no eyes here

In this valley of dying stars

In this hollow valley

This broken jaw of our lost kingdoms

 

In this last of meeting places

We grope together

And avoid speech

Gathered on this beach of the tumid river

 

Sightless, unless

The eyes reappear

As the perpetual star

Multifoliate rose

Of death's twilight kingdom

The hope only

Of empty men.

 

V

 

Here we go round the prickly pear

Prickly pear prickly pear

Here we go round the prickly pear

At five o'clock in the morning.

 

Between the idea

And the reality

Between the motion

And the act

Falls the Shadow

 

For Thine is the Kingdom

 

Between the conception

And the creation

Between the emotion

And the response

Falls the Shadow

 

 

Life is very long

 

Between the desire

And the spasm

Between the potency

And the existence

Between the essence

And the descent

Falls the Shadow

 

For Thine is the Kingdom

 

 

For Thine is

Life is

For Thine is the

 

This is the way the world ends

This is the way the world ends

This is the way the world ends

Not with a bang but a whimper.

 

 

 

 

And my other favorite, which is WAY too long to post the entirety of it here, but I will post the beginning:

 

HOWL

 

For Carl Solomon

 

I

 

I saw the best minds of my generation destroyed by

madness, starving hysterical naked,

dragging themselves through the negro streets at dawn

looking for an angry fix,

angelheaded hipsters burning for the ancient heavenly

connection to the starry dynamo in the machin-

ery of night,

 

read the rest here

Edited by Nerotorb
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Not a big fan of poetry either but here are two that I like. The first one I read because of MikeL's signature while the second one is something my best friend from high school memorized.

 

The More Loving One

by W H Auden

 

Looking up at the stars, I know quite well

That, for all they care, I can go to hell,

But on earth indifference is the least

We have to dread from man or beast.

 

How should we like it were stars to burn

With a passion for us we could not return?

If equal affection cannot be,

Let the more loving one be me.

 

Admirer as I think I am

Of stars that do not give a damn,

I cannot, now I see them, say

I missed one terribly all day.

 

Were all stars to disappear or die,

I should learn to look at an empty sky

And feel its total dark sublime,

Though this might take me a little time.

 

and

 

Tonight I write the saddest lines

by Pablo Neruda

 

Tonight I can write the saddest lines.

 

Write, for example,'The night is shattered

and the blue stars shiver in the distance.'

 

The night wind revolves in the sky and sings.

 

Tonight I can write the saddest lines.

I loved her, and sometimes she loved me too.

 

Through nights like this one I held her in my arms

I kissed her again and again under the endless sky.

 

She loved me sometimes, and I loved her too.

How could one not have loved her great still eyes.

 

Tonight I can write the saddest lines.

To think that I do not have her. To feel that I have lost her.

 

To hear the immense night, still more immense without her.

And the verse falls to the soul like dew to the pasture.

 

What does it matter that my love could not keep her.

The night is shattered and she is not with me.

 

This is all. In the distance someone is singing. In the distance.

My soul is not satisfied that it has lost her.

 

My sight searches for her as though to go to her.

My heart looks for her, and she is not with me.

 

The same night whitening the same trees.

We, of that time, are no longer the same.

 

I no longer love her, that's certain, but how I loved her.

My voice tried to find the wind to touch her hearing.

 

Another's. She will be another's. Like my kisses before.

Her voide. Her bright body. Her inifinite eyes.

 

I no longer love her, that's certain, but maybe I love her.

Love is so short, forgetting is so long.

 

Because through nights like this one I held her in my arms

my sould is not satisfied that it has lost her.

 

Though this be the last pain that she makes me suffer

and these the last verses that I write for her.

 

Edited by Ramon
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I heard it when I was very little and I don't remember the title, the authour, or most of the words, but I remember a couple of lines. "...And the sea tells me and sky, 'Someone small, someone small, but a part of it all'" I've been trying to find that poem again ever since, but I've never found it. I remember what it meant to me though, because I was really depressed at the time, and it helped remind me that no matter how pathetic I felt, I was part of something bigger than myself and could make things better if I stopped being selfish for a little while.

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I heard it when I was very little and I don't remember the title, the authour, or most of the words, but I remember a couple of lines. "...And the sea tells me and sky, 'Someone small, someone small, but a part of it all'" I've been trying to find that poem again ever since, but I've never found it. I remember what it meant to me though, because I was really depressed at the time, and it helped remind me that no matter how pathetic I felt, I was part of something bigger than myself and could make things better if I stopped being selfish for a little while.

 

That's "Who Am I?" by Felice Holman

 

Who Am I?

 

The trees ask me,

And the sky,

And the sea asks me

 

Who am I?

 

The grass asks me,

And the sand,

And the rocks ask me

Who am I?

 

The wind tells me

At nightfall,

And the rain tells me

Someone small.

 

Someone small

Someone small

But a piece

of

it

all.

FELICE HOLMAN

 

Edit: I can't seem to post it with the indentations in the correct place. :(

Edited by Ramon
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To the Virgins, to Make Much of Time

 

 

Gather ye rosebuds while ye may,

Old time is still a flying,

And this same flower that smiles today

Tomorrow will be dying.

 

The glorious lamp of heaven, the sun,

The higher he's a getting,

The sooner will his race be run,

and nearer he's to setting.

 

That age is best which is first,

When youth and blood are warmer;

But being spent, the worse, and worst

Times still succeed the former.

 

Then be not coy, but use your time,

And, while ye may, go marry;

For, having lost but once your prime,

You may forever tarry.

