Parker Owens Posted January 7, 2016 Posted January 7, 2016 Does This Count? Silver silken snow reflects the waning crescent moon and every star while smooth crystal drifts whisper hot humid secrets of bodies on grass. Not sure if this properly responds to the prompt. But I liked it, anyhow. 2
Former Member Posted January 7, 2016 Author Posted January 7, 2016 (edited) Does This Count? Silver silken snow reflects the waning crescent moon and every star while smooth crystal drifts whisper hot humid secrets of bodies on grass. Not sure if this properly responds to the prompt. But I liked it, anyhow. So, Parker, you ask about fulfilling the prompt challenge... The main point is to include seasonal words in both Haiku, which 'snow' and 'grass' achieve. The challenge asks to be seasonal, and it seems both are about winter (although summer, via 'grass,' is the theme of the second one). For the indoor/urban-sight version, I can see the image of 'smooth crystal drifts' and 'hot humid secrets' as a frosty windowpane with someone breathing on it in torrid thoughts of summer. So I think you have met the challenge quite well. Don't you think...? Edited January 7, 2016 by AC Benus 2
Parker Owens Posted January 7, 2016 Posted January 7, 2016 I thought it might - but there was nothing explicitly urban in either one. Besides, I wasn't sure if two-verse haiku were allowed. 1
Former Member Posted January 7, 2016 Author Posted January 7, 2016 I thought it might - but there was nothing explicitly urban in either one. Besides, I wasn't sure if two-verse haiku were allowed. The prompt asks for two, so I read them as separate. Plus, the 'urban' request was half of a choice: either a Haiku inspired by an indoor sight, or an urban one. Seems to me you did indoor. 2
Parker Owens Posted January 7, 2016 Posted January 7, 2016 Thanks for your input and commentary. Strangely enough, I was thinking of an outdoor setting - skiing in the predawn hours, and the snow whispering its secrets to me as I glide along... 1
Former Member Posted January 7, 2016 Author Posted January 7, 2016 Thanks for your input and commentary. Strangely enough, I was thinking of an outdoor setting - skiing in the predawn hours, and the snow whispering its secrets to me as I glide along... That's the great thing about poetry - it's all in the interpretation! 2
totallyy Posted January 31, 2016 Posted January 31, 2016 another: https://www.gayauthors.org/story/totallyy/rhymes/22 i realise i'm loving this style a lot. 2
Former Member Posted February 1, 2016 Author Posted February 1, 2016 another: https://www.gayauthors.org/story/totallyy/rhymes/22 i realise i'm loving this style a lot. Thanks for taking the poetry prompt challenge! I like the message of your poem, and I left a review on the posting. 2
Emi GS Posted February 6, 2016 Posted February 6, 2016 Hello guys. Finally I read and understood what is a Haiku is and perfected my Haiku which I attempted to write. I hope you guys will like it. And don't forget to review or give any suggestion you thought might be need... Thank You... https://www.gayauthors.org/story/the-eminent-mgk/m_p_mgk/2 2
Former Member Posted February 6, 2016 Author Posted February 6, 2016 Hello guys. Finally I read and understood what is a Haiku is and perfected my Haiku which I attempted to write. I hope you guys will like it. And don't forget to review or give any suggestion you thought might be need... Thank You... https://www.gayauthors.org/story/the-eminent-mgk/m_p_mgk/2 Thanks for taking the poetry prompt challenge, Emi! I left you a review 3
Emi GS Posted February 6, 2016 Posted February 6, 2016 Thanks for taking the poetry prompt challenge, Emi! I left you a review Thanks for review Ben... Thank you all poets from 'Live-Poets' Forum for their help and suggestions... 2
Emi GS Posted June 22, 2016 Posted June 22, 2016 Okay I can see the last post was mine. But this time, I had taken some serious training and hard work on them I hope you guys will like it... https://www.gayauthors.org/story/the-eminent-mgk/emispoetryprompts/2 2
WolfM Posted May 23, 2017 Posted May 23, 2017 I started reviewing the challenge and figured I'll try writing tomorrow. Yeah, right. I had to try this before I'd be able to go to sleep. Foals running in fields Chasing butterflies like toys Life of two day olds Surfers by the pier Riding in that perfect wave Paddle out once more 4
Former Member Posted May 23, 2017 Author Posted May 23, 2017 (edited) On 5/22/2017 at 11:54 PM, WolfM said: I started reviewing the challenge and figured I'll try writing tomorrow. Yeah, right. I had to try this before I'd be able to go to sleep. Foals running in fields Chasing butterflies like toys Life of two day olds Surfers by the pier Riding in that perfect wave Paddle out once more Both are beautiful in their images! They also make a contrast whereby the second one has the natural stanza flow we should strive for (that is, one thought expressed smoothly across the three lines), while the first one has a hard stop after the second line. Said another way, we can feel the surfers riding and paddling; there is a unity of action there. With the foals, we do see them running and chasing, but then the voice of the poet 'interferes' with the scene. Basho would love the images, but would probably change the last line to be about the animals again; something like "Chasing butterflies like toys; Living a two-day-old life." Sorry to ruin your poem, but I hope you can see what I mean in the example. In the prompt, I talk about the objective and subjective POV, and Basho only wanted to paint scenes where the reader can insert personal emotions based on what they see. In Tanka, the greatness of the form comes from the poet being a part of the verse; with Haiku, the poet is only a medium connecting scene and reader. The rules of producing a grammatical and smooth flowing poem still apply though (avoid 'haiku-speak' please ) Edited May 24, 2017 by AC Benus 3
