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The Secret To Writing Horror


Comicality

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The Secret To Writing Horror

Something that I always found funny whenever I see people online or even my own friends and family when watching horror movies...is what it brings out of them. Hehehe! Like, be honest...how many times have you seen someone get a lucky shot in on one of the killers or slashers or monsters...and they scream, “YES!!! Now do it again! Stab them! Stab them! Stab them! Beat them! Rip their guts out! Yes!!!!” Which seems like a ‘normal’ reaction to most people in these situations...but ummmm...isn’t that a little excessive? LOL! I mean, what would you do if the police showed up and you were covered, head to toe, in blood and gore...and you had stabbed somebody 150 times in the chest? That would look a little suspect on your part, wouldn’t it? Justification be damned. But there’s a certain level of blood lust that exists in even the most well-mannered and docile people among us, isn’t there? Under the right circumstances, they get rather animated about it. That whole, “Keep STABBING him until you’re sure he’s dead! Again and again and again!” Where the hell does that come from? It didn’t just appear out of nowhere. Especially if you’re just watching a movie about someone else being in danger. What is that ‘animal’ within us? And how can we somehow trigger it and bring it out of them with our writing?

I believe that this is the very nature of horror. Not trying to get people to be scared of what is outside of themselves...but activating that hidden element that lies within...that frightens people the most. It’s not dark rooms or jump scares or bumps in the night that we can’t explain...it’s the idea that the dark shadows that live inside all of us might be freely expressed by people who don’t carry the same defenses and restrictions that we do to keep them under wraps. Hidden away from the rest of the world. What happens if those “Keep STABBING him!” voices were used against us, and we gave in to their demands? How different would we be from the devils we demonize on a daily basis? And how easy would it be...for us to become one of them?

Now I realize that this particular article doesn’t really apply to what a vast majority of you all are writing right now, and that’s ok. But I urge you to keep reading regardless, as you may find a few good tips here and there that might still help you out with other stuff that you’re writing at the moment or possibly in the future. No matter what genre you choose to indulge in, the rules and disciplines that are put in place for you as a writer still apply. This isn’t just about writing scary stories...but the hidden secret behind writing scary stories. So don’t hit that back button just yet! Hehehe, there might be stuff for you to learn from in the end.

For my fellow horror fans? This one is for you! >:P

While many people think of fictional horror as being gory, creepy, and full of frightening imagery from beginning to end...I look at them very differently. I’ve said it many times in the past...the best horror stories out there are, basically, morality tales. Very GRIM ones, yes...but morality tales, regardless. Even the stories that you grew up with as a kid, despite many of them being made into playful animated versions of their former selves for the Disney crowd...with wide eyed innocence and songs about stars and rainbows...their origins are much much darker than anything that you would be comfortable with telling your young children today. The lessons to be learned were noble enough, but the consequences of not learning these lessons are unforgivably harsh. Whether being devoured by a wolf, locked in an isolated tower for life, or drowned in the depths of the ocean...the idea was to literally ‘scare’ children into acting right and obeying the rules out of fear. You may not know about Dorothy and the “Wizard Of Oz” where a tornado has basically knocked her into a comatose state, where her subconscious has trapped her in a hellish nightmare that she can’t wake up from. Or that, at the end of the original “Jungle Book”, Mowgli comes back to the human village with his vicious animal friends to maul everyone in sight and rip them to pieces under his command. Even a nursery rhyme as playful as ‘Ring Around The Rosie’ was written about the deaths that occurred during the black plague. Corpses being burned in heaps to hopefully prevent the spread. “Ashes to ashes, we all fall down.”

The very nature of horror has been with us for our entire lives...whether we were aware of it or not. The very idea behind “Hansel And Gretel”, where a witch lures helpless children into the woods to shove them into an oven and cook them alive is about as intense as it gets, is it not? Calling horror a ‘genre’ in the sense of fiction is merely exaggerating what was already there all along. It’s simply a matter of pulling the gloves off, and further stressing the point of ‘be a good and smart person...or else!’

When I say that horror is a collection of morality tales, it means that we all have an understanding and the ability to tap into something truly primal when the situation demands it...even if we think we shouldn’t. There’s a very dark shadow inside of all of us, and to flirt with it, or entice it to come out of hiding, feels uneasy. Dangerous. And yet...tempting. That is the foundation that you’re going to begin working with. That’s the spark that makes true horror work, in my opinion.

Think about the things that scare you the most. Think about the things that simply make you feel uncomfortable or uneasy. Now...find a middle ground between the two. That’s where horror lies. Something extreme...but can still be relatable enough to draw your audience in and use those fears to create a certain sense of anxiety among them. This doesn’t just have to be used in a supernatural sense, or in a life or death situation. Fears can be very simple. Fear of conflict or confrontation. Fear of loneliness or isolation. Fear of a loss of control. Fears of the unknown, fear of failure, fear of heartbreak or betrayal. These are all things that we can understand, relate to, and tap into when we’re writing our stories. The nature of horror is merely taking these everyday insecurities and dialing them up to ten. Taking advantage of people’s natural fears and exploiting them to lock them into the stories that you want to tell.

Hehehe! Who said writing wasn’t fun, right? :P

The real secret is in the ability to tickle and tease that deep seeded wickedness within the hearts and minds of your readers...creating an obligatory need to react with a sense of repulsion...but still stimulating a morbid curiosity that makes them want to keep going. It’s a double edged sword, but one that more people than you would think would welcome when faced with it head on.