 

 

Robert Herrick, 1591-1674

Edited by Matthew k
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My Mattress and I

by Richard Armour

 

Night after night, for years on end,

My mattress has been my closest friend.

 

My mattress and I are cozy and pally;

There are hills on the sides

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Oh my, I love almost all poetry. It's hard to choose. If I had to pick one though it would be The Highwayman by Alfred Noyes:

 

The Highwayman

 

PART ONE

 

I

 

THE wind was a torrent of darkness among the gusty trees,

The moon was a ghostly galleon tossed upon cloudy seas,

The road was a ribbon of moonlight over the purple moor,

And the highwayman came riding

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To his Coy Mistressby Andrew Marvell

 

 

Had we but world enough, and time,

This coyness, lady, were no crime.

We would sit down and think which way

To walk, and pass our long love's day;

Thou by the Indian Ganges' side

Shouldst rubies find; I by the tide

Of Humber would complain. I would

Love you ten years before the Flood;

And you should, if you please, refuse

Till the conversion of the Jews.

My vegetable love should grow

Vaster than empires, and more slow.

An hundred years should go to praise

Thine eyes, and on thy forehead gaze;

Two hundred to adore each breast,

But thirty thousand to the rest;

An age at least to every part,

And the last age should show your heart.

For, lady, you deserve this state,

Nor would I love at lower rate.

 

But at my back I always hear

Time's winged chariot hurrying near;

And yonder all before us lie

Deserts of vast eternity.

Thy beauty shall no more be found,

Nor, in thy marble vault, shall sound

My echoing song; then worms shall try

That long preserv'd virginity,

And your quaint honour turn to dust,

And into ashes all my lust.

The grave's a fine and private place,

But none I think do there embrace.

 

Now therefore, while the youthful hue

Sits on thy skin like morning dew,

And while thy willing soul transpires

At every pore with instant fires,

Now let us sport us while we may;

And now, like am'rous birds of prey,

Rather at once our time devour,

Than languish in his slow-chapp'd power.

Let us roll all our strength, and all

Our sweetness, up into one ball;

And tear our pleasures with rough strife

Thorough the iron gates of life.

Thus, though we cannot make our sun

Stand still, yet we will make him run.

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To Autumnwolf: you might already know this, but Loreena McKennit (sp?) put that poem to music. It is one of my favorites by her!

 

One of my personal favorites is "She Walks in Beauty" by Lord Byron (sorry about the purple font can't figure out how to turn it off)

 

She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that's best of dark and bright

Meet in her aspect and her eyes:

Thus mellowed to that tender light

Which heaven to gaudy day denies.

 

One shade the more, one ray the less,

Had half impaired the nameless grace

Which waves in every raven tress,

Or softly lightens o'er her face;

Where thoughts serenely sweet express

How pure, how dear their dwelling place.

 

And on that cheek, and o'er that brow,

So soft, so calm, yet eloquent,

The smiles that win, the tints that glow,

But tell of days in goodness spent,

A mind at peace with all below,

A heart whose love is innocent!

 

and just because I have kids (and my life revolves around them while they are young) and they love me to read this to them, but it also reminds me of when I was little and would daydream in front of my dad's salt water tanks.

The Land of Counterpane by Robert Louis Stevenson

When I was sick and lay a-bed,

I had two pillows at my head,

And all my toys beside me lay

To keep me happy all the day.

 

And sometimes for an hour or so

I watched my leaden soldiers go,

With different uniforms and drills,

Among the bedclothes, through the hills;

 

And sometimes sent my ships in fleets

All up and down among the sheets;

Or brought my trees and houses out,

And planted cities all about.

 

I was the giant great and still

That sits upon the pillow-hill,

And sees before him, dale and plain,

The pleasant land of counterpane.

Edited by romachan
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  • 2 weeks later...

To his Coy Mistressby Andrew Marvell

 

 

Had we but world enough, and time,

This coyness, lady, were no crime.

We would sit down and think which way

To walk, and pass our long love's day;

Thou by the Indian Ganges' side

Shouldst rubies find; I by the tide

Of Humber would complain. I would

Love you ten years before the Flood;

And you should, if you please, refuse

Till the conversion of the Jews.

My vegetable love should grow

Vaster than empires, and more slow.

An hundred years should go to praise

Thine eyes, and on thy forehead gaze;

Two hundred to adore each breast,

But thirty thousand to the rest;

An age at least to every part,

And the last age should show your heart.

For, lady, you deserve this state,

Nor would I love at lower rate.

 

But at my back I always hear

Time's winged chariot hurrying near;

And yonder all before us lie

Deserts of vast eternity.

Thy beauty shall no more be found,

Nor, in thy marble vault, shall sound

My echoing song; then worms shall try

That long preserv'd virginity,

And your quaint honour turn to dust,

And into ashes all my lust.

The grave's a fine and private place,

But none I think do there embrace.

 

Now therefore, while the youthful hue

Sits on thy skin like morning dew,

And while thy willing soul transpires

At every pore with instant fires,

Now let us sport us while we may;

And now, like am'rous birds of prey,

Rather at once our time devour,

Than languish in his slow-chapp'd power.

Let us roll all our strength, and all

Our sweetness, up into one ball;

And tear our pleasures with rough strife

Thorough the iron gates of life.

Thus, though we cannot make our sun

Stand still, yet we will make him run.

 

YES!!! the greatest poem ever. Truly love this and have for an awful long time.......

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  • 3 weeks later...

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