Stories

CJ has spent his first few months in Washington, D.C. living with his father and surrounded by a group of gay men who have become his mentors.

As he begins his sophomore year in high school at School Without Walls, the traumatic events at the end of summer linger. And over the next few months, he begins to explore his new life with visits to Chicago, Miami, and New York City.

This story starts in June of 2003. The invasion of Iraq is over, George Bush has landed on the aircraft carrier and proclaimed "Mission Accomplished", and the insurgency has yet to begin. Some may think America is at the height of its power.

Meanwhile, in the CAP world:

JJ and Will, both in doomed relationships that seem to be working. Will they unravel, and if they do, who is behind it?

Kendall, at 25, puts all his cards on the table and walks away from his best friend, Michael. Being a cop hasn't prepared Michael for the hit he takes. Is there a way back for these two?

Liam is tired of feeling like he's a second choice, but walking away is never easy.

** NOTE: This is the story of Liam MacPherson, who was introduced in Unforgivable. Although it would be helpful to read Unforgivable first, Choices can be read as a stand alone story.**

After a huge row between his twin brother and their father, Russell’s mother sends him off to stay with her cousin in Europe, with no explanation. Reluctantly, the shy nineteen-year-old faces the issues which have kept him in his brother’s shadow for the past five years. It’s a twisted path of denial, anguish and unexpected joy, as Russell struggles to deal with long buried emotions and hopes.

Crave: Feel a powerful desire for (something).

Some cravings you just can't fight.

A collection of random poetry

Little Man spends all of his time with Eric and his best friend Ogre. One college party is all it takes to complicate everything.

Kellar has become an island unto himself. That is, until he meets Tobyn, the first shifter who will actually talk to him.

These stories are works of fiction set in the real world.
Names, characters, places, and incidents are products of the author’s imagination or used fictitiously.
Any other resemblance to actual events, locales, or persons, living or dead, is coincidental.