I really love this association with Shakespeare’s Sonnet 116 that was mentioned above, It connects so beautifully with many of the feelings this story evokes for me.
While reading the previous chapter, someone mentioned listening to fado - which felt incredibly fitting given the story’s atmosphere and its connection with Portugal (I love Mariza), but for me it was Vide Cor Meum (“See my heart”). That same feeling of transcendence mixed with longing. And then all the Dante echoes came rushing back: La Vita Nuova, the sonnet of the eaten heart, Beatrice guiding Dante through Paradiso, where love becomes illumination rather than possession.
Especially those lines in Paradiso about free will being God’s greatest gift. Futile Devices seems deeply concerned with human will too - what we surrender, what we preserve, what survives us.
Mentioning Portugal in his stories, @CasualWanderer82 made me remember Saramago’s Baltasar and Blimunda. The Passarola - the impossible flying machine carried by collected human “wills”... feels strangely parallel to the “futile devices” here, or perhaps even to the tree itself: fragile human constructions trying to transcend gravity, mortality, time.
Which makes the title feel almost ironic. These things are “futile” materially, perhaps, but spiritually and emotionally they are attempts to carry something human beyond destruction - all the way, as Shakespeare says, to the edge of doom.