Tomas Posted August 17, 2010 Posted August 17, 2010 Do you have a favorite poem? One that speaks to you and stirs an emotional response? I actually have two. Both by Edna St Vincent Millay Only until this cigarette is ended, A little moment at the end of all, While on the floor the quiet ashes fall, And in the firelight to a lance extended, Bizarrely with the jazzing music blended, The broken shadow dances on the wall, I will permit my memory to recall The vision of you, by all my dreams attended. And then adieu,--farewell!--the dream is done. Yours is a face of which I can forget The colour and the features, every one, The words not ever, and the smiles not yet; But in your day this moment is the sun Upon a hill, after the sun has set. Time does not bring relief; you all have lied Who told me time would ease me of my pain! I miss him in the weeping of the rain; I want him at the shrinking of the tide; The old snows melt from every mountain-side, And last year's leaves are smoke in every lane; But last year's bitter loving must remain Heaped on my heart, and my old thoughts abide. There are a hundred places where I fear To go - so with his memory they brim. And entering with relief some quiet place Where never fell his foot or shone his face I say, 'There is no memory of him here!' And so stand stricken, so remembering him.
Former Member Posted August 18, 2010 Posted August 18, 2010 I have several from writers from across the world and time periods (Yevtushenko, Keats, Dickinson) but overall this is the one that I always come back to. To Earthward by Robert Frost Love at the lips was touch As sweet as I could bear; And once that seemed too much; I lived on air That crossed me from sweet things, The flow of - was it musk From hidden grapevine springs Down hill at dusk? I had the swirl and ache From sprays of honeysuckle That when they're gathered shake Dew on the knuckle. I craved strong sweets, but those Seemed strong when I was young; The petal of the rose It was that stung. Now no joy but lacks salt That is not dashed with pain And weariness and fault; I crave the stain Of tears, the aftermark Of almost too much love, The sweet of bitter bark And burning clove. When stiff and sore and scarred I take away my hand From leaning on it hard In grass and sand, The hurt is not enough: I long for weight and strength To feel the earth as rough To all my length.
Nephylim Posted August 18, 2010 Posted August 18, 2010 I have lots of favourite poems but my two absolute favourites are The Raven by Edgar Allan Poe Once upon a midnight dreary, while I pondered weak and weary, Over many a quaint and curious volume of forgotten lore,While I nodded, nearly napping, suddenly there came a tapping,As of some one gently rapping, rapping at my chamber door.`'Tis some visitor,' I muttered, `tapping at my chamber door -Only this, and nothing more.' Ah, distinctly I remember it was in the bleak December,And each separate dying ember wrought its ghost upon the floor.Eagerly I wished the morrow; - vainly I had sought to borrowFrom my books surcease of sorrow - sorrow for the lost Lenore -For the rare and radiant maiden whom the angels named Lenore -Nameless here for evermore. And the silken sad uncertain rustling of each purple curtainThrilled me - filled me with fantastic terrors never felt before;So that now, to still the beating of my heart, I stood repeating`'Tis some visitor entreating entrance at my chamber door -Some late visitor entreating entrance at my chamber door; -This it is, and nothing more,' Presently my soul grew stronger; hesitating then no longer,`Sir,' said I, `or Madam, truly your forgiveness I implore;But the fact is I was napping, and so gently you came rapping,And so faintly you came tapping, tapping at my chamber door,That I scarce was sure I heard you' - here I opened wide the door; -Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing,Doubting, dreaming dreams no mortal ever dared to dream before;But the silence was unbroken, and the darkness gave no token,And the only word there spoken was the whispered word, `Lenore!'This I whispered, and an echo murmured back the word, `Lenore!'Merely this and nothing more. Back into the chamber turning, all my soul within me burning,Soon again I heard a tapping somewhat louder than before.