I’ve written quite a bit of horror on this site since I first started, and even though I’ve had many readers initially dismiss the idea of even giving those stories a try...the ones who take a peek have become the biggest fans that I have for my writing. And not just for the horror stories, but in general. It’s almost like something gets triggered that they can’t understand, but they really get invested in it. I think stories like “Savage Moon”, “Darkness Waits”, and “The Boys Of Widow Lake” (https://imagine-magazine.org/store/comicality/), tap into something that many of us would like to ignore or avoid when we look at ourselves in the mirror every morning. The further you dive into that ‘something’, the more uncomfortable they feel. And that discomfort makes the horror real. It allows it to last and linger in the minds of your audience. Which, obviously...is a good thing. Specially if it creeps them out.

Now, being a big fan of horror movies my whole life, there are very few that I can say have truly disturbed me on a psychological level. I can’t really tell you why, but despite going into movies like “Blair Witch” and “Paranormal Activity” and even John Carpenter’s original “Halloween” when I was maybe four years old...completely blind and not knowing what to expect, one movie that really ‘disturbed’ me was “The Poughkeepsie Tapes”. That one was a little too real for me to handle. It still gives me the shivers, and it’s not that it’s gory or anything...but there’s just something that’s really fucked up about the whole experience. And once I saw it, it wouldn’t let me go. Not for a while.

 

One discussion that I’m constantly having with some of the members of my family has to do with watching these sort of things. They’re always like, “How can you see this stuff and not be affected by it?” BUT...they love watching crime dramas on TV all the time. “Law & Order”, “CSI”, “Special Victims Unit”, and all of that stuff. They can’t get enough of it, and I view their tastes the same way. Like...I can watch ghosts and monsters and zombies get sliced and diced to pieces all day long, because there’s a ‘detachment’ there for me. It’s not connected to real life. But the whole “CSI” thing? No...that really happens to real people. A lot of those shows are written and based on actual criminal filings and reports. That’s a bit harder for me to swallow.

Does that mean that there is a morbidly curious part of me that relates to that kind of crime, pain, and torture? I don’t know. And, to be honest, I wouldn’t want to know if it did. But there are parts of these stories that I find myself understanding more than I ever thought that I would, and that’s a scary position to be in. Because I get it. I hear that voice urging me to “Stab him AGAIN!” And that takes me to dark places that I might want to leave alone.

I’ve had a few readers talk to me about “Savage Moon” and tell me that there were parts of it that really did make them feel uncomfortable. And it’s not any kind of blood and gore that does it...it’s the idea of being able to find something in the darkness of your own soul that you can’t see in the light. This is what makes horror work when it comes to the written word. You don’t have loud noises and jump scares and dark brooding music at your disposal to use to set the mood or force the desire effect on your readers. Just words on a page. And that means that you have to get inside your readers’ heads and create a true sense of dread and danger from that point forward.

This may sound like it only works for fictional works of horror...but it works for all sorts of inner conflict. Someone who has to perform on stage for the first time with all of his friends and family watching to see if he’ll succeed or fail is experiencing the same level of fear and discomfort as someone running from a monster in the woods. Someone trying to find the courage to stand up to the school bully, come out to their parents, or ask that cute co-worker out on a date for the first time, is dealing with extreme levels of fear and doubt as well. Use that. Where horror is the exaggeration of your skills in this matter...the rules remain the same. You just have to tune yourselves into the feeling as writers, and lock your audience into experiencing that fear along with your protagonist by triggering those places within them that they usually are too scared to approach. Everyday conflicts can be considered ‘horror’ too.

The key is all in being able to tempt the horror within all of us. Not just the fears that we hold on to...but the horrible things that we’re willing to do in retaliation if given the permission to do so without consequence. Think about that when you look back at the stories that spooked you the most. What did it stir up within you? And why do you still remember it to this day?

Having your work remembered is the sign of a true classic.

I hope this helps you guys out. I’d be willing to talk about it more in the comments below if you like. If not, then happy writing! And remember...you don’t need ghouls and goblins to introduce elements of horror into your story. Those feelings apply to everything to your virgin sexual experience to showing up to an interview for a new job. The exaggeration or lack thereof makes all the difference! Take care! And stay beautiful!

 

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@Mikiesboy Found footage horror is fine, but I agree it can be a bit unsettling. People honestly don't really get scared of movie like Paranormal Activity unless you are in the right head space. 

@ComicalityJohn Carpenter's Halloween franchise is considered the first modern horror slasher movie with a lot of themes that play as a morality tale on teenage sexuality, female vulnerability, and Michael Myers psychopathy with stalking/predatory POV. Fans of horror and psychological horror especially enjoy perspective scares in films.

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As a fan of gay/queer horror as well, which as a subgenre explores different things like social isolation, individual awareness, and subtle or overt desires. For instance, Kevin Williamson, who is gay screenwriter, was the writer of Scream. While most people did not notice it at the outset, but later have with further viewing and Film School Youtubers 😛 , Stu Macher was written with homosexual subtext. There were lines in the movie that were cut out along with edits to reduce his interest in both Billy Loomis and Randy Meeks (90s still kept characters in the closet). However, subtle hints like his hesitation to kill Randy on the couch made more sense in that context. He's still psychotic, but he is a romantic psychopath 😛 

Clive Barker in contrast was not subtle with his horror and gay references, but he dealt with the erotic and developing subcultures within our community far more as a former male escort than most gay writers or filmmakers of modern times. I have a special place in my heart for Clive Barker's brutal honesty and sexuality. His style is surreal and real at the same time at the depths of human desires. 

Edited by W_L
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