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mastershakeme

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    Last update September 16
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About mastershakeme

Favorite Genres

  • Favorite Genre
    Romance
  • Second Favorite Genre
    Fantasy
  • Third Favorite Genre
    Thriller/Suspense
  • Favorite Genres
    Drama

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    Ohio
  • Interests
    Smoking and writing ^_^

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    sunnypower91@gmail.com

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  1. Jared Jared put a knife through the first soldier’s throat before the man finished turning around. The blade went in beneath the jaw and dragged sideways, deep enough that the fight ended before it properly began. Hot blood spilled across Jared’s knuckles and worked its way beneath the cuff of his coat while the soldier grabbed uselessly at his neck, his rifle slipping from his hands. Jared caught the weapon against his own chest before it struck the rocks, twisted, caught the soldier b
  2. Cade The sutures were too far apart. Cade knew it almost immediately, but he leaned in over the practice arm anyway, holding the needle driver still in his right hand while he squinted at the row. Disappointment sometimes improved with observation. It didn’t now. The fourth stitch sat just a little too far from the third, which made the whole row look wrong now that he’d noticed it, and once Cade noticed something wrong, it became impossible to see anything else. He sighed. The sou
  3. Cade has spent eighteen years underground, learning medicine and fearing the ruined world above. Then armed strangers invade Bunker 34 looking for his seven-year-old brother. Forced to flee, Cade has one goal: keep Sable alive. Their best chance is Jared, a guarded survivor who knows the surface, carries too many secrets, and is becoming far too difficult for Cade to stop noticing. But Sable is changing the world around him, someone wanted him badly enough to kill for him, and every mile west pulls them deeper into a mystery none of them fully understand.
  4. The suit was from the drama department. Lucien had found it on a midnight excursion through the performing arts building, slipping through a window that someone had left unlatched (or that he’d unlatched, Eli didn’t ask), and returning to Caldwell with two garment bags over his arm and the expression of a man who had opinions about costuming and had just been vindicated. “This one is yours,” Lucien said, laying the first bag on the bed. “Black. Slim fit. The drama department has surpri
  5. Eli woke up hungry. Not human hungry. Not the dining-hall, apple-in-the-pocket hunger he’d known his whole life. This was different. This was total, cellular, a hunger that lived in every part of his body at once and that the body understood, even if the mind was still catching up. The world had changed around the hunger: he could hear heartbeats through walls, could smell blood through skin, could feel the pulse of every living thing in the building like a map drawn in heat. He was ly
  6. The room was dark. Eli didn’t turn on the lamp. The light from the campus lamps outside came through the window in pale strips, enough to see by, enough to see the shapes of the room he’d been living in since September: the desk, the books, the window seat with the blanket. The bed with its single pillow, the one Eli had left behind when the Vespers moved him into the house because it belonged to Lucien and he’d refused to let them take that too. The Halloween card on the desk, the cartoon
  7. Lucien handled the bodies while Eli slept. Eli didn’t ask for details. He didn’t want details. What he knew was this: he fell asleep in his room at Caldwell House (not Vesper House, never Vesper House again, Lucien had carried his things back through the dark while the campus slept) and when he woke at seven in the morning with pale February sunlight coming through the window, Lucien was on the window seat with a book and the expression of someone who had spent the night doing something phy
  8. mastershakeme

    The Offering

    I get that. The possessiveness was definitely intentional. A lot of the fantasy for me was that feeling of being wanted that intensely, so it didn’t bother me the way it might bother some readers. I know it won’t work for everyone, though.
  9. Eli looked away. He’d thought he wouldn’t. He’d spent weeks imagining this moment, hardening himself into someone who could watch what needed to happen and stay standing. He’d thought the anger would be enough. The fury at the files and the word “suitable” and the forty-seven students and J. Moreno’s photograph and the boy in the new file eating dinner alone somewhere on this campus. He’d thought the fury would carry him through. It didn’t. Lucien began with Rémy because Rémy had
  10. The Counter-Litany took thirty minutes. Eli spoke all two hundred and twelve phrases. The chapel shook around him. The candles died and relit and died. The air thickened and thinned in waves, the binding resisting the unraveling phrase by phrase. And phrase by phrase, it lost. Eli’s voice didn’t waver. The pronunciation didn’t slip. Lucien was in his chest through the bond, steadying him, the second mind anchoring the first, feeding precision into every syllable. The words came out of
  11. Nora and Sasha were downstairs. Eli could hear them through the floor with the crystalline precision the third exchange had given him: Sasha’s voice, arguing about something, the specific cadence she used when the argument was recreational rather than genuine. Nora’s quieter responses. The clink of Nora’s tea against a saucer, the scratch of Nora’s pen in a notebook, the particular rhythm of a person who kept track of things even when the things she was keeping track of were falling apart.
  12. He got out on Sunday night. Not through a gap in the surveillance this time. Through a decision. Eli stood up from the guest room bed at midnight, put on his coat, walked downstairs, and left through the front door. Nora was on watch. She was in the sitting room with a book and a cup of tea, and she looked up when Eli’s footsteps hit the bottom stair, and their eyes met, and Eli saw the calculation happen on her face: the weighing, the measuring, the moment where Nora Collier decided w
  13. Two days under watch. The surveillance was seamless. Not oppressive, not dramatic, not the locked-door-and-guard version that Eli would have found easier to resist because resistance was simple when the cage was visible. This cage was invisible. This cage was Phoebe asking if he wanted to walk to class together. This cage was Nora appearing with coffee at 7 AM and staying to chat about the archive digitization project that they both knew was no longer the reason for anything. This cage was
  14. The bond told him before the text did. Tuesday morning. Eli was in Wexler’s seminar, halfway through a discussion about state power and legitimacy, when the frequency in his chest changed. Not the warm, steady hum he’d grown accustomed to. A spike, sharp and urgent, carrying something specific from Lucien’s end: alarm. Not pain. Not hunger. Something colder and more focused, a sudden alertness that made Eli’s own pulse jump. Through the bond, Eli felt it in fragments. Not images. Not s
  15. They were three weeks into the Counter-Litany practice, and Eli was getting good. Not adequate. Not passable. Good. Lucien had said so, two nights ago, the word delivered with the specific reluctance of someone who rationed praise the way other people rationed expensive wine: sparingly, deliberately, and with the full expectation that the recipient would understand the cost of the offering. Tonight they were in section six. Eli’s room at Caldwell, past midnight, the campus silent under
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