`Surely,' said I, `surely that is something at my window lattice;Let me see then, what thereat is, and this mystery explore -Let my heart be still a moment and this mystery explore; -'Tis the wind and nothing more!' Open here I flung the shutter, when, with many a flirt and flutter,In there stepped a stately raven of the saintly days of yore.Not the least obeisance made he; not a minute stopped or stayed he;But, with mien of lord or lady, perched above my chamber door -Perched upon a bust of Pallas just above my chamber door -Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling,By the grave and stern decorum of the countenance it wore,`Though thy crest be shorn and shaven, thou,' I said, `art sure no craven.Ghastly grim and ancient raven wandering from the nightly shore -Tell me what thy lordly name is on the Night's Plutonian shore!'Quoth the raven, `Nevermore.' Much I marvelled this ungainly fowl to hear discourse so plainly,Though its answer little meaning - little relevancy bore;For we cannot help agreeing that no living human beingEver yet was blessed with seeing bird above his chamber door -Bird or beast above the sculptured bust above his chamber door,With such name as `Nevermore.' But the raven, sitting lonely on the placid bust, spoke only,That one word, as if his soul in that one word he did outpour.Nothing further then he uttered - not a feather then he fluttered -Till I scarcely more than muttered `Other friends have flown before -On the morrow he will leave me, as my hopes have flown before.'Then the bird said, `Nevermore.' Startled at the stillness broken by reply so aptly spoken,`Doubtless,' said I, `what it utters is its only stock and store,Caught from some unhappy master whom unmerciful disasterFollowed fast and followed faster till his songs one burden bore -Till the dirges of his hope that melancholy burden boreOf "Never-nevermore."' But the raven still beguiling all my sad soul into smiling,Straight I wheeled a cushioned seat in front of bird and bust and door;Then, upon the velvet sinking, I betook myself to linkingFancy unto fancy, thinking what this ominous bird of yore -What this grim, ungainly, ghastly, gaunt, and ominous bird of yoreMeant in croaking `Nevermore.' This I sat engaged in guessing, but no syllable expressingTo the fowl whose fiery eyes now burned into my bosom's core;This and more I sat divining, with my head at ease recliningOn the cushion's velvet lining that the lamp-light gloated o'er,But whose velvet violet lining with the lamp-light gloating o'er,She shall press, ah, nevermore! Then, methought, the air grew denser, perfumed from an unseen censerSwung by Seraphim whose foot-falls tinkled on the tufted floor.`Wretch,' I cried, `thy God hath lent thee - by these angels he has sent theeRespite - respite and nepenthe from thy memories of Lenore!Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'Quoth the raven, `Nevermore.' `Prophet!' said I, `thing of evil! - prophet still, if bird or devil! -Whether tempter sent, or whether tempest tossed thee here ashore,Desolate yet all undaunted, on this desert land enchanted -On this home by horror haunted - tell me truly, I implore -Is there - is there balm in Gilead? - tell me - tell me, I implore!'Quoth the raven, `Nevermore.' `Prophet!' said I, `thing of evil! - prophet still, if bird or devil!By that Heaven that bends above us - by that God we both adore -Tell this soul with sorrow laden if, within the distant Aidenn,It shall clasp a sainted maiden whom the angels named Lenore -Clasp a rare and radiant maiden, whom the angels named Lenore?'Quoth the raven, `Nevermore.' `Be that word our sign of parting, bird or fiend!' I shrieked upstarting -`Get thee back into the tempest and the Night's Plutonian shore!Leave no black plume as a token of that lie thy soul hath spoken!Leave my loneliness unbroken! - quit the bust above my door!Take thy beak from out my heart, and take thy form from off my door!'Quoth the raven, `Nevermore.' And the raven, never flitting, still is sitting, still is sittingOn the pallid bust of Pallas just above my chamber door;And his eyes have all the seeming of a demon's that is dreaming,And the lamp-light o'er him streaming throws his shadow on the floor;And my soul from out that shadow that lies floating on the floorShall be lifted - nevermore! AND the two part poem INTRODUCTION Hear the voice of the Bard, Who present, past, and future, sees; Whose ears have heard The Holy Word That walked among the ancient trees; Calling the lapsed soul, And weeping in the evening dew; That might control The starry pole, And fallen, fallen light renew! 'O Earth, O Earth, return! Arise from out the dewy grass! Night is worn, And the morn Rises from the slumbrous mass. 'Turn away no more; Why wilt thou turn away? The starry floor, The watery shore, Is given thee till the break of day.' and EARTH'S ANSWER Earth raised up her head From the darkness dread and drear, Her light fled, Stony, dread, And her locks covered with grey despair. 'Prisoned on watery shore, Starry jealousy does keep my den Cold and hoar; Weeping o'er, I hear the father of the ancient men. 'Selfish father of men! Cruel, jealous, selfish fear! Can delight, Chained in night, The virgins of youth and morning bear. 'Does spring hide its joy, When buds and blossoms grow? Does the sower Sow by night, Or the ploughman in darkness plough? 'Break this heavy chain, That does freeze my bones around! Selfish, vain, Eternal bane, That free love with bondage bound.' BY WILLIAM BLAKE
