OMG, where is Aaron
If he lived up here, he might have got hit by a snow plow, but down where he lives that is not very likely. Or is it?
Someone told me that he was stocking a shelf when the whole aisle collapsed on him and he was by himself. Then they say he saw all the spilt liquor and couldn't bare the idea of all the good spirits going to waste. So injured on the floor he started slurping up everything he could get. Luckily he was lying at a low point of the store floor so all the split booze flowed to him. Now I guess he has a wee bit of a hangover
Actually personally I think he went AWOL. I'm not sure who told him he could take the month off! Oh, it was me
Okay, for the truth none of the above is true except getting the month off.
So we have a different AAA 3.0 that was sent in this month in where one of our anonymously question suppliers came forward with some questions for none other than @astone2292. Rather than have him appear full of himself (appearances are everything) I decided I would take over the blog, just this once to ask him the questions.
1) What interested you in writing stories about shifters?
I write shapeshifter stories as an escape, of sorts. Living with a basic, daily routine (wake-up, work, sleep, repeat), the paranormal genre gives me something life can’t. The ability to transform between human and animal is a concept that would provide one such freedom, even if the animal is odd. A wolf can run in a forest. A mole can dig in the dirt. A bird can sit on power lines and shamelessly defecate on passing strangers. A Golden Retriever can walk around and be called a good boy/girl. Shall I continue?
2) Since you have already hinted about crossover stories, what pros and cons did you consider as you deliberated writing a crossover?
The one crossover I performed was not an easy decision. Combining the In the Shadows series and Cernunnos into the same universe had its issues. I had to create a reason for the differences between the shifters and their differing abilities. As time passed, I desperately wanted certain characters to have the opportunity to meet. I can only imagine my readers’ delight if Cyrus ever met Cyn, or if Kaplan met Keiran. The cons… Well, my primary concern was if my In the Shadows readers hadn’t enjoyed Cernunnos (or vice versa). I hate spoilers more than the next person, so potentially causing someone to be exposed to who met who, or who did what unspeakable action was a heavy detractor in the decision.
3) What things do you consider when creating a new universe? By this, I mean considerations between canon and personal ideas about how things work.
Going back to my answer to the first question, I want to escape. What could I do to alter life around me to make it more interesting yet believable? I think of a concept, flesh it out, and either stick it in the “to-write” pile or toss it if it’s not beefy enough. Sometimes, I’m met with a stunning image or hypothetical situation through conversation, and my imagination dives into the rabbit hole.
Putting a story in consideration, I evaluate whether I have the attention span to commit to the idea, and how passionate I am about the concept. If I know it hasn’t been done before on GA, I’m gunning for it. Two of my projects are going to be unique: Cow-man, being an anthropomophic fantasy/western, and a Pokémon story, a first for GA’s fan-fiction archive.
4) Can you explain how you develop a character from the beginning to the end of a story? Here I’m thinking about the minor character, Sarah, from the In the Shadows series and her arc in Death in the Shadows?
Planning, planning… Nah, I can’t say that. I wrote In the Shadows while flying by the seat of my britches. Did I have plans for Sarah back in the first book? Oh, hell no! As much as I’d like to say, “Oh, I just made a bunch of side characters that don’t matter so I can use them when I need to,” but that would be a lie. That’s just the miraculous way it turned out. Being a young and inexperienced writer is both a blessing and a curse. Even now, it’s what I continue to do: write the story, incorporate some minor characters, and when a plot point starts to unfurl, I think whether to give one of the side peeps a spotlight or not.
5) Anything you can add about character development of main characters would also be appreciated.
With main characters, I’ve kept them either relatable (Vincent) or true to their nature (Cyn). I find embodying a MC to be the best. Using Cyn as an example, what can, would, or should he do? He’s a deer shapeshifter, and hasn’t been around humanity and their modern ways in his upbrining. I… ate… that… up! Cuisine, transportation, technology. The poor guy sat on a mattress for the first time and thought he was on a cloud. My point is to dive in with a character. Make them stand out and be individuals, but be cautious. It’s easy in the supernatural and paranormal genres to make an all-mighty character without weakness. With Vincent, I did my best. He is a mage with several abilities, even before he became a lycan. What was his weakness? A lack of fighting experience and a morality that prevented him from killing in a ‘kill-or-be killed’ situation.
Well that is it for this month! If you didn't enjoy this out of control train about to go off the tracks, don't worry it probably won't happen again.
Aaron will be back next month, but only if you continue to send in some great questions like the ones above! Just click on his handle here @astone2292 and then click on the Message button to submit them to him. Easy peasy