Former Member Posted May 23, 2017 Author Posted May 23, 2017 I don't write many Haiku, but I recently created this rather tongue-in-cheek poem. It does show the 'image only' approach the form should have https://www.gayauthors.org/forums/topic/41190-live-poets-society-–-a-corner-for-poetry/?do=findComment&comment=682673 1
WolfM Posted May 24, 2017 Posted May 24, 2017 9 hours ago, AC Benus said: Both are beautiful in their images! They also make a contrast whereby the second one has the natural stanza flow we should strive for (that is, one thought expressed smoothly across the three lines), while the first one has a hard stop after the second line. Said another way, we can feel the surfers riding and paddling; there is a unity of action there. With the foals, we do see them running and chasing, but then the voice of the poet 'interferes' with the scene. Basho would love the images, but would probably change the last line to be about the animals again; something like "Chasing butterflies like toys; Living a two-day-old life." Sorry to ruin your poem, but I hope you can see what I mean in the example. In the prompt, I talk about the objective and subjective POV, and Basho only wanted to paint scenes where the reader can insert personal emotions based on what they see. In Tanka, the greatness of the form comes from the poet being a part of the verse; with Haiku, the poet is only a medium connecting scene and reader. The rules of applying a grammatically sound and smooth flowing poem still apply though (avoid 'haiku-speak' please ) You say things like ruin my poem, I see it at helping me improve I need to work on catching the hard stops. 3
Mikiesboy Posted May 24, 2017 Posted May 24, 2017 It's cool to watch this process. .. makes me remember how much I still can learn! 3
Parker Owens Posted May 24, 2017 Posted May 24, 2017 On May 23, 2017 at 2:54 AM, WolfM said: I started reviewing the challenge and figured I'll try writing tomorrow. Yeah, right. I had to try this before I'd be able to go to sleep. Foals running in fields Chasing butterflies like toys Life of two day olds Surfers by the pier Riding in that perfect wave Paddle out once more Especially like the second of these; yet the metaphor in the first is quite lovely, too... 4
FormerMember4 Posted May 24, 2017 Posted May 24, 2017 (edited) Ok... this is my attempt at Haiku. The first is for outdoors. The second for urban setting. Your feedback appreciated @AC Benus A cool ocean breeze Navigates the kites in flight With colors abound Under intense heat Rainbow flags fly high in pride In search of freedom Edited May 24, 2017 by BlindAmbition Correct last line syllable count. 3
Mikiesboy Posted May 24, 2017 Posted May 24, 2017 1 hour ago, BlindAmbition said: Ok... this is my attempt at Haiku. The first is for outdoors. The second for urban setting. Your feedback appreciated @AC Benus A cool ocean breeze Navigates the kites in flight With colors abound Under intense heat Rainbow flags fly high in pride In search of freedom I like them both a lot JP. I think the second one touches me most because of the meaning within in it! 3
FormerMember4 Posted May 24, 2017 Posted May 24, 2017 6 minutes ago, Mikiesboy said: I like them both a lot JP. I think the second one touches me most because of the meaning within in it! Thank you Tim! I agree with your observation. ❤️❤️ 2
Former Member Posted May 24, 2017 Author Posted May 24, 2017 (edited) On 5/24/2017 at 0:39 PM, BlindAmbition said: Ok... this is my attempt at Haiku. The first is for outdoors. The second for urban setting. Your feedback appreciated @AC Benus A cool ocean breeze Navigates the kites in flight With colors abound Under intense heat Rainbow flags fly high in pride In search of freedom I agree that the second one is awesome; lots of meaning in the sight for the reader, and yet the poet does not have to 'tell us.' You show us, which is what Basho wants. Both poems are great in having seasonal words. Kites for spring; Pride Flags for summer (June). If I have one little reservation about the kites poem, it would be a feeling that the POV changes midstream. You start us off by having the reader think of the ocean breeze and how it navigates around the kites, but the final line is talking about the kites and not the wind. It's pretty subtle, but if the final line was: "where colors abound" you might be talking about the sky and breeze. I don't know if I'm making sense. With your permission, the poem might be: A cool ocean breeze Navigates the kites in flight Where colors abound. Anyway, I really like both of them. You have the method of only painting the scene, the seasonal words, and great soul to boot. Thanks for taking the challenge, and please keep up the good work. Edited May 25, 2017 by AC Benus 3
Former Member Posted May 24, 2017 Author Posted May 24, 2017 22 hours ago, WolfM said: You say things like ruin my poem, I see it at helping me improve I need to work on catching the hard stops. 1
FormerMember4 Posted May 24, 2017 Posted May 24, 2017 45 minutes ago, AC Benus said: I agree that the second one is awesome; lots of meaning in the sight for the reader, and yet the poet does have to 'tell us.' You show us, which is what Basho wants. Both poems are great in having seasonal words. Kites for spring; Pride Flags for summer (June). If I have one little reservation about the kites poem, it would be a feeling that the POV changes midstream. You start us off by having the reader think of the ocean breeze and how it navigates around the kites, but the final line is taking about the kites and not the wind. It's pretty subtle, but if the final line was: "where colors abound" you might be talking about the sky and breeze. I don't know if I'm making sense. With your permission, the poem might be: A cool ocean breeze Navigates the kites in flight Where colors abound. Anyway, I really like both of them. You have the method of only painting the scene, the seasonal words, and great soul to boot. Thanks for taking the challenge, and please keep up the good work. Your critique is appreciated. Your observation about the first poem understood and well founded. Its amazing how a single word changed the flow and interpretation. 2
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