Former Member Posted August 18, 2010 Posted August 18, 2010 I have lots of favourite poems but my two absolute favourites are The Raven by Edgar Allan Poe He definitely has a few of my favorites. One of the longest poems I can actually quote in full is the Raven. The one so poignant, weird and true of his, brilliant stuff: Alone From childhood's hour I have not been As others were; I have not seen As others saw; I could not bring My passions from a common spring. From the same source I have not taken My sorrow; I could not awaken My heart to joy at the same tone; And all I loved, I loved alone. Then- in my childhood, in the dawn Of a most stormy life- was drawn From every depth of good and ill The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that round me rolled In its autumn tint of gold, From the lightning in the sky As it passed me flying by, From the thunder and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view.
Nephylim Posted August 18, 2010 Posted August 18, 2010 (edited) I haven't seen that one before. Thank you for sharing, it's awesome. If you like The Raven there is a group called Omnia who have done a musical version. It might sound like a strange thing to do but it really works. It sends shivers down my spine every time I hear it Edited August 18, 2010 by Nephylim
Tomas Posted August 18, 2010 Author Posted August 18, 2010 There are two rather long poems that I like. Both run to about 130 or more lines. The first is "Renascence" by my favorite poet, Edna St. Vincent Millay. The second (which I'll not post unless someone asks) is "The Love Song of J. Alfred Prufrock" by T.S. Elliot. RenascenceAll I could see from where I stoodWas three long mountains and a wood;I turned and looked another way,And saw three islands in a bay.So with my eyes I traced the lineOf the horizon, thin and fine,Straight around till I was comeBack to where I'd started from;And all I saw from where I stoodWas three long mountains and a wood.Over these things I could not see;These were the things that bounded me;And I could touch them with my hand,Almost, I thought, from where I stand.And all at once things seemed so smallMy breath came short, and scarce at all.But, sure, the sky is big, I said;Miles and miles above my head;So here upon my back I'll lieAnd look my fill into the sky.And so I looked, and, after all,The sky was not so very tall.The sky, I said, must somewhere stop,And -- sure enough! -- I see the top!The sky, I thought, is not so grand;I 'most could touch it with my hand!And reaching up my hand to try,I screamed to feel it touch the sky.I screamed, and -- lo! -- InfinityCame down and settled over me;Forced back my scream into my chest,Bent back my arm upon my breast,And, pressing of the UndefinedThe definition on my mind,Held up before my eyes a glassThrough which my shrinking sight did passUntil it seemed I must beholdImmensity made manifold;Whispered to me a word whose soundDeafened the air for worlds around,And brought unmuffled to my earsThe gossiping of friendly spheres,The creaking of the tented sky,The ticking of Eternity.I saw and heard, and knew at lastThe How and Why of all things, past,And present, and forevermore.The Universe, cleft to the core,Lay open to my probing senseThat, sick'ning, I would fain pluck thenceBut could not, -- nay! But needs must suckAt the great wound, and could not pluckMy lips away till I had drawnAll venom out. -- Ah, fearful pawn!For my omniscience paid I tollIn infinite remorse of soul.All sin was of my sinning, allAtoning mine, and mine the gallOf all regret. Mine was the weightOf every brooded wrong, the hateThat stood behind each envious thrust,Mine every greed, mine every lust.And all the while for every grief,Each suffering, I craved reliefWith individual desire, --Craved all in vain! And felt fierce fireAbout a thousand people crawl;Perished with each, -- then mourned for all!A man was starving in Capri;He moved his eyes and looked at me;I felt his gaze, I heard his moan,And knew his hunger as my own.I saw at sea a great fog bankBetween two ships that struck and sank;A thousand screams the heavens smote;And every scream tore through my throat.No hurt I did not feel, no deathThat was not mine; mine each last breathThat, crying, met an answering cryFrom the compassion that was I.All suffering mine, and mine its rod;Mine, pity like the pity of God.Ah, awful weight! InfinityPressed down upon the finite Me!My anguished spirit, like a bird,Beating against my lips I heard;Yet