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Zombies: My Halloween Story


W_L

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I will freely admit, a certain green fellow on this forum made was on my mind, when I chose to write a Zombie story.

 

I have seen many zombie movies in recent years; they are the best social commentary devices, second only to Star Trek strangely enough :o Currently Walking Dead has the best cast, writers, and overall feel to a zombie story and I know I can't equal it in a short story, so I want to go another quieter route for a zombie story.

 

I know Jamessavik is writing Case Black, so I am in stiff competition for a Zombie story. I don't want to steal his thunder, nor tread where he is going.

 

There is something is missing in the zombie genre, I think it's that thing between man and Zombie, the missing stage between the transformation that few people go into. What if there's a stage between turning from man to zombie, a middle ground that is neither? Zombies are brain dead, so I want to give you what people call "having your life flash before you" at the moment of death.

 

I also took a lot of stabs at social commentary about modern civilization and materialism.

 

My story is framed by a poem from Robert Frost, not the famous Poem that every sci-fi writer quotes when doing an AU story about two roads :P No, I took a lesser known poem that I admired and framed it into the short story. For those with some interest in poetry, I hope I did Frost proud with the material.

 

When the time comes, I hope you will enjoy it.

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Case: Black is an experiment for me based on two theories of horror and suspense.

 

1. Adults won't believe in monsters unless they are plausible.  That doesn't mean they don't believe in monsters. We've all met them. They are the predators and the pervs, the confidence men and criminals: the every day monsters that populate the world.

 

In Case: Black I've tried to create as believable a "zombie" as possible. The agent that creates them, the constraints on the "zombies" and the progression of the disease are all very, very plausible.

 

Viruses don't work as fast or as completely as they do in 28 Days Later. If they did, we would all be extinct. They do work the way that they do in Case:Black and that is by design.

 

What I'm shooting for is a story that you can "buy" without a ton of suspension of disbelief.

 

 

2. Build scenes that are fast, short and directly contribute to the plot and builds suspense and raises the stakes as it moves.

 

I'm not trying to do fan fiction or "me too" zombie story.

 

I am trying to start from scratch and create something new that makes something with many tiny cold feet run across your spine. A horror story that doesn't go away when you eject the DVD.

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Speaking of Man turning into Zombie, writer's haven't focused on that phase, none of the things I know of, but I've seen a Zombie turn into Man. Have you seen Warm Bodies? Where zombies after eating brains, they accumulate memories from them, making them human. It was ridiculous, but it was good though. Funny. :) I'll be waiting for your zombie story.

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Speaking of Man turning into Zombie, writer's haven't focused on that phase, none of the things I know of, but I've seen a Zombie turn into Man. Have you seen Warm Bodies? Where zombies after eating brains, they accumulate memories from them, making them human. It was ridiculous, but it was good though. Funny. :) I'll be waiting for your zombie story.

 

I've seen it, but my story is kind of the reverse of Warm Bodies, in almost every way.

 

You are right, the process of transformation is usually really quick; there is no exploration of what dehumanizes people, when they become zombies.

 

James, you took one route in your storytelling and I take another. We are both breaking different ground in this genre. I don't want people to compare us, becuase we're really different in how we approach things.

 

Also, while Warm Bodies is expository (like the way I usually write) my short story took the route of minimalist expression. Much of the story is written in between the lines with hints towards tragedy and the isolation within groups rather than support of civilization.

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