lay the weight so close aboutThere was no room for it without.And so beneath the weight lay IAnd suffered death, but could not die. Long had I lain thus, craving death,When quietly the earth beneathGave way, and inch by inch, so greatAt last had grown the crushing weight,Into the earth I sank till IFull six feet under ground did lie,And sank no more, -- there is no weightCan follow here, however great.From off my breast I felt it roll,And as it went my tortured soulBurst forth and fled in such a gustThat all about me swirled the dust. Deep in the earth I rested now;Cool is its hand upon the browAnd soft its breast beneath the headOf one who is so gladly dead.And all at once, and over allThe pitying rain began to fall;I lay and heard each pattering hoofUpon my lowly, thatched roof,And seemed to love the sound far moreThan ever I had done before.For rain it hath a friendly soundTo one who's six feet underground;And scarce the friendly voice or face:A grave is such a quiet place. The rain, I said, is kind to comeAnd speak to me in my new home.I would I were alive againTo kiss the fingers of the rain,To drink into my eyes the shineOf every slanting silver line,To catch the freshened, fragrant breezeFrom drenched and dripping apple-trees.For soon the shower will be done,And then the broad face of the sunWill laugh above the rain-soaked earthUntil the world with answering mirthShakes joyously, and each round dropRolls, twinkling, from its grass-blade top.How can I bear it; buried here,While overhead the sky grows clearAnd blue again after the storm?O, multi-colored, multiform,Beloved beauty over me,That I shall never, never seeAgain! Spring-silver, autumn-gold,That I shall never more behold!Sleeping your myriad magics through,Close-sepulchred away from you!O God, I cried, give me new birth,And put me back upon the earth!Upset each cloud's gigantic gourdAnd let the heavy rain, down-pouredIn one big torrent, set me free,Washing my grave away from me! I ceased; and through the breathless hushThat answered me, the far-off rushOf herald wings came whisperingLike music down the vibrant stringOf my ascending prayer, and -- crash!Before the wild wind's whistling lashThe startled storm-clouds reared on highAnd plunged in terror down the sky,And the big rain in one black waveFell from the sky and struck my grave.I know not how such things can be;I only know there came to meA fragrance such as never clingsTo aught save happy living things;A sound as of some joyous elfSinging sweet songs to please himself,And, through and over everything,A sense of glad awakening.The grass, a-tiptoe at my ear,Whispering to me I could hear;I felt the rain's cool finger-tipsBrushed tenderly across my lips,Laid gently on my sealed sight,And all at once the heavy nightFell from my eyes and I could see, --A drenched and dripping apple-tree,A last long line of silver rain,A sky grown clear and blue again.And as I looked a quickening gustOf wind blew up to me and thrustInto my face a miracleOf orchard-breath, and with the smell, --I know not how such things can be! --I breathed my soul back into me.Ah! Up then from the ground sprang IAnd hailed the earth with such a cryAs is not heard save from a manWho has been dead, and lives again.About the trees my arms I wound;Like one gone mad I hugged the ground;I raised my quivering arms on high;I laughed and laughed into the sky,Till at my throat a strangling sobCaught fiercely, and a great heart-throbSent instant tears into my eyes;O God, I cried, no dark disguiseCan e'er hereafter hide from meThy radiant identity!Thou canst not move across the grassBut my quick eyes will see Thee pass,Nor speak, however silently,But my hushed voice will answer Thee.I know the path that tells Thy wayThrough the cool eve of every day;God, I can push the grass apartAnd lay my finger on Thy heart! The world stands out on either sideNo wider than the heart is wide;Above the world is stretched the sky, --No higher than the soul is high.The heart can push the sea and landFarther away on either hand;The soul can split the sky in two,And let the face of God shine through.But East and West will pinch the heartThat can not keep them pushed apart;And he whose soul is flat -- the skyWill cave in on him by and by. -Edna St. Vincent Millay
TetRefine Posted August 19, 2010 Posted August 19, 2010 Not a big fan of poetry at all, but I gotta say, I love Robert Frost. Especially this one. The Road Not Taken. Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth;Then took the other, as just as fair And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that, the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: two roads diverged in a wood, and I -- I took the one less traveled by, And that has made all the difference.
Nephylim Posted August 19, 2010 Posted August 19, 2010 Not a big fan of poetry at all, but I gotta say, I love Robert Frost. Especially this one. The Road Not Taken. That would have been my third faourite if I hadn't thought three was greedy
ashessnow Posted August 19, 2010 Posted August 19, 2010 (edited) I have several actually. But for now I'll just go with my two absolute favorites. Howl by Ginsberg, and The Hollow Men by Eliot. The Hollow Men by T.S. Eliot. Mistah Kurtz -- he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats' feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death's other Kingdom Remember us -- if at all -- not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death's dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind's singing More distant and more solemn Than a fading star. Let me be no nearer In death's dream kingdom Let me also wear Such deliberate disguises Rat's coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer -- Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man's hand Under the twinkle of a fading star. Is it like this In death's other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We grope together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death's twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o'clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper. And my other favorite, which is WAY too long to post the entirety of it here, but I will post the beginning: HOWL For Carl Solomon I I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machin- ery of night, read the rest here Edited August 19, 2010 by Nerotorb
Ramon Posted August 20, 2010 Posted August 20, 2010 (edited) Not a big fan of poetry either but here are two that I like. The first one I read because of MikeL's signature while the second one is something my best friend from high school memorized. The More Loving One by W H Auden Looking up at the stars, I know quite well That, for all they care, I can go to hell, But on earth indifference is the least We have to dread from man or beast. How should we like it were stars to burn With a passion for us we could not return? If equal affection cannot be, Let the more loving one be me. Admirer as I think I am Of stars that do not give a damn, I cannot, now I see them, say I missed one terribly all day. Were all stars to disappear or die, I should learn to look at an empty sky And feel its total dark sublime, Though this might take me a little time. and Tonight I write the saddest lines by Pablo Neruda Tonight I can write the saddest lines. Write, for example,'The night is shattered and the blue stars shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms I kissed her again and again under the endless sky. She loved me sometimes, and I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is shattered and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight searches for her as though to go to her. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. Like my kisses before. Her voide. Her bright body. Her inifinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my sould is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her. Edited August 21, 2010 by Ramon
DragonMando Posted August 23, 2010 Posted August 23, 2010 I heard it when I was very little and I don't remember the title, the authour, or most of the words, but I remember a couple of lines. "...And the sea tells me and sky, 'Someone small, someone small, but a part of it all'" I've been trying to find that poem again ever since, but I've never found it. I remember what it meant to me though, because I was really depressed at the time, and it helped remind me that no matter how pathetic I felt, I was part of something bigger than myself and could make things better if I stopped being selfish for a little while.
Ramon Posted August 23, 2010 Posted August 23, 2010 (edited) I heard it when I was very little and I don't remember the title, the authour, or most of the words, but I remember a couple of lines. "...And the sea tells me and sky, 'Someone small, someone small, but a part of it all'" I've been trying to find that poem again ever since, but I've never found it. I remember what it meant to me though, because I was really depressed at the time, and it helped remind me that no matter how pathetic I felt, I was part of something bigger than myself and could make things better if I stopped being selfish for a little while. That's "Who Am I?" by Felice Holman Who Am I? The trees ask me, And the sky, And the sea asks me Who am I? The grass asks me, And the sand, And the rocks ask me Who am I? The wind tells me At nightfall, And the rain tells me Someone small. Someone small Someone small But a piece of it all. FELICE HOLMAN Edit: I can't seem to post it with the indentations in the correct place. Edited August 23, 2010 by Ramon
DragonMando Posted August 24, 2010 Posted August 24, 2010 Thanks, Ramon! This time I'm saving that somewhere so I don't lose it again
Matthew k Posted August 31, 2010 Posted August 31, 2010 (edited) To the Virgins, to Make Much of Time Gather ye rosebuds while ye may, Old time is still a flying, And this same flower that smiles today Tomorrow will be dying. The glorious lamp of heaven, the sun, The higher he's a getting, The sooner will his race be run, and nearer he's to setting. That age is best which is first, When youth and blood are warmer; But being spent, the worse, and worst Times still succeed the former. Then be not coy, but use your time, And, while ye may, go marry; For, having lost but once your prime, You may forever tarry. Robert Herrick, 1591-1674 Edited August 31, 2010 by Matthew k
MikeL Posted August 31, 2010 Posted August 31, 2010 My Mattress and I by Richard Armour Night after night, for years on end, My mattress has been my closest friend. My mattress and I are cozy and pally; There are hills on the sides
Autumnwolf Posted September 4, 2010 Posted September 4, 2010 Oh my, I love almost all poetry. It's hard to choose. If I had to pick one though it would be The Highwayman by Alfred Noyes: The Highwayman PART ONE I THE wind was a torrent of darkness among the gusty trees, The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight over the purple moor, And the highwayman came riding
PrivateTim Posted September 8, 2010 Posted September 8, 2010 To his Coy Mistressby Andrew Marvell Had we but world enough, and time, This coyness, lady, were no crime. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow. An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. The grave's a fine and private place, But none I think do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may; And now, like am'rous birds of prey, Rather at once our time devour, Than languish in his slow-chapp'd power. Let us roll all our strength, and all Our sweetness, up into one ball; And tear our pleasures with rough strife Thorough the iron gates of life. Thus, though we cannot make our sun Stand still, yet we will make him run. 1
romachan Posted September 8, 2010 Posted September 8, 2010 (edited) To Autumnwolf: you might already know this, but Loreena McKennit (sp?) put that poem to music. It is one of my favorites by her! One of my personal favorites is "She Walks in Beauty" by Lord Byron (sorry about the purple font can't figure out how to turn it off) She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes: Thus mellowed to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress, Or softly lightens o'er her face; Where thoughts serenely sweet express How pure, how dear their dwelling place. And on that cheek, and o'er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent! and just because I have kids (and my life revolves around them while they are young) and they love me to read this to them, but it also reminds me of when I was little and would daydream in front of my dad's salt water tanks. The Land of Counterpane by Robert Louis Stevenson When I was sick and lay a-bed, I had two pillows at my head, And all my toys beside me lay To keep me happy all the day. And sometimes for an hour or so I watched my leaden soldiers go, With different uniforms and drills, Among the bedclothes, through the hills; And sometimes sent my ships in fleets All up and down among the sheets; Or brought my trees and houses out, And planted cities all about. I was the giant great and still That sits upon the pillow-hill, And sees before him, dale and plain, The pleasant land of counterpane. Edited September 8, 2010 by romachan
Canuk Posted September 17, 2010 Posted September 17, 2010 To his Coy Mistressby Andrew Marvell Had we but world enough, and time, This coyness, lady, were no crime. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow. An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. The grave's a fine and private place, But none I think do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may; And now, like am'rous birds of prey, Rather at once our time devour, Than languish in his slow-chapp'd power. Let us roll all our strength, and all Our sweetness, up into one ball; And tear our pleasures with rough strife Thorough the iron gates of life. Thus, though we cannot make our sun Stand still, yet we will make him run. YES!!! the greatest poem ever. Truly love this and have for an awful long time.......
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